Today I’m so excited to bring everyone the newest single and video from pop star, Chris Garneau, called “Canon.” The track comes from Garneau’s forthcoming sixth full-length album that will be out this fall. If you’re enjoying the new breakup anthem of “Canon,” please consider supporting this artist here.
Read More “Chris Garneau – “Canon” (Video Premiere)” Recently I was able to connect with talented songwriter, Shayfer James, and his management to discuss everything that went into his excellent new record, Summoning. Learn about each song through these deep dives in this exclusive track-by-track, and you can stream the new record here.
Read More “Shayfer James – Summoning (Track-By-Track)” Today I’m so excited to bring everyone the newest single and music video from Canadian hardcore punk group, Empty Nesters, called “Shanri-Nah.” The track features a great guest spot from Clay Pigeon, and the single comes from Empty Nesters’ forthcoming EP, Deaf Monks, out everywhere you stream your music on July 11th. If you’re enjoying the new video, please consider pre-saving the EP here.
Read More “Empty Nesters – “Shangri-Nah” ft. Clay Pigeon”
How exactly does a band that has blown up as much as Turnstile has these past four years follow up the breakaway success of Glow On? By simply going bigger, bolder, and recognizing that there is Never Enough Turnstile music in this world. Never Enough is now the fourth studio album from the Baltimore-based hardcore band, and the set was produced by lead vocalist Brendan Yates, veteran hitmaker Will Yip, and the English record producer A.G. Cook. You can feel a bit of each producer’s stamp on this record, with Yates’ influence coming in the strongest of the three. The promotional period of this new era of Turnstile kicked off in March when billboards around Los Angeles were donned with the album name of Never Enough paired with the sky-blue aesthetic of the cover art. The band announced a release date shortly thereafter of June 6th, 2025, and also recognized guitarist Meg Mills as a permanent member of Turnstile. Much like many other key artists have done recently, Turnstile accompanied Never Enough with a feature-length visual companion that hit theaters yesterday. While some of the highs of this record are not quite as breathtaking as what was found on Glow On, Never Enough re-solidifies Turnstile as the most creative band in the hardcore genre. The possibilities seem limitless for this talented artist who continues to find new and interesting ways to convey the right emotions and messaging through their unique music.
Read More “Turnstile – Never Enough” A couple of weeks ago, I was able to schedule a Zoom call with Sarah Rose of Sarah Rose Project to discuss everything that went into her debut self-titled solo record that is being released via Say10 Records. In this interview, I asked Sarah about the differences in writing solo versus with Sarah and the Safe Word, the stylistic choices made on key songs on the new album, and her ideas for the solo tour this summer. Sarah Rose Project is available on vinyl here.
Read More “Sarah Rose Project” This past week I was able to connect with Josh Epstein of the band JR JR to discuss what went into their latest album called Back To The Land. In this interview, I asked Josh about some of the lyrical concepts/themes present in the new LP, the band’s approach to their dynamic live performances, and the freedom they feel in releasing their music. Back To The Land released last Friday on all streaming services, and there is also a vinyl pressing available here.
Read More “Josh Epstein of JR JR” ”If I had to describe this album in one sentence it would read, ‘Musical Heaven for Theater Kids.’ Whether or not you identify as such this album will make you an honorary theater kid by the end of it,” shared Adam Gecking of Say10 Records about Sarah Rose Project and her self-titled solo record. Armed with a plethora of stylistic choices, vibes and key cameos from artists that Sarah Rose has worked with and respects, Sarah Rose Project plays out like walking into a dirty jazz bar from the 80’s and being instantly captivated by the music. For fans of Sarah and the Safe Word, you will likely still connect with the material found in this solo venture, as the music is still in the vein of cabaret, paired with some old school singer-songwriter craftsmanship. Sarah Rose shimmers and sways all over this record that is filled with lush self-production and breathtaking moments.
Read More “Sarah Rose Project – Sarah Rose Project” On the latest offering from indie pop rock band, JR JR, the band sets the tone early on “Domino” that opens with the all-too-relatable lyrics of, “The world is a commercial for things I shouldn’t buy / Some days I can’t tell what’s dead from what’s alive.” The depth the band goes into on Back To The Land only speaks to the true artistry that JR JR put into their music on a daily basis. For those unfamiliar with the band, they are comprised of the duo of Daniel Zott and Joshua Epstein, and they used to be called Dale Earnhardt Jr. Jr. (simplified to now JR JR). After their last LP, the sprawling 2019 double album called Invocations / Conversations, JR JR hone in on their songwriting with a concise ten-track effort on Back To The Land. Throughout the latest record, JR JR go through a lot of themes, topics, and thoughts that are brimming with great musicianship and insight.
