Art nouveau fashion

Agnes | ‘“Bord de Rivière au Printemps”, [riverside in spring] Victor Prouvé, 1900.‘ 💐🏞️ Do you think the name ‘riverside in spring’ describes... | Instagram

Model, makeup, hair: Dolly LamourKokoshnik: www.cunene.itPhoto, editing: Cunenehttps://www.facebook.com/cunenephoto

Five elegant women, dressed in flowing gowns of varying pastel shades, stand in a graceful line before a stained-glass window. Their attire features delicate embellishments and they each hold a hand fan. The art style is reminiscent of Art Nouveau, with soft colors and a focus on the women's refined beauty and the ornate architectural setting. Flowers adorn their hair and the base of the composition. The overall impression is one of sophistication and timeless beauty.

Beautiful art deco wedding dresses for the sophisticated modern bride, inspired by strong contemporary women including the Khaleese herself!

c.1905-10 vintage color Art Nouveau print

- Art Nouveau Pendents - I was just reading an article about Alphonse Mucha. I didn't know that he also designed jewelry. Sarah Bernhardt requested it based on his poster work of her. "In collaboration with the famous Art Nouveau jeweler Goerges Fouquet, Alphonse Mucha designed dozens of exquisite jewelry pieces. Not all of them included precious stones and metals. One of the central ideas of Art Nouveau jewelry was the priority of skill over the value of the material. Thus, the jewelers…

Marville Hand tinted real photo postcard by Walery of Marville, probably the most frequently photographed French stage celebrity of the period. Unused. C. 1905.

1920s Vintage Clothing at VintageTextile.com

ART NOUVEAU Pendant - Tadema Gallery

Gustav Beer, 1902

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An Art Nouveau gown designed by the French architect, painter & sculptor, Victor Prouvé. An exquisite dragonfly, tall irises & river weeds tangled in swift water decorate the silk. Musée de l’École de Nancy, c. 1900.

Maison Vever | An Art Nouveau Gold, plique-à-jour enamel and diamond pendant, circa 1908. Illustrated in La Bijouterie Française Au Xixe Siècle, page 687, described as a “pendant in the form of wood sorrel, decorated with plique-à-jour enamel.” Signed and numbered.