Ernest Becker Quotes
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What man really fears is not so much extinction, but extinction with insignificance.
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Ecological devastation is the excrement, so to speak, of man's power worship.
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Horror alone brings peace of mind.
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The road to creativity passes so close to the madhouse and often detours or ends there.
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Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order blindly and dumbly to rot and disappear forever.
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The real world is simply too terrible to admit. it tells man that he is a small trembling animal who will someday decay and die. Culture changes all of this,makes man seem important,vital to the universe. immortal in some ways
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We consult astrology charts like the Babylonians, try to make our children into our own image with a firm hand like the Romans, elbow others to get a breath-quickening glimpse of the queen in her ritual procession, and confess to the priests and attend church. And we wonder why, with all this power capital drawn from so many sources, we are deeply anxious about the meaning of our lives. The reason is plain enough: none of these, nor all of them taken together, represents an integrated world conception into which we fit ourselves with pure belief and trust.
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The irony of man's condition is that the deepest need is to be free of the anxiety of death and annihilation; but it is life itself which awakens it, and so we must shrink from being fully alive.
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The artist takes in the world, but instead of being oppressed by it, he reworks it in his own personality and recreates it in the work of art.
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For man, maximum excitement is the confrontation of death and the skillful defiance of it by watching others fed to it as he survives transfixed with rapture.
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War is a sociological safety valve that cleverly diverts popular hatred for the ruling classes into a happy occasion to mutilate or kill foreign enemies.
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...Erich Fromm wondered why most people did not become insane in the face of the existential contradiction between a symbolic self, that seems to give man infinite worth in a timeless scheme of things, and a body that is worth about 98¢.
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If everyone lives roughly the same lies about the same thing, there is no one to call them liars. They jointly establish their own sanity and themselves normal.
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Man's natural and inevitable urge to deny mortality and achieve a heroic self-image are the root causes of human evil.
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Guilt results from unused life, from the unlived in us.
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Modern man is drinking and drugging himself out of awareness, or he spends his time shopping, which is the same thing.
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What does it mean to be a self-conscious animal? The idea is ludicrous, if it is not monstrous. It means to know that one is food for worms.
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Man cannot endure his own littleness unless he can translate it into meaningfulness on the largest possible level.
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Why would a person prefer the accusations of guilt, unworthiness, ineptitude — even dishonor and betrayal — to real possibility? This may not seem to be the choice, but it is: complete self-effacement, surrender to the “others,” disavowal of any personal dignity or freedom — on the one hand; and freedom and independence, movement away from the others, extrication of oneself from the binding links of family and social duties-on the other hand. This is the choice that the depressed person actually faces.
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The man of knowledge in our time is bowed down under a burden he never imagined he would ever have: the overproduction of truth that cannot be consumed.
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I think that taking life seriously means something such as this: that whatever man does on this planet has to be done in the lived truth of the terror of creation, of the grotesque, of the rumble of panic underneath everything. Otherwise it is false. Whatever is achieved must be achieved with the full exercise of passion, of vision, of pain, of fear, and of sorrow. How do we know, that our part of the meaning of the universe might not be a rhythm in sorrow?
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The idea of death, the fear of it, haunts the human animal like nothing else; it is a mainspring of human activity - designed largely to avoid the fatality of death, to overcome it by denying in some way that it is the final destiny of man.
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The greatest cause of evil included all human motives in one giant paradox. Good and bad were so inextricably mixed that we couldn't make them out; bad seemed to lead to good, and good motives led to bad. The paradox is that evil comes from man's urge to heroic victory over evil.
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If the love object is divine perfection, then one's own self is elevated by joining one's destiny to it... All our guilt, fear, and even our mortality itself can be purged in a perfect consummation with perfection itself.