William Eggleston Quotes
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Whether a photo or music, or a drawing or anything else I might do—it’s ultimately all an abstraction of my peculiar experience.
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I am at war with the obvious.
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I knew it was happening, but I never paid much attention to it . . . just to the passage of time. Something new always slowly changes right in front of your eyes - it just happens.
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I quite frequently don't look through the camera, which is very close to being blind.
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Often people ask what I'm photographing, which is a hard question to answer. And the best what I've come up with is I just say: Life today.
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I don't like reading music. It's like learning a language. You can't read music proficiently overnight. It takes time, it's boring work.
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I have some that I have become a well-known-even infamous-client of, mostly in Memphis. But a great deal of that is legend and doesn't have anything to do with truth.
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Many people one meets in life somehow think they know you simply because they're hanging out at the same counter-but they really don't know a thing about you.
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A lot of my friends were mostly working in black-and-white-people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing. What each of us was doing photographically was entirely different, but we were basically coming from the same place, sort of like a club.
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It was something new that was happening everywhere. You couldn't miss it. If you needed to go to the grocery you would go to the predecessors of the big supermarkets of today.
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There are a lot of unseen projects. When a project is finished, I often physically, and in my mind, set it aside, intending something to happen with it, something that does or does not always happen. Now, a lot of these are being resurrected for the public.
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My friend who I went to boarding school with was interested in photography. He insisted that I buy a camera and marched me downtown.
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And what we called photojournalism, the photos seen in places like Life magazine, didn't interest me either. They were just not good-there was no art there. The first person who I respected immensely was Henri Cartier-Bresson. I still do.
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I would go there quite frequently. I met and became close with John Szarkowski of the Museum of Modern Art. He was incredibly supportive about me working in color.
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I want to make a picture that could stand on its own, regardless of what it was a picture of. I've never been a bit interested in the fact that this was a picture of a blues musician or a street corner or something.
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Photography just gets us out of the house.
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Generally, that's what happens-a fundamental rotting of the idea. They woke up with the wrong idea. It's just like music: If you don't have an innate love or calling for it, then no matter how much you study or how well you can play by looking at the score, it doesn't mean that you're going to make really good music.
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Only the few times I've been to so-called treatment centers, which were a complete waste of money and useless. I didn't know what I was doing at the time, because I was always drunk when I checked in.
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I had the attitude that I would work with this present-day material and do the best I could to describe it with photography, not intending to make any particular comment about whether it was good or bad or whether I liked it or not. It was just there, and I was interested in it. That's what I still do today.
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I am afraid that there are more people than I can imagine who can go no further than appreciating a picture that is a rectangle with an object in the middle of it, which they can identify.
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I had this notion of what I called a democratic way of looking around, that nothing was more or less important.
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I’ve always assumed that the abstract qualities of [my] photographs are obvious. For instance, I can turn them upside down and they’re still interesting to me as pictures. If you turn a picture that’s not well organized upside down, it won’t work.
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It quickly came to be that I grew interested in photographing whatever was there wherever I happened to be. For any reason.
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I've also never had favorite pictures. Or subjects. I have this discipline of treating everything equally-I used to say "democratically."