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Courtney N. Reed
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2020 – today
- 2024
- [c18]Courtney N. Reed, Landon Morrison, Andrew P. McPherson, David Fierro, Atau Tanaka:
Sonic Entanglements with Electromyography: Between Bodies, Signals, and Representations. Conference on Designing Interactive Systems 2024 - [c17]Charalampos Saitis, Bleiz Macsen Del Sette, Jordie Shier, Haokun Tian, Shuoyang Zheng, Sophie Skach, Courtney N. Reed, Corey Ford:
Timbre Tools: Ethnographic Perspectives on Timbre and Sonic Cultures in Hackathon Designs. Audio Mostly Conference 2024: 229-244 - [c16]Vineetha Rallabandi, Alice C. Haynes, Courtney N. Reed, Paul Strohmeier:
Base and Stitch: Evaluating eTextile Interfaces from a Material-Centric View. TEI 2024: 15:1-15:13 - [c15]Rachel Freire, Valentin Martinez-Missir, Courtney N. Reed, Paul Strohmeier:
RaveNET: Connecting People and Exploring Liminal Space through Wearable Networks in Music Performance. TEI 2024: 89:1-89:8 - [c14]Rachel Freire, Valentin Martinez-Missir, Courtney N. Reed, Paul Strohmeier:
Liminal Space: A Performance with RaveNET. TEI 2024: 105:1-105:4 - 2023
- [j2]Simin Yang, Mathieu Barthet, Courtney N. Reed, Elaine Chew:
Do You Hear What I Hear? Computer 56(12): 4-6 (2023) - [j1]Simin Yang, Courtney N. Reed, Elaine Chew, Mathieu Barthet:
Examining Emotion Perception Agreement in Live Music Performance. IEEE Trans. Affect. Comput. 14(2): 1442-1460 (2023) - [c13]Dennis Wittchen, Valentin Martinez-Missir, Sina Mavali, Nihar Sabnis, Courtney N. Reed, Paul Strohmeier:
Designing Interactive Shoes for Tactile Augmented Reality. AHs 2023: 1-14 - [c12]Courtney N. Reed, Paul Strohmeier, Andrew P. McPherson:
Negotiating Experience and Communicating Information Through Abstract Metaphor. CHI 2023: 185:1-185:16 - [c11]Nihar Sabnis, Dennis Wittchen, Courtney N. Reed, Narjes Pourjafarian, Jürgen Steimle, Paul Strohmeier:
Haptic Servos: Self-Contained Vibrotactile Rendering System for Creating or Augmenting Material Experiences. CHI 2023: 522:1-522:17 - [c10]Nihar Sabnis, Dennis Wittchen, Gabriela Vega, Courtney N. Reed, Paul Strohmeier:
Tactile Symbols with Continuous and Motion-Coupled Vibration: An Exploration of using Embodied Experiences for Hermeneutic Design. CHI 2023: 688:1-688:19 - [c9]Mateusz Solinski, Courtney N. Reed, Elaine Chew:
Time Delay Stability Analysis of Pairwise Interactions Amongst Ensemble-Listener RR Intervals and Expressive Music Features. CinC 2023: 1-4 - [c8]Mateusz Solinski, Courtney N. Reed, Elaine Chew:
Triangle Simplex Plots for Representing and Classifying Heart Rate Variability. CinC 2023: 1-4 - [c7]Courtney N. Reed, Andrew P. McPherson:
The Body as Sound: Unpacking Vocal Embodiment through Auditory Biofeedback. TEI 2023: 7:1-7:15 - [c6]Alice Haynes, Courtney N. Reed, Charlotte Nordmoen, Sophie Skach:
Being Meaningful: Weaving Soma-Reflective Technological Mediations into the Fabric of Daily Life. TEI 2023: 68:1-68:5 - [i2]Nick Bryan-Kinns, Berker Banar, Corey Ford, Courtney N. Reed, Yixiao Zhang, Simon Colton, Jack Armitage:
Exploring XAI for the Arts: Explaining Latent Space in Generative Music. CoRR abs/2308.05496 (2023) - [i1]Nick Bryan-Kinns, Courtney N. Reed:
A Guide to Evaluating the Experience of Media and Arts Technology. CoRR abs/2311.07490 (2023) - 2022
- [c5]Courtney N. Reed, Sophie Skach, Paul Strohmeier, Andrew P. McPherson:
Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances. AHs 2022: 170-183 - [c4]Courtney N. Reed, Charlotte Nordmoen, Andrea Martelloni, Giacomo Lepri, Nicole Robson, Eevee Zayas-Garin, Kelsey Cotton, Lia Mice, Andrew McPherson:
Exploring Experiences with New Musical Instruments through Micro-phenomenology. NIME 2022 - [c3]Courtney N. Reed:
Examining Embodied Sensation and Perception in Singing. TEI 2022: 47:1-47:7 - 2021
- [c2]Courtney N. Reed, Andrew P. McPherson:
Surface Electromyography for Sensing Performance Intention and Musical Imagery in Vocalists. TEI 2021: 22:1-22:11 - 2020
- [c1]Courtney N. Reed, Andrew P. McPherson:
Surface Electromyography for Direct Vocal Control. NIME 2020: 458-463
Coauthor Index
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