Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Tuesday, April 24, 2018

"U" is for Underline

What parts of my life shall I underline, 
to unpack the past, memory by memory, each
unique moment caught, uncorked
for your pleasure,
perhaps unexpected or even unusual. I understand
you may be uneasy, but I am an unselfish woman.
Don't take umbrage at this uneven unveiling
of images under that metaphoric umbrella
that unites us. I offer distraction,
like Scheherazade, I have untold stories yet
to utter, my ultimate secrets,
unmistakably unique, at least until
my days are used up.

Masaai Women Ululating with Song, Tanzania (Camp 2012)

                                 Giraffes, Long Necks Undulating, Tanzania (Camp 2012)

This month-long challenge is nearly at an end. What a pleasure it's been to wake each morning and write whatever I can, inspired by the 'letter' of the day. Only a few letters left. I hope you enjoy what others have written as well.

More about April's A-Z Blogging Challenge here:  http://www.a-to-zchallenge.com/

Sunday, February 11, 2018

#4: Winter in Mérida

I’m sitting in the roof garden
of the colonial house we rented here in Mérida,
a snowbird from the dry, cold lands of the north,
listening to an anonymous neighbor play
random classical piano, the notes filling the air,
as swifts and an occasional pigeon fly above me
in the cooling evening winds.  

Our rented house is built of Maya stone.
Inside, thick-cut square blocks frame doors,
exposed walls of rubble stretch to ceilings,
fans circle slowly, and
twenty feet above me, railroad ties
hold up the roof. When it’s too hot and humid,
a dipping pool awaits.  

This house rests on history, as does the city:
in 1542, Francisco de Montejo ordered the temples of T'hó torn down,
its hand-carved stones used to build Spanish palaces,
European style, superimposed on the same square,
under the same sun;
the Maya and their children, enslaved and slaughtered,
their precious books burned,
of thousands of codices, only four survive,
as did the Maya through the rise and fall of henequén plantations.

Today, this sad history plays out on the walls of the Governor’s Palace,
Castro Pacheco’s massive murals, perhaps inspired by Diego Rivera,
teach us the brutality of colonialism.
Yet, the people,
descendants of Spaniards and Maya, mixtos,
welcome temporary visitors, expats, and short-timers.
We visit what remains of the old cities of the Maya,
stand in awe under the ceibo tree and swim in cenotes.
Museums carefully display artifacts, a replica of a codex,
weather-worn stone gods, with notes in Spanish, English, and Mayan.

Some of the old mansions in the Centro are restored, some yet crumble,
their rock roots revealed. And, as the night sky descends, 
cloud jaguars race from the west along the horizon. 


House of the Artists, Merida (February 2018)

Merida Central Plaza (February 2018)

As we come to an end of our time here in Mérida, I wanted to write a poem that captures some sense of what we have experienced here -- with special thanks to the Merida Writers' Group for their suggestions.

But I left out one of the most amazing cuisines: Yucatecan food. Mayan tradition. Delicious. Mexican pastries from the local bakery (our favorite, something we dubbed 'cheeseballs', a ball of pastry wrapped around a kind of cream cheese). And another favorite for breakfast: Motuleños. Eggs over black beans, tortillas, topped with rich goat cheese and a mild tomato sauce. This dish, prepared by the fabulous cooks at Maiz, Canela, y Cilantro, is  served with sauteed plantains.


Tuesday, April 12, 2016

J is for Just Another Poem and a Little about Jasper House

Outside the white choke cherry 
blossoms so full this year,
the branches dip down.
No wind,
no rain
to end their beauty. 
At least not today.
That's the lesson
of this season. 
New life is fragile,
as is old life,
and yet the seasons turn,
another spring of pink and white,
of strength in small things.
Everything is going to be all right.

Spring at Manito Park, Spokane (Camp)
I had planned to write about Jasper House today, a way station in what is now in Jasper National Park, Canada. Road construction prevented us from stopping at the actual site where no trace of the house remains, but we saw the mountains and encountered a snowstorm in August. 

Back in fur trading days, the brigades stopped at Jasper House to trade canoes and boats for pack horses on the trek across the Rockies.

