Art of the American West

Learn how the American West inspired generations of artists, painters and sculptors

Emigrants Crossing the Plains (1867) by Albert Bierstadt (1830-1902)National Cowboy & Western Heritage Museum

Romantic vision of the West

On an expedition in 1859, German artist Albert Bierstadt fell in love with the American West. This led to a series of panoramic paintings that established him as a proponent of the "romantic sublime."

Rugged mountains

Bierstadt declared the American Rockies to be the equal of the European Alps.

Delicate lighting

Minute details combined with moody, deistic lighting won Bierstadt fame and fortune.

A harrowing journey

Although he placed a cow skull and bones prominently in the foreground of the painting, Bierstadt downplayed the harsh realities of the journey, creating idealized visions of a westward migration.

Emigrants Crossing the Plains, National Cowboy & Western Heritage Museum, 2015, From the collection of: National Cowboy & Western Heritage Museum
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Albert Bierstadt's masterpiece combines many disparate elements of the Westerm Story

Sign of the Buffalo Scout (1907) by Frederic Remington (1861-1909)National Cowboy & Western Heritage Museum

Remington shapes the Western ideal

In 1892, art critic William Coffin noted that, more than any other source, Frederic Remington’s paintings were chiefly responsible for Easterners' conceptions of what Far-Western life is like.

The Buffalo Signal (1901) by Frederic Remington (1861-1909)National Cowboy & Western Heritage Museum

One-of-a-kind bronze

The Museum's collection holds seven of Remington's bronze subjects, including "The Buffalo Signal," a unique cast that Remington gifted to his friend, French Devereux.

Signaling his people

The bronze represents the moment at which an Indian scout waves a buffalo robe, signaling the beginning of the hunt.

Fredric Remington: The Sculptor (2007) by National Cowboy & Western Heritage MuseumNational Cowboy & Western Heritage Museum

Remington: The sculptor

Remington's skill in both painting and sculpture added dimension to his Western storytelling.

Red Man's Wireless (1916) by Charles M. Russell (1864-1926)National Cowboy & Western Heritage Museum

Russell's vision of Native people

Russell ensured that Native Americans were often depicted in his work, such as in the painting Red Man's Wireless.

The Leader's Downfall (1946) by William R. Leigh (1866 1955)National Cowboy & Western Heritage Museum

Man vs. nature in the West

Horses and horsemanship are featured in many of the best Western paintings, like The Leader's Downfall by William R. Leigh.

Morning of a New Day (1907) by Henry Farny (1847-1916)National Cowboy & Western Heritage Museum

Man vs. the elements

The West's challenging climate was featured in many paintings, including Morning of a New Day by Henry Farny.

Buffalo Hunt (1860) by Charles (Carl) Wimar (1828-1862)National Cowboy & Western Heritage Museum

Capturing the hunt

Hunting was critical to the survival for all people in the early days of the American Frontier as seen in Buffalo Hunt by Charles (Carl) Wimar.

Art of the American West (2015) by National Cowboy & Western Heritage MuseumNational Cowboy & Western Heritage Museum

What makes art "Western?"

The Art of the American West connects the stories and people of the frontier to a wide variety of artwork.

Credits: Story

Come Find Your West at the National Cowboy & Western Heritage Museum.

Exhibit produced by The Staff of the National Cowboy & Western Heritage Museum.

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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