Brigid Brannagh Quotes
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Aaron Spelling kept trying to bring vampires about, and I feel badly that it happened so much later. He was ahead of his time, in that regard.
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I loved playing Sasha. You don't have this on every job, or every show or movie, but every day was really an adventure, character wise, for what I got to do at that age.
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I'd worked for Aaron Spelling before Embraced and I always felt like we had a nice connection. I pretty much walked in and looked at him like, "This is mine!" And by the time I was done with the audition, he was already speaking to me as if I had the role.
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Aaron Spelling was a huge fan of vampires, and everything in that genre. He just really loved the entire subject of vampires and he was really passionate about it. If you really like the idea of this other world and the intricacies of it, because there were a lot of them, and once you're hooked, it's always something that's a fascination to you.
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I remember that I auditioned with the scene where I pull the grandfather out of the coffin. I just loved it so much.
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Sasha for me it was a dream. I got to tell everybody where to go and how fast to get there. It was very exciting. It was still an Aaron Spelling show, with the hair and make-up and everything, but there were also motorcycles. For my life, at that time, it was such a perfect thing. I had all this inner anger to get out, and it was so exciting to get paid to do it. She had anger and sexuality and rebellion, but there was still that very sweet core. I didn't have to be something entirely unrecognizable or un-relatable. I just loved her to death.
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When I went in for the Embraced DVD interviews, I thought, "Good lord, it's 17 years later!" I thought that maybe I should do my make-up differently and put extra effort in, or I'd look like a different human being. It's very strange.
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I've done different conventions and had smaller roles in different sci-fi things.
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A lot of people have a dissatisfaction or an anger in them, so as soon as something goes awry, they flip out.
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I just adored Peter Medak, the director. He's such a character, but he was so much fun. Some directors come in and they truly get angry about things.Peter was still in a fantastic mood. He's a delightful person. He threw a big party at the end of the pilot, which was so sweet. And his wife is an opera singer. He's just a very warm, crazy beautiful individual.
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I grew up Irish Catholic with a bunch of kids at Catholic school.
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I guess I just take things as they come now, as far as that goes. I get really excited to do the project, but I don't think too much beyond that.
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Some things just have a short, beautiful life, and some things have a longer one. One hopes that the things that go a long time are things that you love. It's like a relationship. The longer things go, you have to really work on that relationship with your character, with your castmates, the crew your working for, the producers, and the writers.
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It's the difference between having a couple of dates, dating for a few months, or having a marriage and living together for eight years or so. It's easy to look back fondly on the ones that were somewhat short.
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I worked a lot with Mark Frankel, and he was really just an incredibly tender soul. He liked his hair just so and his suit. He was a good-looking man, and he cared about looking together.
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The role always attracts me. Sometimes I can read something and I can barely see the rest of the script.
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I like everything that has to do with ghosts. If I see it, I'm all over it. We all have our thing.
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Mark Frankel was just a very tender, thoughtful person, and that was really nice. At that point in life, I hadn't met a lot of people my senior who were that tender, and still doing well and making a real go of it. That was a treat, for sure.
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When I get excited about a character, I'll start doing things as the character and thinking about what the character would do.
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When need something really aggressive, outrageous and not done half-way, I feel like I'm your girl.