In the 1840s, you might have met Colin Fraser here, a former bagpiper for Sir George Simpson, the head of the Hudson's Bay Company, who traveled across Canada to visit these far flung posts, and announced his arrival with a skirl of music. 

Fraser lived at Jasper House in a two-room cabin, one for all comers, and the other for his family, his Cree wife and nine children. Paul Kane visited here in 1847 on his trek to Fort Vancouver and "got an Indian" to make him a pair of snowshoes for the crossing of the Rockies. His words. I do not think he paid for the snowshoes with money, for Kane traveled very light. Maybe he exchanged a painting for them, for his gift was valued highly.

Paul Kane, "Sketch of Jasper House" 1847 (Source WikiArt)

Have you wondered what happened in the places you've visited in years gone past? One delight of writing historical fiction is digging into research.  Discover what others have written by visiting other blogs in this A to Z Blogging Challenge.


Thursday, November 07, 2013

Two November poems . . .

The first snow has melted but this morning is a little bleak. A cold and rainy early morning with folks already driving to work. Here are two morning commute poems, embellished by the camera art of Sandy Brown Jensen..

Morning Commute #1

My poem got lost
on the way to work
this morning,
fog-bound fields,
trees patterned against the sky,
faded photocopies.
A few frail yellow and red leaves
float above the bones of a winter landscape,
with many gray days ahead.

Morning Commute (Sandy Brown Jensen)
November Weather Report

Early Tuesday morning,
clumps of clouds
hang low over the valley
as if they had fallen -- like stars,
like dreams
too close to earth.

On Wednesday, gray dimples
fill the sky, flecks of light
at the horizon hint at the sun,
while trees shiver yellow.

Thursday, brilliant sun blinks
and twins to moon,
traceries of cloud
alternately hide and reveal the sun.
Wispy streamers of gray drift,
filling up the sky.
Pale yellow bands light up
the edge of the world,
now yellow, gray, and blue,
layered in morning harmony.

Later the moon rises,
a perfect circle in a glassine sky,
white shadow circling,
bright aura shimmering.

Oregon morning (Sandy Brown Jensen)
Sandy Brown Jensen lives in Oregon, writes, paints, and teaches creative writing and digital storytelling. Sometime in the last few years, she grabbed a digital camera and began to explore what she saw and loved. Her more than 6,000 photos are used with permission, available on Flickr under a Creative Commons license.She's also on Vizify, an interesting online profile site I know nothing about!  Sandy and I taught together. Just before retiring, I took a creative writing class from her and am privileged to be her friend.

So for those of you who are curious about Big Brother, the Internet, and your personal data, consider checking Vizify out. Apparently, you push a few buttons and an online visual profile appears -- all about you. I'm going to try it. Here's a neat background article on Vizify by social studies teacher Dawn Casey-Rowe.

If you're here because of you like to read or write poetry, and perhaps are suffering from withdrawal by the end of OctPoWriMo (a poem a day for the month of October), consider visiting Poets on the Page, a weekly poetry prompt each Monday -- with a link.

May your week go well.

Saturday, June 15, 2013

Summer Poem

Now the sweet, green leaves of summer
greet me each day. In this country,
the wind blows clouds to the far horizon,
and the sun shines every day.
Those fat, full heads of peonies droop
down to the ground, and marigolds and poppies
flourish. Clematis vines flower like spreading hands,
their purple and white equally intense
in their last gasp before the heat
of full summer, remind me
of the turn of seasons,

of the end of days.

I'm always surprised by poetry -- as if the only time I do write poetry is during April, National Poetry Month. But last year, I noticed I was forgetting the details of the turn of seasons, when one type of flower finished its bloom, and the next flourished, when the birds came, and when they left.

Yesterday, I helped my dear daughter and son-in-law with a garage sale. She wanted to let go of clutter, to simplify. Leda is now one-year-old, just before that first step when she walks, her words a jumble of sound that makes sense to her and only sometimes to us.

Yesterday Allen took me to a fabric sale where thousands of bolts of fabric were being sold at $2/yard. Two very large rooms at the County Fairgrounds were full of tables, bolts lined against the wall, with hundreds of quilters shopping. On the first day of the sale, the lines stretched out about half a mile, and shoppers waited about two hours to pay for their finds. Today was quiet, but so many choices. I cannot imagine ever possessing this much fabric, even though I love quilting and have far too many projects awaiting my attention. And yet I brought home some lovely new fabrics, bright tropical fishes, Native American themes, and 144 9-patch squares all in blue  (I'll try to post a pic later). I now have 4 charity quilts at the planning stage and those blue squares will grace my bed at some point . . . 