Read More “JR JR – Back To The Land” When I first heard about Miley Cyrus’ plans for her ninth studio album to be loosely inspired by Pink Floyd’s The Wall, I was immediately excited about the premise. Something Beautiful is an ambitious take on experimental music, and was promoted with a complete visual companion to coincide with the record as well. While I was expecting a big rock record similar to the style Miley Cyrus went for on her excellent Plastic Hearts album, this album leans much closer into the pop realm with only splashes of bombastic rock. The set was co-produced by Cyrus and Shawn Everett (Kacey Musgraves, The Killers), and this album has a nice sheen to it that plays out well from front to back, and still challenges listeners to take deeper dives on subsequent spins. Miley Cyrus sounds like a million bucks in her vocal approach on key singles like “End of the World,” while she ultimately comes up a little short in her ambitions for creating the next “classic.”
Read More “Miley Cyrus – Something Beautiful” The fourth studio album from pop-punk band, FRND CRCL, called JRSY FRSH is a solid mix of nostalgia paired with some creative takes on the genre to keep it from feeling like a retread. The South Jersey band pays tribute to the area that they’re from, while still expanding upon what made their previous record (Suburban Dictionary) so charming and infectious. With a fresh sounding mix of eight new pop-punk tunes that clock in just under the 30-minute mark, JRSY FRSH will likely be a consistent part of everyone’s summer music rotation.
Read More “FRND CRCL – JRSY FRSH” Today I’m thrilled to introduce everyone to a new band called Bec Lauder and The Noise, a three-piece rock band born in the East Village of Manhattan. Front-woman Bec Lauder alternates between guitar and bass while delivering top notch vocals. She’s joined by lead guitarist Soph Shreds and on drums is Maggie Bishop. Their new single, “Give It” is a great mix of Riot Grrrl punk rock paired with great songwriting. Lauder shared, “‘Give It’ is a fantastically funky anthem to strut down the street to. This sultry tune lures the listener into a psychedelic funk pop dream world through sexy repetitive and rhythmic lyrics that you cannot resist dancing to. This song is paired with a flash dance style music video featuring me and a crew of dancers from the Brooklyn Nets dance team, even further emphasizing the idea of the ‘Give It’ fantasy; a world where you get what you want and you can shake it like nothing matters.” If you’re enjoying the new video, please consider pre-ordering the band’s debut LP, The Vessel here.
Read More “Bec Lauder and The Noise – “Give It” (Video Premiere)” Today is a great day to share the new single from Deep Thrills called “Climax.” Deep Thrills is the moniker of LA-based artist Matan KG and he channels his love of indie rock with an electro-style that needs to be heard to be believed. The song comes from Deep Thrills’ newly announced EP, How Deep Is Your Thrill?, that will be released everywhere you stream your music on July 11th. If you’re enjoying the video, please consider streaming the new single here.
Read More “Deep Thrills – “Climax” (Song Premiere)” When you attend a concert early, you open yourself up to new opportunities to discover artists that you may have not have ever come across otherwise. Such was the case this week when I attended a concert in DC for Eliza & The Delusionals and witnessed a charming opener by the name of Grace Gardner. Throughout her set, she captivated the audience with sultry vocals, great poise, and excellent stage presence with her bandmate Lonnie Davis. The setlist included several songs from her new record, After Knowing, as well as an on-point cover of Lady A’s “Need You Now.” Grace Gardner has a warm approach behind her vocals, and that comes through well live, as well as on her record that finds the artist in the same realm as Maggie Rogers and Phoebe Bridgers. After Knowing is a great introduction to this indie artist who has all the makings of a star.
Read More “Grace Gardner – After Knowing” Recently I was able to connect with Gemma Laurence, a rising talented indie artist based in Brooklyn, New York, about her great new single and video for “Hedonist.” In this interview, I asked Gemma about her songwriting process for not on only this single, but her forthcoming album (We Were Bodies Underwater) slated for a July release, and much more. If you’re enjoying the video and interview, you can stream “Hedonist” on your favorite platform here.
Read More “Gemma Laurence” A couple of weeks ago, I was able to schedule a Zoom call with Aymen Saleh, better known as Holy Pinto. In this interview, I asked Aymen about what went into his forthcoming new album that features some collaborations with Bartees Strange, among others. We also chatted about the key inclusion of voice memos in this record that helped shape the narrative between songs, as well as much more. Today, Holy Pinto has released the piano version of “NOLY” here.
Read More “Holy Pinto”