File:The Capture of Port Louis, Cuba, 8 March 1748 RMG BHC0372.jpg

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The_Capture_of_Port_Louis,_Cuba,_8_March_1748_RMG_BHC0372.jpg (800 × 498 pixels, file size: 92 KB, MIME type: image/jpeg)

Captions

Captions

The Capture of Port Louis, (Cuba) , Saint-Louis-du-Sud, Haiti, 8 March 1748

Summary

[edit]
Author
Richard Paton  (1717–1791)  wikidata:Q3431102
 
Richard Paton
Alternative names
r. paton; Paten; Paton; Robert Paton; R. Paton, Wardour Street, Soho, London
Description British marine painter
Date of birth/death 1717 Edit this at Wikidata 7 March 1791 Edit this at Wikidata
Location of birth/death London Edit this at Wikidata London Edit this at Wikidata
Work location
Authority file
creator QS:P170,Q3431102
Object type painting
object_type QS:P31,Q3305213
Description
English: The Capture of Port Louis, Cuba, 8 March 1748

In February 1748 Rear-Admiral Charles Knowles left Port Royal, Jamaica, with eight ships of the line to make an attack on Santiago de Cuba. Delayed by contrary winds, he diverted his expedition to Port Louis in the south east of Hispaniola, now known as Haiti. The town sat at the head of a large, deep bay, with two islands, on one of which was a French fort. Knowles sailed his ships up the channel and passed them to the west and north of the fort, which surrendered after a sharp bombardment. The town’s surrender followed soon afterwards and Knowles, having taken possession of a small merchant vessel called a snow and three privateer sloops, burnt the fort and departed for Santiago de Cuba.

The walls of the fort are shown in the centre of the picture with Knowles’s flagship, the ‘Canterbury’ placed slightly to the left, firing into it. Ahead of the French fireship which had been sent against the first in the line, the ‘Elizabeth’ is being towed by boats out of harms way. The ‘Elizabeth’ herself, which had had to evade it is on the extreme left, out of position of the firing. The ship ahead of the ‘Canterbury’, and firing into the north face of the port is believed to be the ‘Worcester’. To the right is a two decker, probably the ‘Stafford’, engaging the fort, while to the right of her, and not engaged because the inner ships mask her batteries, is a ship which is probably the ‘Plymouth’. The ‘Cornwall’ and the ‘Warwick’ are shown beyond engaging. In the extreme right of the picture in the foreground a two-decker, is half into the picture.

There is another version of this painting in the Royal Collection.

The Capture of Port Louis, Cuba, 8 March 1748
Date Mid - Late 18th century
Dimensions Painting: 865 mm x 1360 mm; Frame: 1050 mm x 1560 mm x 100 mm
institution QS:P195,Q7374509
Source/Photographer http://collections.rmg.co.uk/collections/objects/11864
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
id number: BHC0372
undefined: 1940-329
Collection
InfoField
Oil paintings

Licensing

[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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Date/TimeThumbnailDimensionsUserComment
current15:25, 18 March 2013Thumbnail for version as of 15:25, 18 March 2013800 × 498 (92 KB)ChristiaandeWet (talk | contribs)User created page with UploadWizard

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