Yesterday also, I had what was so lovingly described in My Big Fat Greek Wedding as a 'bibopsy'. Just a small removal of a mole. Nothing serious expected, but it was a little sign. I've downsized once. I'm not sure I'm ready to downsize again.

Morning Lion (Camp 2012)

Saturday, June 08, 2013

Frida as Mermaid . . .

Frida Kahlo (Wikipedia)
Frida Kahlo swims
in the ocean, a mermaid,
her hair braided into 
a crown, festooned 
with red hibiscus flowers
and pink sea shells,
her cheeks pale,
her brows like dark islands,
her eyes two midnight stars.

She swims 
on the edge of my imagination.
Lighter than water, 
lighter than air.
She floats 
atop the calm, green waters,
Does she paint the sea?
Transform it 
as she transformed herself?

Between the waves,
she dives into herself.
Only one red hibiscus remains,
floating and drifting out to the sea.

Saturday, April 20, 2013

R is for Relief . . .


The cherry blossoms on the tree outside my window
are just ready to open, the pink petals poke through green;
I am relieved for it has been a long, long winter.
Sometimes I sense the whole earth rising into another round
as it spins forward on a journey no one quite understands,
maybe god-driven, maybe an accident of molecules.
No matter. This year, many have suffered,
and we have suffered with them,
fueled by newspaper headlines and our own tragedies.
I can’t say we are indomitable because we all
face down dark moments. Some few act out in violence,
that Shiva-splintering, limb-tearing, death-reeling moment
that destroys the universe we hold within our own awareness.
But this morning’s newspaper speaks of celebration;
I will sink into meditation, grateful again
for all those who act out of goodness,
true to some moral code,
some awareness that our hearts beat as one;
even for the most anonymous among us.

Last night in Boston, a neighbor looked under a boat cover to discover hiding there the man the police sought. That neighbor called the police, and this morning we celebrate an end to the blockade, the lock-down, the door-to-door, the invasion of everyday life the police made to end the terror. But the neighbor could have cowered in his house, could have refused to act upon what he learned. He also could have helped that blood-covered man. But he chose to call the police, though he must have been terrified. At times in our lives, we are required to look directly at danger and to choose. We may choose out of a sense of obligation or a love for others, but our choices then shape all else. May we always choose for the good.

Tuesday, January 22, 2013

Winter thoughts and ROW80 . . .


January brings
freezing fog this morning,
ice on the street slick and glassy.
Little nameless winter birds cluster
at the bird feeder,
as if the seeds will keep them warm.
Even the trees turn white
and still, each leafless branch,
each pine needle, frost-coated.
Like house plants, we are still alive,
My African violets yet bloom in winter.

ROW80 CHECK-IN: Skipped Sunday's ROW80 check-in. I can only blame volunteer work, writing PR stuff to deadline, and a truly wonderful baby-naming. So, the WRITING (or I should say revising) goes reasonably well "between" other commitments. I can't keep a word count, and I get sidetracked by research, everything from what does a possum really look like to who was the District Constable in 1842.

I'm currently READING Jennifer Chiaverini's Mrs. Lincoln's Dressmaker, a well researched slice-of-life story in Civil War Washington, D.C., but a very different, more matter of fact style than the evocative writing in Kate Grenville's The Secret River. MARKETING should heat up in the next few weeks as my KDP contract runs out on Feb 7. The next challenge is to take The Mermaid Quilt live on Smashwords. I did learn much from participating in just the first week of The Ultimate Blog Challenge. But writing a blog post a day is simply too much, unless I want to cut back on my main writing project (and I don't).

Question of the Day: I do keep a travel blog, On the Road Again, where I've been posting pictures and some writing about what we saw in our 3 week trip to Africa this last November. But even if I don't post as often as here, more readers are jumping to that blog than this one, and some of those readers are complaining that I need to post more on the travel blog!

