Cai Guo-Qiang Quotes
Even though Chinese society was really closed, there were two windows for me to explore the world. One was from my mother and grandmother, the unseen and invisible world. Another window was brought from my father's side, those classic and Western books.
Quotes to Explore
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I've also learned to no longer feel guilty if I'm invited out and don't want to go. If I start to say to myself, 'What's wrong with you that you're staying in five nights in a row to watch 'Forensic Files' instead of going out with your friends' I remind myself that it's what I need to do for myself at that point.
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Honestly speaking, I don't like my films. When I watch them, I see a lot of scope for improvement, so if I were to see any of my films, like 'Dhoom,' I might say... 'It would have been better if...' or 'had it been...' and this is all about evolving.
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At first, I found the music I was making really hard to find a home for. I felt like my attitude was really British, but not the actual sounds I was making. Back in 2003, when I made 'Galang,' there were no clubs that had an 'anything and everything' attitude.
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I don't think I have a signature.
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It is one of the ironies of the ministry that the very man who works in God's name is often hardest put to find time for God. The parents of Jesus lost Him at church, and they were not the last ones to lose Him there.
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There is only one step from the sublime to the ridiculous.
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I would ask my mother to show me how to walk - and she did show me. That's why I think it's funny when people say, 'Did so-and-so teach you how to walk?' And I always say, 'You must be talking about my mother, because it was my mother who taught me how to walk.'
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I've always kind of had an interest in the drums but nothing else. The drums are the only thing I feel I would be good at, because I'm a very physical person. I've always played sports and stuff. Drums would give me something to do.
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There are epic downsides to living a somewhat public life. The upshot of that is there's nothing to hide. It's a relief in a way. There's nothing about me that can't be said.
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Futurists don't consider overpopulation one of the issues of the future. They consider it the issue of the future.
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Desperation is the perfume of the young actor. It's so satisfying to have gotten rid of it. If you keep smelling it, it can drive you crazy. In this business a lot of people go nuts, go eccentric, even end up dead from it. Not my plan.
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How extraordinary it is that one feels most guilt about the sins one is unable to commit.
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Since belief determines behavior, doesn't it make sense that we should be teaching ethical, moral values in every home and in every school in America?
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I think of myself as a performance artist. I hate being called a pop star. I hate that.
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Fashion is unique. It's a leveler, not a divider.
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I decided it was time to pay tribute to my own songs, to give them the opportunity to mature and be adult.
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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Contemplation is a luxury of the middle class, the very rich.
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The second-class couple is far closer to what the audience is today. It's who we are.
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I always knew writing a novel was a great thing.
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I think a lot of journal articles should really be blogs.
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I try to give positive energy in all my shows.
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I'm a sensationalist. I'm a big mouth. I get attention. In this world you have to - if you want a mass-market presentation, you have to get attention.
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Even though Chinese society was really closed, there were two windows for me to explore the world. One was from my mother and grandmother, the unseen and invisible world. Another window was brought from my father's side, those classic and Western books.