Rachel whiteread

Rachel Whiteread’s ‘Untitled (Domestic)’ (2002) PHOTO: RACHEL WHITEREAD/GAGOSIAN, LONDON/LUHRING AUGUSTINE, NEW YORK/GALLERIA LORCAN O?NEILL.

The first woman to win the Turner prize feels lucky to have been able to live off her art

Rachel Whiteread is my cement soulmate okaaaayyyy

Rachel Whiteread, Untitled (Stacks), 1999

Rachel Whiteread is the most successful and original artist to have filled the big space at Tate Modern, the Turbine Hall. Her white landscape of cubic boxes offers the museum-goer something of a dreamland. Space and scale are subject to an ingenious interplay by Whiteread. At first, one might, on entering the scenario at ground level, feel as if one were subsumed in a warehouse where the warehousemen have been stacking things to rule, before, or immediately after, some industrial dispute.

Washington, DC—For the past 30 years, acclaimed British artist Rachel Whiteread (b. 1963) has created a body of work that is wide-ranging in scale and medium, yet consistent in its process of casting the objects and spaces of everyday life. Whiteread deploys replication, reorientation, and repetition to trace a social past while bringing it into the present. On view at the National Gallery of Art, Washington, from September 16, 2018, through January 13, 2019, "Rachel Whiteread" is the first…

Rachel Whiteread at Tate Britain: Torsos

Rachel Whiteread

In the most substantial survey of Rachel Whiteread’s work to date, the Tate looks back over 30 years of her sculptures

International contemporary as well as late 19th century painting, drawing, sculpture, installation, photography, and video works.