Market gurus say to find your niche and promote from there. But my writing is my main focus. I also find it hard to write on the travel blog when we're at home. That nasty inner voice says, "What's so interesting about home?" Today's poem came from what I see out my window at 6 am. Tonight's low will be under 20 degrees Fahrenheit; I'm expecting more frost-covered trees, more revision, and maybe another poem.

So the question is: What would make my writing blog more interesting to you? And thank you for stopping by.


Saturday, January 05, 2013

About fan mail . . . and Yemanja


Katy, a friend of a friend, wrote a fan letter about my book, The Mermaid Quilt & Other Tales. More personal than a review, this letter between friends, recounted that she had opened the book at random and read about Yemanja in a poem set in Salvador, Bahia, Brazil. She was immediately pulled into the world of the poem because she had once visited there and had fallen in love with the people of that town and their culture, just as I had.  Here's the poem:

"Imagine a Town . . . "
The women of Salvador dance down to the ocean,
bearing gifts to honor  Yemanja

Imagine a town each February 2
that closes its shops.
All the people come down to the water
wearing transparent beaded necklaces and
bringing gifts, little boats
filled with flowers and perfumes
to launch into the sea.

They come, singing songs and dancing,
the people of the town down to the water,
near the Rio Vermelho,
the beautiful brown women
wearing gowns the color of the sea.
Bearing gifts they come singing to you,
Yemanja, orixa, Princess,
oh, Janaina, Queen of the Sea,
mother of the waters, of the storms,
of the fish.  In your honor,
the sweet perfumes, the rejoicing.
Yemanja appears, giving gifts to her followers
Even the cat prowling
under the tables of Mama Bahia
for scraps of fish
has eyes the color of the milky green sea.

How I long to dance with the people
along the beaches here in your town,
Yemanja,
in Salvador, Bahia, Brazil,
a town once of fishermen
who went to the sea in small boats,
while women waited
and prayed by the shore.
Now all shadows and phantoms
they come from the past,
their boats filled
with flowers and perfumes.


Another image of Yemanja
In Salvador, Saturdays are consecrated to Yemanja, the queen of the waters, ruler of the upper sea, a goddess (orixa) in the condomble religion.

Most commonly shown as a mermaid, Yemanja appears in many forms in this city where people still gather on the beaches each February 2 to offer her gifts. I was fortunate enough to stay in Salvador in 2009 for about a week. The first two photographs are from a monumental painting by an anonymous folk artist. This painting hangs in the lobby of the Pousada do Boqueirao, a hotel in Salvador where we stayed for one wonderful week overlooking the ocean. (Oh, please go look at the images of this wonderful hotel.)

This last painting is smaller, perhaps as large as your hand, also from the Pousada, which was filled with images of Yemanja.

But Katy's letter connects my poem to her experiences in Salvador, her appreciation for how Africans, brought to Brazil against their will as slaves, yet retained their own religion and their cultural identity.

As a writer new to building audience, how do I respond to her letter? For respond I must, first out of gratitude. She read my stuff and found it moving. What more could any writer want? I shall write her a letter back, perhaps including these color images, for they do not appear in my book.

How have you responded to your readers? What would you do in response to Katy's letter?

Friday, January 04, 2013

I don't remember . . .


I don’t remember what I learned last year.
In January, my love and I watched eagles winter at a mountain lake.
In March, we traveled south to see sand hill cranes migrate.
My aunt’s paintings became more precious
with her death. And in March, 
I stood beside my sister to mourn her husband’s passing.
In June, my daughter became a mother; joy on joy,
our conversations are different now.
In November, my love and I traveled to the ends of the earth,
or so it seemed, to Africa. Maybe our souls need more time
to catch back up with our bodies
that flew forty-six hours home.
I number the doctor visits on both hands twice over,
yet we talk of travel to Paris and walking once again along the Seine.
I breathe in memories of this last year
as dear, as pungent as lilacs. 

Today's poetry prompt comes from Morgan Dragonwillow, Playing With Words, to write a poem about this last year. I do write nearly every day, but somehow 2012 seems nebulous to me. 

What did I learn from this last year? Only to celebrate the gift of each day, yet somehow I cannot put this into words that say exactly how I feel.

If you're hopping here from the Ultimate Blog Challenge, have you written about 2012?


Sunday, December 09, 2012

Let us travel to Zanzibar . . .

