Following her contribution to Superclásico Vol. 2, we’re thrilled to welcome Closet Yi to the Clasico family properly with Cloudborne 888: four tracks of psychedelic but focused electronics.
We’ve been long-time admirers of Closet Yi’s work – from early gems on No Bad Days through to standout releases on Hotflush, Honey Badger and Peggy Gou’s Gudu label. Hailing from Seoul but increasingly active across the UK and Europe, she’s graced booths at Village Underground, Corsica Studios and Lost Village with the best of them, and made her Boiler Room debut alongside firm friends of the label Finn, Anz, Mogwaa and Sharda — need we say more?
Written in the wake of a Chinese tour last year, where Closet “played music in some places that really expanded my vision,” Cloudborne 888 takes cues from cities the size of small countries to mountain towns like Dali, where, in her words, “the nature was bizarre.” The result is some of the trippiest, most immersive music we’ve released yet: hazy synth washes, endlessly delayed textures and percussive grooves that feel like they’re unravelling and reassembling themselves in real time.
But while it drifts and bends, it never meanders — each track carries a pulse, a direction, and a restless momentum. It’s club music built on movement and memory, tension and release, with a sense of spatial depth that opens up new corners on every listen. Rhythmic storytelling between structure and spontaneity, made for open roads, dark rooms, and anywhere else you might find yourself lost in thought.
In Closet’s words: “the piece is a reflection of movement – physically and mentally – and I hope it gives people space to zone out for a bit and wander and imagine.”
credits
released July 31, 2025
All tracks written and produced by Closet Yi in Seoul.
Mastered by Alex Gordon at Abbey Road Studios.
Artwork by All Purpose Studio.
Cover photo by Pilkyu Jung.
Styling and creative direction by JiJi.
Hair and makeup by Yuna Oh.
Released by Clasico Records | Catalog #: CCO009
supported by 28 fans who also own “Cloudborne 888”
I love all Hessle Audio releases because they're just plain fun. This sort of thing hearkens back to 1991 in a good way with classic "rave" breakbeat elements with a modern touch of course. I think people have new labels for this music but it sounds like classic rave breakbeats to me and this is far from a bad thing. jonarmst