German design graphic

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Jan Tschichold, Poster Sport, Modern And Contemporary Art, Typographic Poster, Design Movements, Single Letter, Sport Poster, Typography Inspiration, Wassily Kandinsky

Walter Dexel. Die Sport Ausstellung (The Sport Exhibition) (Poster for exhibition in Magdeburg). 1929. Photolithograph. 33 1/8 x 23 1/2" (84.1 x 59.7 cm). W. Pfannkuch & Co., Magdeburg. Purchase Fund, Jan Tschichold Collection. 339.1937. Architecture & Design

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John Heartfield, Graphic Design Style, Jazz Poster, Diesel Punk, History Of Photography, German Design, Modern Artists, Grand Art, Graphic Design Poster

"The early twentieth century was the most significant period of all in the development of modern design.... The design profession was born, and with it came the beginnings of corporate and graphic design as we know it today." -- Jens Müller, Pioneers of German Graphic Design The first few decades in 20th century Germany were tumultuous years, a veritable Cambrian explosion of innovation which shaped the world of visual communication that we now take for granted. For example, they introduced…

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History Photography and Graphic Design by Alki1, via Flickr Retro Newspaper Design, Timeline Design Ideas Aesthetic, Photography Editorial Design, 1800s Graphic Design, Academic Graphic Design, Vintage Brochure Design, European Graphic Design, Historical Graphic Design, Timeline Graphic Design

This is a series of advertisements for Ovomaltine designed by Carlo Vivarelli with advertising consultant Ernst Baenziger in Zurich. Some ads were in multi-color but could be changed to a two-color run for newspapers, before 1958.

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German graphic designer Anton Stankowski was a master of the minimal—and a pioneer of "constructive graphic art" that involved photographic media. German Design Graphic, Arrows Graphic Design, Time Graphic Design, German Graphic Design, Minimalism Graphic Design, Creative Studio Space, Arrows Graphic, German Art, Book Posters

German graphic designer Anton Stankowski (1906–1998) was a master of the minimal—and a pioneer of what was referred to as “constructive graphic art” that involved using photographic media. He was also a master of visual shorthand, with emphasis on logos, the minimalist Deutsche Bank, the Münchner Rückversicherungen, REWE and Olympic Congress Baden-Baden. I recently found a long-lost file with a portfolio of ads he designed for Standard Elektrik Lorenz from his hometown, Stutt

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