Forodhoni Park, Zanzibar


Let us travel to Zanzibar,
wander the streets in Old Town,
past open air stalls, beaded crafts,
past women draped in brightly colored kangas,
down cobbled streets edged with
plumeria, tree ferns, and flamboyant trees 
filled with flame-red blossoms. 
The music of a language we don't understood
follows us to Forodhoni Park,
where men wear long white aprons and
lean over open pit fires to turn skewers of fish.
The boats come in from the sea, safe.
When the day is done,
we’ll return to our rented room,
draw the mosquito netting close,
and tell stories. We’ll remember
the sweet tastes of fresh coconut,
the smell of cinnabar and mint tea.

As I look at the pictures we took in Zanzibar, there's so much that is hard to put into words. We're home now, it's snowing here in Spokane, and Africa seems very far away. But the writing focuses everything else and it's time to close down this Sunday with my ROW80 check-in

  • WRITING: pretty good progress on reading/making notes for Years of Stone; lots of work on Author Info sheet (bio, market plan, deadlines).Can't quite blog daily re the Africa trip, but a few poems are starting to emerge, posted on this blog (See more photos on the Travel Blog here). 
  • READING/CRAFT: Goodreads turning out to be very useful in identifying books I really do want to read. I made a commitment to post reviews for the books I do read. So far, so good. Just finished M. J. Rose's The Book of Lost Fragrances and now must try to read J. K. Rawlings' The Casual Vacancy in three days (can't renew at the library as it's a new book).And The Writer mag just came in.
  • MARKETING/PUBLISHING: Taking a dive here and hope to submit by Jan 5, thus avoiding the black hole of the holidays when no one wants to read anything from anybody. Google+ is picking up steam a bit (or I'm learning about circles). All together, it's been a pretty good week, birthday breakfast and food poisoning notwithstanding. 
To all ROW80 participants, may the end of the year go well for you and your writing projects!




Thursday, December 06, 2012

Birding in Tanzania . . .

Flamingos in the Ngorongoro Crater

I never saw a crocodile bird,
nor the village weaver with its round bush nest.
I missed the Eastern Paradise Whydah
and the little red-billed fire finch.
I looked unsuccessfully
for the yellow-eyed babbler,
and the red-cheeked Gordon-bleu.

But I saw waves of pink flamingos rise from a marsh,
one Gray Crowned Crane, far from home,
and a Masai ostrich court his mate.
I fell in love with the bright blue eye patch
of the friendly Helmeted Guinea Fowl,
watched baby Francolins skitter away in the grass,
and admired the stately walk of a Secretarybird.

I once slept in a tent in the grasslands of the Serengeti,
and heard lions cough at dawn.  
The long-tailed widowbird never appeared. 

Helmeted Guinea Fowl
Slowly, slowly, I'm putting together pictures and stories about our three-week stay this November in Tanzania in my Travel Blog, On the Road Again. Words don't seem adequate to describe the scope and depth of what we saw.

Friday, October 26, 2012

October 26: Better You Than Me


I remember the sting of a willow whip
on the backs of my legs,
later a thick, leather belt,
or a smack in the face.
I went to school with bruises,
carefully hidden under my sweater.
I forgave you for drinking long ago,
the day you leaped out of a moving car
because I wouldn’t stop at that tavern.
Researchers say we repeat the actions of our parents.
We speak, surprised
to hear our mothers’ voices in our mouths.
I choose not to. Tenacity,
this is the gift I learned at my mother’s knee.
I know down to my bones
we do not have to repeat what others have done.
My own daughter, her hands,
like my own,
only touch her daughter with love.

Today’s prompt from Octpowrimo (write a poem a day for October) asks us to
consider forgiveness, not an easy topic. In fact, when faced with danger, we fight or
we run away. Some say we can choose to “go with the flow.” Though being quiet,
unassuming, leery of argument, and somewhat shy, I generally choose to fight. My
husband says we forgive the foibles of those we love. I agree, most of the time.

But there is much in the world to fight against. I do not forgive the mean-fisted failures of
our governments, our soldiers, our social institutions. Even the smallest interactions
between parents and children can go wrong. No child should be hungry. No child
should be alone. No child should be born addicted to drugs. No child should wake to
bombs in the night. Personally and collectively, we do know better.

