Band from TV Quotes
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My mom took me to see 'Annie' on Broadway when I was little, and I just wanted to be doing what those girls were doing.
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Women do love each other; this whole women-against-each other, 'Dynasty' thing... we're not all after each other.
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People ultimately get what they deserve on TV. What people end up watching is what the advertising end up glomming onto and promoting.
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Any history buffs, people who like religion, suspense and mystery mixed with history, or anyone who likes 'The Da Vinci Code,' needs to read Ken Follett.
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Every year there's five cop shows, five medical shows and five 'Law & Orders,' but when it's a show about women, they want to pit everyone against each other. I don't think they'd do that if it was a guy show. I think there's room for all of us.
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If you ever go behind the glass and look at the focus groups that are deciding what you're gonna watch, it's scary. This cross-section of people they just happen to bring in to decide the fate of mankind on television is really scary.
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I grew up in a family of firemen and cops.
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Bouldering is like masturbation: not as good as the real thing but you don't need to worry about your protection.
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I love Twitter. Twitter for me is twofold. I can use it to get out important information about charity stuff and where Im going to be, and I can get feedback from the audience which I love.
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I opened up a frozen-yogurt business out of college. I didnt finish college; I went halfway, and then I worked for Joel Silver, the producer, as a driver for a year.
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You always have good shows and bad shows. People want a certain amount of each. It's just widening the market a little bit. The involvement of people at home is just broadening things.
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The thing is, when you put a button in someone's hand and give them the power of yes or no, no is a shorter word. People just say no. The power lies in who can say no the most. But, real power, though, lies in the opportunity to say yes. I think people ultimately realize that, but not when they're in the spotlight.
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Nothing is a conscious choice as an actor at the begining stage. There's so little that's a conscious choice even now. The offers, as absolutely limited as they are even at this point in my career, I have to really think about. I have a family, and it's a job. There are times when you take work that you normally may not dig. If someone says, "I want to meet with you," and they're about a hundred miles away, just go. You never know what might come out of it, and if you can make it, make it to the meeting.
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Nine times out of ten, I'm trying to meet someone else's expectations, whether it's the director or the writer or the animator, when I go back in to re-record a line. I'm the icing on the cake, but the cake is the thing. I'm really just a hood ornament on a very solid vehicle.
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I know that the vitriol and hyperbole that exists online, and the anonymity, can be deadly because it's cloaked in negativity and it's brutal sometimes.
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I have always been business minded, always been sorta an entrepreneurial guy; I played a character on Felicity that was modeled after me, actually.
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If I could have any power in the world, it would be super-metabolism. I would love to eat anything and not gain weight! That would be a great power. I would have an intravenous Guinness with me, everywhere I went! But I wouldn't want to know what my wife is thinking. It's a difficult power, yeah.
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I'm not going to play someone too far from who I am. Although I did a movie where I played a killer, and that has yet to come out. But that's someone I love being able to shock people with. I could do something you would not expect me to do. My limitations are - I'm not Meryl Streep. I'm not playing anything in a foreign language, or anything too far from who I am.
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It's a different thing to just be a voice. It's liberating, on one hand, because you get to show up in sweatpants and with Doritos on your fingers, but on the other hand, it's limiting because it's just your voice.
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You really have to bring your game and know what you want to do. And then, there are the producers and the writers and the director on the other side of the glass, and what they want. You have to be malleable to what's going to work, and you have to stay in the framework of the context.
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I don't consider myself much of an actor. I have a face and a voice that allows me to do certain things, but there are people who are way better at it than I am.
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I wasn't really a big comic book guy, growing up. I watched cartoons, but the choices were a whole heck of a lot slimmer.
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I met my wife, I had no money, I had nothing, and I started my family without really, my career was nowhere, but I had these other businesses, I had these things I was doing to be able to afford a small home.
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More and more people are watching entertainment on their phones. On a plane or on a train, or whatever, you see people with their headphones and they're looking at their iPhone or their Galaxy. You're reducing a medium that's meant to be seen on your 65-inch plasma screen at home for your 4-inch monitor on the train. People are ready to do either, and the content has to work on both.