Showing posts with label police. Show all posts
Showing posts with label police. Show all posts

Friday, February 4, 2022

ALL-NEGRO COMICS "Ace Harlem" Conclusion

When Last We Left Ace Harlem, Famed Negro Detective...

...well, I'll let the author explain what's going on...
A second issue was written and illustrated, but, sadly, was never published, and no art for it has ever been seen by the public.

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Tuesday, February 1, 2022

ALL-NEGRO COMICS "Ace Harlem" Part 1

Before Virgil Tibbs!
Before John Shaft!
Before Easy Rawlins!
There was..Ace Harlem...
...the first Black detective in any literary format to star in his own story!
To Be Continued...
Friday!

Written and illustrated by Black creative John Terrell, this tale features a fashion phenomenon unique to the 1930s/40s...zoot suits!
There's a superb article about the trend HERE that explains it far better than I could.
As to Ace himself, publisher, Orrin C. Evans, wrote in his editorial...
Through Ace Harlem, we hope dramatically to point up the outstanding contributions of thousands of fearless, intelligent Negro police officers engaged in a constant fight against crime throughout the United States.
A second issue was written and illustrated, but, sadly, was never published, and no art for it has ever been seen by the public.
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Wednesday, October 9, 2013

BURKE'S LAW "Who Killed the Hollywood Hopefuls?: The Third Victim" Part 2

Captain of Detectives Amos Burke investigates several murders of Hollywood actors apparently commited by classic movie monsters!
When several leads peter out to dead ends, the captain's aides decide to take a different approach...
Well, this looks like another dead end...or is it?
You'll discover the astounding answer tomorrow as the story concludes where it began, at our "brother" blog Secret Sanctum of Captain Video!
Writer Paul S Newman and artists Frank McLaughlin (penciler) and Dick Giordano, Sal Trapani & Vince Colletta (inkers) will keep you guessing as they finish this tale from Dell's Burke's Law #3 (1965).

Tuesday, October 8, 2013

BURKE'S LAW "Who Killed the Hollywood Hopefuls?: The Third Victim" Part 1

Movie actors are being killed by beings resembling famous monsters.
Captain of Detectives Amos Burke and his aides follow a trail of clues leading to the film studio that made the movies the creatures originally appeared in...
Be here tomorrow as we show how movies were screened in the pre-BluRay (and even VCR) days!
(and there'll be more clues, too...)
Note: you didn't miss a post here.
The first part appeared at our "brother" blog Secret Sanctum of Captain Video!
Burke's Law (1963-1966) was produced by Aaron Spelling, who later did such genre series as Charlie's Angels, TJ Hooker, Matt Houston, Hart to Hart, Starsky and Hutch, The Rookies, SWAT, Mod Squad, and Honey West (a spinoff from Burke's Law we've featured HERE.)
While it was a police procedural, the plot was often secondary to the parade of high-profile guest stars playing victims and suspects, making it "CSI meets Love Boat".
Classic movie stars like Buster Keaton, Don Ameche, Basil Rathbone, Dorothy Lamour, and Broderick Crawford joined up-and-comers like William Shatner, Barbara Eden, Tab Hunter, Annette Funicello, and Telly Savalas as the weirdest grouping of West Coast eccentrics outside of San Diego ComicCon!
As you can see, translating it to the comic page proved difficult, since the editors felt the guest star aspect couldn't be carried out in a licensed comic.
Depite that, writer Paul S Newman and artists Frank McLaughlin (penciler) and Dick Giordano, Sal Trapani & Vince Colletta (inkers) did a commendable job trying to capture the light-hearted feel of the series in this tale from Dell's Burke's Law #3 (1965).
Trivia: Every episode's title was "Who Killed (Insert Noun)?", much as Man from U.N.C.L.E.'s titles were "The (Insert Noun) Affair" and Wild, Wild West's episodes all had a "Night of the (Insert Noun)" title (even if they took place during the day)!

Thursday, March 28, 2013

SPIRIT "League of Liars"

Of all comic strip/book detectives, none was as complex as The Spirit...
...even when multi-award* winning creator/writer/illustrator Will Eisner wasn't the man behind the story, as in this case, where future Oscar/Obie/Pulitzer/Writers' Guild award winner Jules Feiffer scripted and laid out the tale...
The Spirit was unique among comic heroes since he had not only his own feature in an anthology comic (Police Comics), his own monthly/bi-monthly comic book (from Quality, and later Fiction House), and a weekly comic book (distributed with Sunday newspapers throughout the country) from 1940 to 1952!
The newspaper weekly comic contained new stories which were then reprinted in the other comic books.
It also didn't have slick covers, using the same newsprint stock as the inside of the booklet, making them extremely fragile and hard to find in good condition today despite having a circulation of several million (you read that right) per issue!
This particular story initially appeared in November 25, 1951 newspapers before being reprinted in Fiction House's Spirit #3 (1952), where this version is taken from.
Written and laid-out by Feiffer (who started as an art assistant in Eisner's studio), the penciling and inking was done by Jim Dixon with Eisner himself editing, art directing, and occasionally retouching to keep characters "on-model".
*Today, the comic book industry equivalent of the Emmy/Oscar/Tony/Grammy is known as "The Eisner".

Tuesday, July 10, 2012

POLICE BADGE #479 "Rookie Cop"

After the whole Seduction of the Innocent mishigas in the early-1950s...
...comics went out of their way to "clean up" their image with series like this one from Atlas Comics, the predecessor to Marvel Comics.
Though the concept for Police Badge #479 could've been great, showing the possessors of the badge through history, the single issue of the title concentrated on the current cop wearing the tin, Jim Hudson.
(It's mentioned that his father was also a cop who died of a heart attack while on the job, but not that badge #479 was his, so they could've shown more of his father as, perhaps, the partner of the previous possessor of #479 or somesuch.)
At any rate, Hudson is an idealized image of a police officer and the stories, though well-told, lacked humanity, serving more as moralistic points than plotlines.
The art by Don Heck for this lead story from Police Badge #479 #5 (1955) is clean and dynamic, but the script by an unknown writer is only so-so.
Compare it with the tale we presented last week, from the same period of the 1950s, and you'll see the difference.