I love the line that Welsh poet Dylan Thomas wrote, “Rage, rage against the dying of
the light.” In fact, Thomas was a poet who died at age 39 from a heavy drinking bout.
But his words still resonate for me.  Here’s his poem, a villanelle, in its entirety to
celebrate October.

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

Source of Dylan Thomas' poem HERE.

Tuesday, October 23, 2012

October 23: Travel Preparations


We leave for Africa in four days.
Travel books warn: Carry cash
for the hotel, the airline.
We stand at our bank, watching the teller
count dollar bills. No credit cards.
Once, between flights, I slept
spread out atop my luggage.
So we will sleep in Dar el Salaam,
no cab ride into town at midnight.
I sew secret pockets for shirts and pants
of nondescript colors.
We will travel alone for eight days
before joining our group.
We are older.
We are ready.

When I first met my husband, he explained he couldn’t really settle down, for he loved to travel. I was hooked, for better than libraries was the draw of seeing the world.

My husband has a facility for languages. He talks outrageous politics with cab drivers, the policeman on the corner, the shopkeeper. The closest I came to this kind of encounter was in San Cristobal de las Casas, in southern Mexico, just after the government negotiated peace with the revolutionaries. A woman in the corner grocery store we had patronized for two months spoke to me out of the side of her mouth. What was it really like in the United States, she asked. Could she truly find work if she crossed the border?

Because I taught, each summer gave us opportunities to travel. We were not wealthy; we took buses and trains. We saved up airline miles. But travel requires certain preparations, and I am a coward. A friend boarded a subway in Mexico City. Within minutes, his backpack was slit with a razor. He lost his wallet, his shoes, and his glasses.

We explored a beautiful colonial port town in Montevideo, Uruguay. As we walked downhill to the sea, I was a little ahead, camera out, when I heard a grunt and turned to see Allen, crumpled on the ground, a young man racing back up the hill. I chased him, screaming Spanish curses I didn’t know I knew.

Street musicians outside our hotel
in Salvador, Bahia, Brazil

In Salvador, Brazil, where the smell of feijoada, a fish stew, carries on the air as you pass Mama Rosa’s restaurant; sometimes your back tingles as you walk along cobbled streets. We stepped on a side street. Two men rushed after us, a mix of Portuguese and English, “Don’t go that way.” We turned back to our hotel room, La Sirena, in a city of mermaids and samba.

When we flew back from Costa Rica 24 hours after Allen’s stroke, a volunteer met us at between planes  and walked us through customs, her bright face unforgettable; her litany of words, a prayer; I was not afraid, for we live in the world, not apart. Past, present, future, we are all connected. Tanzania, Zanzibar, its people, its history are calling. We leave for Africa in four days.

Octpowrimo (write a poem a day for October) is nearly winding down. Today's poetry prompt was to write about a challenge. Read what others have written HERE. Morgan also challenges us to actually record our favorite poem from this month and post it (a skill I've thought about and never tried). Maybe later. The bulldozers are pretty busy outside our apartment this morning! And I'd like to read what others have written. May your day go well!




Sunday, October 21, 2012

October 21: Woman Weaver


Huipil pronounced whee-peel
Young girl weaving huipil, Antigua, Guatemala (2001)

Since the beginning,
I have seen my mother 
weave huipil.
She would set me 
to sorting colorful threads 
while I watched  
mountains and birds take shape
under her fingers. 
The women weavers,
chattering softly in Spanish,
worked around us, 
all leaning on the leather belt
of the backstrap loom.

Only when I was thirteen
Did I begin to understand
What it meant to wear huipil:
I became the center of the universe
as I slowly pulled the huipil over my head
and emerged transformed, a woman,
between heaven and the underworld,
guardian of the past and the future,
keeper of my culture, weaver of huipil.

Huipils are traditional garments designed by men but woven and worn by Mayan women all through MesoAmerica. I took the picture of a young huipil weaver in Antigua, Guatemala, in 2001, while staying there in the summer, a break from teaching. Each village has a slightly different design, but the symbols are generally of nature, fantastic birds and flowers, or geometric mountains and birds. I treasure three huipils of my own to remember this time in Guatemala.

