Comes in a deluxe matte laminate gatefold sleeve and polylined paper inner sleeve
Original 1969 BYG album
Restored and remastered from the original BYG tapes
Insert featuring exclusive liner notes by jazz specialist, author and music journalist Kevin Le Gendre
Includes unlimited streaming of B-X0 N0-47A
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 24-bit/96kHz.
ships out within 5 days
Purchasable with gift card
£25GBPor more
Compact Disc (CD) + Digital Album
Comes in a deluxe matte laminate digi sleeve and printed inner wallet
Original 1969 BYG album
Digitally mastered from restored BYG tapes
16-page booklet featuring archival photos & exclusive essay by jazz specialist, author & music journalist Kevin Le Gendre
Includes unlimited streaming of B-X0 N0-47A
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 24-bit/96kHz.
ships out within 5 days
Purchasable with gift card
£13GBPor more
Streaming + Download
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Celebrate Anthony Braxton’s forthcoming 80th birthday with the Definitive Remastered Edition of his groundbreaking second studio album — a pivotal AACM recording featuring avant-garde legends Leo Smith, Steve McCall, and Leroy Jenkins, now available in a deluxe package with a new essay by jazz specialist Kevin Le Gendre.
Saxophonist-composer Anthony Braxton was one of the most significant individuals in the Association For The Advancement Of Creative Musicians (AACM), a group of artists based in Chicago who prioritised originality; a significant cultural event at the tail end of the 60s. For the next 50 years Braxton would prove daringly adventurous in his concepts and performances, and B-X0 N0-47A remains a classic title in his vast discography.
The album saw him lead a group that included fellow AACM members, trumpeter Leo Smith (before he took the name Wadada), drummer Steve McCall and violinist Leroy Jenkins, yet there was such a wide array of instruments used on the session that the small group had a big sound. Anything from chimes and logs to harmonica and darbuka, as well as the intriguingly named ‘sound machine’, enabled the quartet to fashion a singular textural palette. Braxton and his colleagues were set to become pivotal figures in the avant-garde or ‘New thing’ movement that had broken with the prevailing conventions of the jazz industry.
Restored & remastered from the original master tapes, this premium edition of B-X0 NO-47A provides an opportunity to enjoy the unique nature of Braxton’s vision as never heard as well as the priceless chemistry between him, Smith, Jenkins and McCall. They made historic music which has stood the test of time.
credits
released May 16, 2025
PERSONNEL
Leo Smith (trumpet, flugelhorn, horns, logs, siren etc...)
Anthony Braxton (alto sax, soprano sax, clarinet, contrabass clarinet, flute, sound machine, chimes, etc...)
Leroy Jenkins (violin, viola, flute, mouth organ,
hohner organ, harmonica etc...)
Steve McCall (drums, darbuka, percussions, etc...)
All tunes arranged by Leo Smith (Side one, I),
Leroy Jenkins (Side one, II), Anthony Braxton (Side two)
A BYG PRODUCTION
Produced by Jean Karakos and Jean-Luc Young
Coordination: Jacques Bisceglia
Recorded September 10, 1969, Studio Saravah, Paris
Engineer: Daniel Valencien
2025 REMASTERED EDITION
Audio restoration and mastering by Nick Robbins
Liner notes for this reissue by Kevin Le Gendre
Graphic design for this reissue by Phil Rogers
Reissue produced for release by Geoffrey Cousin
Executive producer for this reissue: Jean-Luc Young
Listening to the album over and over on Tidal and finally decided to buy it.
Two hours of escapism, amazing solos and improv sections.
Perfect. TomerEitan
The boundless avant-garde trio's EFG London Jazz Festival performance is captured on this 12-track release.https://hanearlpark.bandcamp.com/ Bandcamp New & Notable Jan 26, 2025
The shape of punk that is. The future is now! Open the Gates is the great conflagration of the past to act as a voice of hope in the darkness. Robby Morgan