Rami Malek Quotes
Quotes to Explore
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I always watch the work I do.
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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I have an issue with rage. I'm going to work that out, long term.
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I have been singing for the last 50 years, you know, so I deserve a break. Besides, there are talented singers around who can do justice to their work.
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First, how do we give everyone a fair shot at opportunity and security in this new economy? Second, how do we make technology work for us, and not against us - especially when it comes to solving urgent challenges like climate change? Third, how do we keep America safe and lead the world without becoming its policeman?
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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I have said this many times, that there seems to be enough room in the world for mediocre men, but not for mediocre women, and we really have to work very, very hard.
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Education must not simply teach work - it must teach Life.
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My grandfather was an autoworker, and I have a weapon he manufactured to protect himself from the company that he would carry to work. It's a big iron pipe with a hunk of lead on the head. I think about how far we've come as companies from those days, where workers had to protect themselves from the company.
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We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
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I'm smart enough to know to work with smart people.
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I need to work to feel well.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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Museums are for dead artists. I'd never show my work in the Tate. You'd never get me in that place.
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It might be said that it is the ideal of the employer to have production without employees and the ideal of the employee is to have income without work.
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I want to do work that has a message and casts a light over an area that's dark. But I'm fun and jovial, too.
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My mountaineering skills are not important to my best photographs, but they do add a component to my work that is definitely a bit different than that of most photographers.
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I don't watch a lot of T.V. I only watch things via Netflix, so I only watch the things that I'm choosing to watch.
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My work has been much more Caribbean and eclectic. I am interested in people, and where they come from happens to have fallen within an area of Africa.
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I think the tradition of well-written history hasn't been squashed out of the academic world as much in Britain as it has in the United States.
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A message I've been telling myself: the cinema is very conservative, and unless you have a story that satisfies you, that is within the unchallenging zone, but you love it, you can't do it as cinema. Otherwise, you better go do it for television, which is more daring now.
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But who is stronger than death?Me, evidently.
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I've gotten literally thousands of contacts from people across the country - and the most poignant ones being elderly people - who said I had given up on America and I was just waiting to die.
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I would say 'The Master' was one of the most inspiring things I've ever got to work on.