Octpowrimo's poetry prompt today was to write a poem about whether your life would go smoother if you would simply go with the flow -- Weave and flow. Once I read the word 'weave', though, I was lost in memories of Antigua. Read what others have written HERE or on Twitter @octpowrimo   More about huipils here.
Bird Huipil, Lago Atitlan, Guatemala, 2001
ROW80 (Round of Words in 80 Days) UPDATE:  The Quilt Show is over today! Maybe 4,500 attendees and over 600 fabulous quilts. I trashed my feet walking and looking and dreaming about quilting. Worked the Boutique during rush with a high tech cash register. Programs were great! Now I collect survey info and plan for next year.

WRITING: By making the chart, I actually wrote on my wip 4 out of 7 days, and am still holding to a poem a day for Octpowrimo (a poem a day for the month of October). I'm learning that if I write poetry, I don't have so much time for my wip. Must do/will do one critique today for NOVELS-L (else I am banished for the group for not doing two critiques this month).

READING: Slower progress in reading James Scott Bell's Plot & Structure, so I'm downsizing my goal to 2 chapters a week. Still making a steady dent (one magazine a day) in that pile of unread material. Posted a review in Goodreads for Kate Grenville's The Lieutenant, an absolutely engrossing read that's set, of course, in colonial Australia. What I appreciated most is that the conflict was mostly inner and mostly moral, leading me to ask what moral dilemmas my own main characters face and with what commitment. Feeling more comfortable with Twitter and holding to daily reads of what others have written.

MARKETING: Goals met for Marketing this week. In some ways, here I face the biggest challenge (is anyone else a shy writer?). But I'm pursuing a book group reading for January (just picked up my courage and asked! They said yes), and will also start attending an author's monthly lunch in December. I distributed mermaid bookmarks at the quilt show. While on Goodreads, I discovered Mike Lopez left a lovely review of The Mermaid Quilt & Other Tales!  Now time to reset that chart and get to work on the critique!

May your week go well.

Friday, October 19, 2012

October 19: A Griffin and a Sphinx


We were brothers once in Egypt, you and I.
I left for Knossos, that island in time,
Griffin fresco in the "Throne Room",
Palace of Knossos, Crete, Bronze Age (Wikipedia)
and you for Thebes.
Seduced by the Greeks, you still have
our lion’s body and wings, but now
you’re graced with a woman’s face
and a serpent’s tail.
I cannot answer your riddle, but I know
you will not bite my throat.
I could save you from these Greek witches.
Just one of my feathers will cure your blindness.
We could guard Alexander’s tomb together.
I could fly you to the Andes far from here.
I will protect you, Brother Sister.
Transform me into bronze,
Dumbledore’s staff.
I will stay by your side.

Marble Sphinx dated 540 BC Acropolis Museum,
Athens (Wikipedia)
Today's poetry prompt from Octpowrimo (write a poem a day for October) is "Seize the Day!"  Read what others have written HERE.

But, I was intrigued by Lena Corazon's poem, “A Griffin guards my dreams . . .” and the beautiful cover of her writing journal, and so wrote sideways about the conversation a Sphinx might have with a Griffin. I had fun reading about both mythical creatures on Wikipedia.

What was the riddle of the Sphinx? Two versions: The most common, “Who walks on four legs in the morning, two in the afternoon, and three legs in the evening?” If you were unable to answer, the Sphinx would bite your throat, strangling you and holding you down until you died. 

But Wikipedia reports a second version: "There are two sisters: One gives birth to the other, and she, in turn, gives birth to the first. Who are the two sisters?" I can imagine this second question being asked by the later, feminized Greek Sphinx. The answer is Night and Day.


Thursday, October 18, 2012

October 18: Time


Chuck Segars said, “Calendars
are for careful people, not passionate ones.”
I imagine ripping a calendar apart,
tearing the pages away to those moments
that cannot be held by 24 hours
or measured tick-tock:
When you said, “Enough about
me, tell me about you.”
When you held our child
for the first time and crooned
lullabye-and-good-night,
you, my love, my center.
Yes, my life’s been ruled by work
commitments and deadlines,
all those hours of commuting,
totting up and keeping track,
I would rather walk with you along the wetlands,
morning or night, mesmerized,
I unfold myself to you and see
Van Gogh stars – infinity. 

