Taylor Negron Quotes
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Younger audiences are into me because I did 'Stuart Little,' and that movie was a very big deal for kids. And in 'Angels in the Outfield,' a generation of kids learned about magic and angels. And then, of course, there are these two blond girls named Mary-Kate and Ashley Olsen, and I played their nanny on their TV show.
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Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
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Everybody knows if you don't have an examined life, you go mad.
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To make money, I did portraits . The truth is so bizarre! I'm kind of embarrassed. I was like a 19th-century pirate painter. I'd say, 'Your mom would love a painting of you!' A salesman! I'd hawk paintings.
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My creativity all comes from the same place. I wear one very comfortable, large hat.
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When the Bible was first published, bathhouses were mandatory, no one could read, and only the people in the Church could write.
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I remember when the palm trees were short and Tomorrowland was modern.
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I do think Jesus would skip church on Sunday morning and instead visit the nursing homes and retirement homes where so many have abandoned their loved ones.
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I am getting to that age where I am too old to play the boy next door and too young to play Uncle Fester.
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My father became the Mayor of Indian Wells, California, a tony desert enclave of rich, conservative Republicans.
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Latin people love to dance. Nothing is more powerful than a Latin man doing 'Mambo Number 5' by himself.
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I live in one of Judy Garland's houses. As a fan, I never much liked Judy Garland, but living here, I feel like I have come to know her. People have given me a few of her possessions, and my neighbors have told me things that I wish I didn't know.
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I have a nice little movie career, and I write plays and do my act.
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I was a top-notch cartoon model for Hanna Barbera, and they made me into a cartoon series called 'Devlin,' which ran for seven years, and I was on lunch pails and coloring books and all of that. It's really interesting being a coloring book when you're young – most kids colored in coloring books, but I made money off coloring books.
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Our family business was operating batting cages. The pitching machine spit out the balls at lightning speed. Don Drysdale, Sandy Koufax. Whitey Ford. 50 cents for 12 pitches. Of course, my mother ran the place, and I was her slave: selling candy, hosing down the street, and the most dreaded of all jobs, feeding the pitching machine with balls.
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I paint. I still do it every day. I never neglected it. It's a gift. It's almost like religion for me. It's the quickest way for me to become still.
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Before I paint someone, I always ask, 'How much examination can your body take?' 'How much do you want me to see?'
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I love the idea of metamorphosing and changing, the legalized insanity of acting.
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These days, many people are unwilling to see their dog as an animal. Let's face it: they are cute, but they will bite. Not only do I look at dogs as animals, I look at myself as an animal, which explains why, since I got my permit, I drive with my head out the window.
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For a long time, I lived in West Hollywood and watched young gay men strolling through life having no idea what came before. They didn't know about the riots at Stonewall, the vice squad, the raids.
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I think people are obsessed with their pets because pets don't speak. It's that simple. After you hang up the phone, you never hear a dog say, 'You're a liar, and you are making the same self-sabotaging mistakes that have kept you single for far too long.'
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I'm savoring being in California every minute, learning that traffic is just God's way of saying 'Hi.'
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As an American roughly the same age as Barack Obama, I will not be ridiculed or reduced to a stereotype. I want to age appropriately.
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I've always loved silent movies. I recently saw 'Tilly's Punctured Romance' at the Academy, which is the first comedy made with Charlie Chaplin in 1914, and I sat there, and I couldn't believe that the entire audience of 2,000 people were laughing that hard from a movie made in 1914 - and there were no words; it was all faces.