Jan tschichold

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Jan Tschichold. Die Frau ohne Namen (The Woman Without a Name) (Film poster for the Phoebus-Palast cinema, Munich). 19… | Constructivism, Poster design, Book design

Jan Tschichold. Die Frau ohne Namen (The Woman Without a Name) (Film poster for the Phoebus-Palast cinema, Munich). 1927. Photolithograph. 48 3/4 x 34

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Jan Tschichold and the New Typography: Graphic Design Between the Worl | Moholy nagy, Typography, Poster design

Tracing the revolution in graphic design in the 1920s, a new exhibition at Bard Graduate Center in New York, displays materials assembled by typographer and designer Jan Tschichold (1902–1974) in Weimar Germany. Published in Berlin in 1928, Tschichold’s book Die Neue Typographie was one of the key texts of modern desig

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Contexts that Changed Graphic Design: Jan Tschichold | Book design, Typography design, Graphic design

Jan Tschichold was an typographic advisor and designer. He defined the new typography. For his 70th birthday he wrote his own tribute in the third person. It began: ''Two men stand out as the most powerful influences on 20th century typography: Stanley Morison, who died in 1967, and Jan Tschichold.'' Jan was naturally put in the print industry because of the family from which he came but he was very curious about new ''isms'' in art. He latter came away from the Bauhaus exhibition and soon…

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Jan Tschichold. Buster Keaton in: "Der General". 1927 | MoMA | Typography, Busters, Modern graphic design

Jan Tschichold. Buster Keaton in: "Der General". 1927. Offset lithograph. 47 x 33" (119.4 x 83.8 cm). F. Bruckmann A.G., Munich. Gift of the designer. 291.1938. Architecture & Design

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Walter Dexel. Die Sport Ausstellung (The Sport Exhibition) (Poster for exhibition in Magdeburg). 1929 … | Typographic poster, Typography, Graphic design inspiration

A single letter dominates this poster, creating a memorable logo for the event. Dexel's design exploits the symbolic and expressive potential of a sinuous S to suggest both lithe, athletic movement and the shape of a racetrack. The publication of Tschichold's book Die Neue Typographie (The new typography) in 1928 had boosted the adoption of modernist graphics in centers across Germany, including Magdeburg, where Dexel had arrived in 1928 to fill the teaching post vacated by his friend...

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