Today's prompt from Octpowrimo asks us to explore a sense of time. Today marks the anniversary, just one year, of my sister's husband's death. I remain so aware that every day is precious. Read what others have written here

Tuesday, October 16, 2012

October 16: Happenstance


Just as the African violet unfolds
another deep purple flower, anonymous, unseen,
I am caught between my last breath
and the next, my past, constructed reality,
and the future, unknown, I build words across
the abyss, a world without meaning. At any moment
we face whimsy or tragedy:
Someone makes a left turn instead of a right turn
and another car plows into yours.
Happenstance it is you rather than me,
or me rather than you who suffers.
I strive to write poetry that sings
some sense of order, harmony,
each day a quilt of many blocks,
Sisyphus stitching yet another day.

Which side am I on? Hot or cold, am
I in the middle? Heartsick at suffering,
too hungry for beauty, unable to let go of joy?
Even when I fear the consequences of any action or inaction,
even if there were no meaning at all to this round of days,
I can still choose.
I breathe in another moment, another choice,
I choose to not exist in the middle.
I am free to choose.

Today's poetry prompt at Octpowrimo asks if we are in the middle, either/or, yes or no. And I thought of the existentialists, an awareness whether or not we believe in a God, that we shape our own futures with our choices. In fact, we cannot blame our past for what we choose to do today. Consciousness. Today's acts lead to who we will become. Accountability. If I am caught in the middle, I need to work to synthesis, and trust in the inherent common values we affirm. I will not say that life is 'nasty, brutish, and short' but rather, each day we have the responsibillity to re-invent ourselves and work for the good in ways small and large. May it be so. 

Photo African Violet (Wikipedia).

Sunday, October 14, 2012

October 14: Reflection


I could avoid looking in the mirror
or looking within, but not what I see
when I look at you, daughter of my heart,
from my flesh and from my bones.
I cherish this old photo taken in San Francisco,
just after I learned you were resting in my womb.
I remember longing for you, daughter,
the dream of night visions realized.
Today, you bless your own child with love,
one generation and, as the poet says,
“Joy on joy,” now two, sweet reflections.


Today's prompt from Octpowrimo simply asks us to look at our own reflection, and if that is too difficult (as evidenced by my frequent breaks from writing this morning), to reflect on Eric Hoffer, "With some people solitariness is an escape not from others but from themselves. For they see in the eyes of others only a reflection of themselves." So the prompt goes: What I see when I look in your eyes. There are some 50 of us trying to write a poem a day. To read what others have written, click HERE.

ROW80 UPDATE: Skipped Weds update. Feeling a bit overwhelmed by travel preparations and the quilt show (this coming week and then done!). When the "to do" list is too long, time management gurus say to tackle the hardest task, the one you least want to do. So yesterday I sewed secret pockets in my two travel pants.

BUT the good news is I have begun working through  Plot & Structure by James Scott Bell. A chapter a day. This process feels like it's more connected to the revision I want to do, even if the coming three weeks in November mean I will be far from home or computer. Still have two critiques to do for NOVELS-L. But I am writing a poem a day (and reading what others have written, sheer creativity!). Bell says set a writing quote for each day and then stick to your writing until you achieve it. I need to hear those words, though I'm setting goals, not a word quota  -- yet. 

And progress on yet another sideways marketing goal: gain skills on Twitter. Yep. I'm twittering. Twitter posts take me to very useful articles on writing craft -- and connect me with other writers. If you twitter, try @bluebethley  May your week go well.

Friday, October 12, 2012

October 12: Passion


Bang.  Slam. The house tilts.
Presidential debates notwithstanding,
the living room fills with testosterone.
I hyperventilate. Not even national policy
can be decided without an argument.
We have forgotten civility,
punctuation that brings order to discourse.
“Madame Chair,” pause, paragraph unstated,
I give you snarky innuendo, road rage.
You are the enemy.
We smile with all our teeth.
We have guns. We have heroes.
We circle in for the kill.

October 11: Biden/Ryan Vice Presidential Debates
Source: Associated Press, ABC
Day 12 Octpowrimo, a poem a day. Surely others found something other than this national argument to remind us that poets can celebrate passion? Click here to read 57 other takes on "passion," today's prompt.