Margaret Qualley Quotes
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I was a dancer, growing up, and I definitely thought that was going to be my profession.
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My sister and I are pretty dorky, so we drive around at night in her car listening to old Disney songs and feed the coyotes cans of wet cat food, which I'm sure is a terrible idea. Meanwhile, 'Cinderella' and 'Sleeping Beauty' showtunes are playing in the background.
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I was so invested in ballet, and it was my entire life. And then it was realizing that I didn't want it to be my entire life forever. And then it was this very specific life, and I wanted to learn about other things. So I modeled to fill the time because dancing was very much a job, even when I was 14 years old.
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It was funny being at high school and also grocery shopping and having a job. Other kids were going home to their parents, who were doing their laundry, and I was like, 'Wait, what?' I was super isolated. I was 16, alone in New York, and modelling.
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Like every child of divorce, I had parent-trap fantasies. In fact, 'The Parent Trap' was my favourite movie. I was a Nineties baby, so I particularly loved the Lindsay Lohan version.
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I actually quit ballet when I was offered a job, an apprenticeship at North Carolina Dance Theater Company, run by John Pierre Bonnefoux and Patricia McBride, who are my idols. Everything sort of went perfectly. I was 16, and I was about to drop out of high school and become a professional ballet dancer.
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Growing up in North Carolina, my mom was always just sort of my mom to me. I never really recognized her as a famous actress. I'm always thrilled when she's cleaning out her closet. Last time, I got a pair of boots that she bought in Paris 20 years ago. I have completely worn them out.
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It's a normal part of the culture of ballet to go to a nutritionist in your first few weeks. They write down everything you eat and use a little roller that pinches you to measure the fat all over your body. Then, every semester, you get a letter saying either you're too thin, or you're OK, or you're overweight.
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I just realized I wanted to do more than ballet. I was offered an apprenticeship, so I was about to join a company and drop out of high school, and then it hit me: I didn't want that anymore.
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I've been really fortunate to work with a lot of women.
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I think, a lot of times, people don't want to do what their parents do because they want to be their own person.
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I still feel guilty buying something without asking my mother first. It's ridiculous. I'll call her and be like, 'I saw this dress, can I get it?' And she'll say, 'Margaret, whatever. Get the dress.'
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The goal is to not be patted on the back for hiring a woman, because it shouldn't be an exceptional thing. It should just be commonplace that women should have equal opportunities as men.
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I was one of those dancers who they say wants to feel the floor through their pointe shoes. I would end up not wearing toe pads and that stuff. I would just wrap minimal amounts of paper towels around my toes.
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When you're really serious about ballet, it's a job - even if you're 15 years old. You're doing it six to eight hours a day.
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I went to the Professional Children's School in New York, and I started modeling because I could do that until I actually figured out what I wanted to do, and it gave me the opportunity to travel.
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'The Leftovers' takes place three years after 2% of the population has gone missing. And it's about how that changes society. Cults form as a result, and it drastically changes home life for a lot of people, including the Garvey family, which is the family I belong to.
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I'm pretty casual. I love Free People and small vintage boutiques.
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With modelling, there's nothing to work on other than losing weight. I definitely had an eating disorder.
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I guess I gravitate towards stories that I like and directors that I want to work with, and I hope that it works out.
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I don't really know what I'm doing, to be honest. I come up with things, and maybe it works, and maybe it doesn't, and I try to learn from my castmates and director and from everyone.
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I was having a really-early-onset midlife crisis, and then something clicked in an improv class, and I knew.
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I grew up never thinking about acting as a profession because that was what my mum did, and often, you don't want to be like your parents.
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Nothing ever goes to plan. As soon as you are OK with that, everything is much easier.