A lot can happen in a month.

We officially packed up and moved out of the city at the start of the month and have spent the last three weeks unpacking and trying to find a new semblance of routine. Moving was stressful and bittersweet. Saying goodbye to the condo and where the last 12 years of my life have been spent was hard. But, just the same, falling in love with the new home and all the space we now have has been well worth it. And waking up to the view? Pretty special. Getting used to the quiet and not having the ever present hum of the city has been interesting. And slowly getting things setup again so they feel like home has taken just about every spare second. But we’re getting closer and my office space got completed this weekend. More to do, lots more to do, but we’re well on our way now.

September 2024

Jason Tate 6 months ago Photo Blog

31 Years Later: How Nine Inch Nails’ ‘Broken’ Blurs the Line of Fiction and Reality for a Terrifying Experience

Ashley Perez 6 months ago Anonymous View

Anonymous View

What was the first movie that disturbed you? The movie that got under your skin so bad its images haunted your nightmares. A movie where the mention of its title makes you shudder and cringe. A good movie, but you never want to watch it again. Being a huge horror fan, blood and gore doesn’t shock me much. My idea of cozy is curling up with my dog and watching a good horror movie, like The Exorcist. Very few movies scare or disturb me. But when I stumble upon a movie that truly shakes me or disgusts me, it’s something I never forget. For me, one of those movies is Nine Inch Nails’ Broken.

Released in 1993 by Nine Inch Nails mastermind Trent Reznor and Coil’s Peter Christopherson, the movie is a companion piece to the 1992 Broken EP. The record was a response to Reznor’s then-label TVT and former boss Steve Gottlieb. After the success of 1989’s Pretty Hate Machine the label pressured Reznor to create a similar album. Wanting to re-create the success of that album, TVT refused to release anything else Reznor gave them. Not wanting to compromise his music, Reznor demanded his contract be terminated; his request was ignored.

This didn’t stop Reznor. Instead, he recorded his next project in secret under various pseudonyms to avoid interference from the label. The music was markedly different from Reznor’s debut album. This was harsh, aggressive, ugly, and intense. There were no catchy songs and radio-friendly singles here. Reznor knew the label would hate it, but that was the point.

Adam Grundy 6 months ago Anonymous View

Anonymous View

Black Gives Way To Blue proved that grunge was still alive and well in 2009. Alice In Chains decided to reboot themselves after the tragic death of original lead singer Layne Staley (in 2002) by beginning to play shows again in 2005 and start crafting what would be the material found on the band’s fourth studio album. Now getting the 15th anniversary vinyl re-press treatment via Craft Recordings, Black Gives Way To Blue gets another fresh makeover as audiences new and old can rediscover what made this band so legendary. The record was the first one to feature co-vocalist/guitarist William DuVall and he does a nice job of complementing the lead vocals from founding member Jerry Cantrell. The set would spawn four singles, with two of them earning Grammy nominations for Best Hard Rock Performance. Picking up the pieces after losing a band member is sadly all-too-common in the music industry, but Alice In Chains were able to honor the legacy of Staley in this vivid collection of songs that still highlight their staying power to this day.

Adam Grundy 6 months ago Anonymous View

Anonymous View

The latest single from Sophia Dashing featuring Manda Malina, called “Raindrops (On Your Pillow),” has that classic 90’s pop sound that is reminiscent of Destiny’s Child paired with TLC. The track was produced by Jason Quinones and co-written between Malina, Dashing and Quinones. The collaboration pulls off as each artist/writer shines on the track that is built for those heartfelt evenings of longing for a better relationship.

Sophia Dashing commands the song throughout her dynamic vocal performance while Manda Malina adds in some great vocal takes of her own. The song reminded me a bit of the style of TLC’s “No Scrubs” and hits its intended target more often than not. The final bars of music highlights the two vocalists trying to outshine each other through some great vocal highs that mesh well together for a crowd-pleasing pop single.

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