Agnes Varda Quotes
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If we opened people up, we’d find landscapes.
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I quit seeing some people who were saying bad things about women; I don't even want to meet them or see them.
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I made a braid because Chinese old people, they say that the God will take you by the hair to join you with - but God didn't take me, so I cut the braid.
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I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn't cross the ocean. I think it's ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do. I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don't have to be strong.
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The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world .
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I'm trying to capture something more fragile than a regular story. I love what people bring me.
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With Jane Birkin, we had a scene from a film called Jane B. by Agnès V. - a portrait I made in '87. We had a casino scene, surrealistic, in which we had some naked people gambling. Jane Birkin was the card dealer and I was the player. I had beautiful jewelery around me, and when I lost I would take the jewelery and say, Service - being very generous, because it was very expensive jewelery. I would say, Tip.
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I think people should be different. I love people who don't go by the rule that you have to be careful because you're old, you have to do this and that, you have to eat this and that.
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I didn't have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal - because I think cinema should come from cinema. I never adapted anything. Beautiful books are beautiful books, that's it. I don't know why we should transform them.
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I cannot say something different to one person and then another.
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It's peaceful to think about the family as a group. I totally believe in extended families.
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This is all you need in life: a computer, a camera, and a cat.
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The boundaries between contemporary art and cinema are so rigid. It's unbelievable. The film critics don't know my artwork and the art world doesn't know my films.
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When I did the first edit of Les plages, it was very dry and very square in a way. I was just saying the minimum. I said, Well, if this is the minimum, I don't make it. So I tried to make it more refined. I tried to find images, allegorical images, that I could use to express things that I didn't want to say or didn't want to show or I was not able to find how to show.
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You are always in the world. Even in Vagabond. I am not on the road, I am not eating nothing. But in a way we all have a Mona. We all have inside ourselves a woman who walks alone on the road. In all women there is something in revolt that is not expressed.
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I'm not interested in seeing a film just made by a woman - not unless she is looking for new images.
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To change history is very slow. The first two times I came to the States - black people didn't have the right to vote.
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You can buy a good pasta but when you cook it yourself it has another feeling.
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I live in cinema. I feel I've lived here forever.
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I think we need to have a nest of something which is family.
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To share a lot of ideas - not ideas - emotions, a way of looking at people, a way of looking at life. If it can be shared, it means there is a common denominator.
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[Pablo] Picasso really changed my life. It's strange to say so, but I started to see some Picasso paintings very early. I was very young, and he was not so much known.
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Hands are the tool of the painter, the artist.
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The first exhibition [Publo Picasso] was organized by the communist party - because of his position during the war and all that.