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11. CMMR 2015: Plymouth, UK

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Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad:
Music, Mind, and Embodiment - 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers. Lecture Notes in Computer Science 9617, 2016, ISBN 978-3-319-46281-3

Sound, Motion and Gesture

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Luke Dahl:
Comparing the Timing of Movement Events for Air-Drumming Gestures. 3-21
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  - conf/cmmr/RozeAKVBCDY15
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Jocelyn Rozé, Mitsuko Aramaki, Richard Kronland-Martinet, Thierry Voinier, Christophe Bourdin, Delphine Chadefaux, Marvin Dufrenne, Sølvi Ystad:
Assessing the Influence of Constraints on Cellists' Postural Displacements and Musical Expressivity. 22-41
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Luiz Naveda, Isabel C. Martínez, Javier Damesón, Alejandro Pereira Ghiena, Romina Herrera, Manuel Alejandro Ordás:
Musical Meter, Rhythm and the Moving Body: Designing Methods for the Analysis of Unconstrained Body Movements. 42-57
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  - conf/cmmr/HaugenN15
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Mari Romarheim Haugen, Kristian Nymoen:
Evaluating Input Devices for Dance Research. 58-70
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  - conf/cmmr/CarrilloAW15
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Alfonso Pérez Carrillo, Josep Lluís Arcos, Marcelo M. Wanderley:
Estimation of Guitar Fingering and Plucking Controls Based on Multimodal Analysis of Motion, Audio and Musical Score. 71-87
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  - conf/cmmr/VisiCSM15
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Federico Visi, Esther Coorevits, Rodrigo Schramm, Eduardo Reck Miranda:
Analysis of Mimed Violin Performance Movements of Neophytes - Patterns, Periodicities, Commonalities and Individualities. 88-108

Digital Musical Instruments, Embodiment and Performance

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Jan C. Schacher, Patrick Neff:
Skill Development and Stabilisation of Expertise for Electronic Music Performance. 111-131
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Joel Eaton, Eduardo R. Miranda:
The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance Systems. 132-145
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Joanne L. Armitage, Kia Ng:
Feeling Sound: Exploring a Haptic-Audio Relationship. 146-152
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Florent Berthaut, Luke Dahl:
BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras. 153-166
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Esther Coorevits, Dirk Moelants, Stefan Östersjö, David Gorton, Marc Leman:
Decomposing a Composition: On the Multi-layered Analysis of Expressive Music Performance. 167-189
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Rodrigo Schramm, Helena de Souza Nunes, Leonardo de Assis Nunes, Federico Visi, Eduardo R. Miranda:
3CMS: An Interactive Decision System for Live Performance. 190-210

Composition Tools

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Louis Bigo, Darrell Conklin:
A Viewpoint Approach to Symbolic Music Transformation. 213-227
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Mads Walther-Hansen:
Balancing Audio: Towards a Cognitive Structure of Sound Interaction in Music Production. 228-242
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Gilberto Bernardes, Diogo Cocharro, Carlos Guedes, Matthew E. P. Davies:
Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval Space. 243-260
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Johan Loeckx:
Musical Variation and Improvisation Based on Multi-resolution Representations. 261-270
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Edward Braund, Eduardo R. Miranda:
Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum Polycephalum. 271-280

Data Mining, Music Information Retrieval and Artificial Intelligence

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Kristoffer Jensen, David G. Hebert:
Evaluation and Prediction of Harmonic Complexity Across 76 Years of Billboard 100 Hits. 283-296
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Jordan R. Ubbens, David Gerhard:
Information Rate for Fast Time-Domain Instrument Classification. 297-308
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Li Su, Yi-Hsuan Yang:
Escaping from the Abyss of Manual Annotation: New Methodology of Building Polyphonic Datasets for Automatic Music Transcription. 309-321
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Shengchen Li, Dawn A. A. Black, Mark D. Plumbley:
The Clustering of Expressive Timing Within a Phrase in Classical Piano Performances by Gaussian Mixture Models. 322-345
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Konstantinos Trochidis, Simon Lui:
Modeling Affective Responses to Music Using Audio Signal Analysis and Physiology. 346-357
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Emery Schubert, Marcus T. Pearce:
A New Look at Musical Expectancy: The Veridical Versus the General in the Mental Organization of Music. 358-370

Music Analysis, Music Generation and Emotion

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Hans T. Zeiner-Henriksen:
Emotional Experiences of Ascending Melodic Lines. 373-386
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Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo:
\sigma GTTM III: Learning-Based Time-Span Tree Generator Based on PCFG. 387-404
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Edward Braund, Eduardo R. Miranda:
BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based Memristors. 405-419
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Steven Jan:
'Understood at Last'?: A Memetic Analysis of Beethoven's 'Bloody Fist'. 420-437
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  - conf/cmmr/KirkeDM15
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Alexis Kirke, Belinda Dixon, Eduardo R. Miranda:
Music and Dementia: Two Case-Studies. 438-448
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  - conf/cmmr/Gomez-MarinJH15
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Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera:
Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception. 449-463
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Luiz Naveda, Isabel C. Martínez, Javier Damesón, Alejandro Pereira Ghiena, Romina Herrera, Manuel Alejandro Ordás:
Cross-Cultural Comparisons of Unconstrained Body Responses to Argentinian and Afro-Brazilian Music. 464-482

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