Caroline Myss Quotes
Quotes to Explore
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I think that most manufacturing and mining should be under the purview of state authorities.
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On my darkest days, I wear my brightest colors.
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[Washington, DC] feels like you're watching performance art. A lot of the time. I don't believe them, I don't believe what they say, I don't think they're being absolutely sincere. I think it's performance art. And most of them are bad actors.
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I am in prayer for his kids and the family.
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Lear, Macbeth. Mercutio – they live on their own as it were. The newspapers are full of them, if we were only the Shakespeares to see it. Have you ever been in a Police Court? Have you ever watched tradesmen behind their counters? My soul, the secrets walking in the streets! You jostle them at every corner. There's a Polonius in every first-class railway carriage, and as many Juliets as there are boarding-schools. ... How inexhaustibly rich everything is, if you only stick to life.
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Mexico. Melancholy, profoundly right and wrong, it embraces as it strangulates.
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A fair trial would have been no trial at all.
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I played basketball in high school, and I love watching sports - I'll watch everything except maybe hockey.
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He had prepared his death much earlier, in his imagination, unaware that his imagination, more creative than he, was planning the reality of that death.
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Self-denial is the shining sore on the leprous body of Christianity.
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The people is never corrupted, but it is often deceived.
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I don't know my future. I don't know about tomorrow. I can just control for today or present, right now. I don't want to think about future too much, because present is most important for me.
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Have I not walked without an upward look Of caution under stars that very well Might not have missed me when they shot and fell? It was a risk I had to take-and took.
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In the centre of the cyclone one is off the wheel of Karma, of life, rising to join the Creators of the Universe, the Creators of us. Here we find that we have created Them who are Us.
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I've studied Stanislavsky, and Mamet taught Stanislavsky, and I studied with Sanford Meisner. But the part of the method that I think is the most fruitful is the method of physical actions. It all comes down to your objective: Nothing else counts except what you want. How you feel will take care of itself.
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It's fun to work on location because you get the look and feel of everything, but it's nice to be on a stage because you can control the elements.
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Do you know how writers often say the characters take over... But that is more or less what it always feels like to me, too. Even though that's just a way of describing how your brain is working, it's still what you tend to feel.
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You have no right to feel entitled. You are not entitled to anything.