Affichage des articles dont le libellé est CRASS. Afficher tous les articles
Affichage des articles dont le libellé est CRASS. Afficher tous les articles

mercredi 20 janvier 2021

CRASS - How Does It Feel EP

     

Le sujet épineux de la guerre des Malouines, où une ancienne première puissance coloniale se lance dans une aventure risquée à près de trize milles kilomètres pour maintenir dans son giron un minuscule archipel. Les soubresauts politiciens qui permettent d'unir les miséreux et l'élite sous la même bannière et de réélire la dame de fer. Crass coupe les ponts un peu plus avec le tumultueux "How Does It Feel (To Be The Mother Of A Thousand Dead)?, les traitres à la nation nous gratifient là d'un des très grands singles anarcho-punk...

 
When you woke this morning you looked so rocky-eyed,
Blue and white normally, but strange ringed like that in black.
It doesn't get much better, your voice can get just ripped up shooting in vain,
Maybe someone hears what you say, but you're still on your own at night.
You've got to make such a noise to understand the silence.
Screaming like a jackass, ringing ears so you can't hear the silence
Even when it's there - like the wind seen from the window,
Seeing it, but not being touched by it.
(We never asked for war, nor in the innocence of our birth were we aware of it.
We never asked for war, nor in the struggle to realisation did we feel there was a need for it.
We never asked for war, nor in the joyful colours of our childhood were we conscious of its darkness.)
HOW DOES IT FEEL?
How does it feel to be the mother of a thousand death?
Young boys rest now, cold graves in cold earth.
How does it feel to be the mother of a thousand death?
Sunken eyes, lost now; empty sockets in futile death.
Your arrogance has gutted these bodies of life,
Your deceit fooled them that it was worth the sacrifice.
Your lies persuaded people to accept the wasted blood,
Your filthy pride cleansed you of the doubt you should have had.
You smile in the face of the death cause you are so proud and vain,
Your inhumanity stops you from realising the pain
That you inflicted, you determines, you created, you ordered -
It was your decision to have those young boys slaughtered.
You never wanted peace or solution,
From the start you lusted after war and destruction.
Your blood-soaked reason ruled out other choices,
Your mockery gagged more moderate voices.
So keen to play your bloody part, so impatient that your war be fought.
Iron Lady with your stone heart so eager that the lesson be taught
That you inflicted, you determines, you created, you ordered -
It was your decision to have those young boys slaughtered.
How does it feel to be the mother of a thousand death?
Young boys rest now, cold graves in cold earth.
How does it feel to be the mother of a thousand death?
Sunken eyes, lost now; empty sockets in futile death.
Throughout our history you and your kind
Have stolen the young bodies of the living
To be twisted and torn in filthy war.
What right have you to defile those birth?
What right have you to devour that flesh?
What right to spit on hope with the gory madness
That you inflicted, you determines, you created, you ordered -
It was your decision to have those young boys slaughtered.
How does it feel to be the mother of a thousand death?
Young boys rest now, cold graves in cold earth.
How does it feel to be the mother of a thousand death?
Sunken eyes, lost now; empty sockets in futile death.
You accuse us of disrespect for the dead,
But it was you who slaughtered out of national pride.
Just how much did you care? What respect did you have
As you sent those bodies to their communal grave?
You buried them rough-handed, they'd given you their all,
That once living flesh defiled in the hell
That you inflicted, you determines, you created, you ordered -
It was your decision to have those young boys slaughtered.
You use those deaths to achieve your ends still,
Using the corpses as a moral blackmail.
You say "Think of what those young men gave"
As you try to bind us in your living death,
Yet we do think of them, ice cold and silence
In the snow covered moorlands, stopped by the violence
That you inflicted, you determines, you created, you ordered -
It was your decision to have those young boys slaughtered.
How does it feel to be the mother of a thousand death?
Young boys rest now, cold graves in cold earth.
How does it feel to be the mother of a thousand death?
1 - 2 - 3 - 4 - We don't want your fucking war!
1 - 2 - 3 - 4 - We don't want your fucking war!
1 - 2 - 3 - 4 - We don't want your fucking war!
1 - 2 - 3 - 4 You can stop your fucking war!
 
A_How Does It Feel (To Be The Mother Of A Thousand Dead)?
B1_The Immortal Death
B2_Don't Tell Me You Care 
 
(1982)
 

mercredi 1 avril 2020

CRASS - Penis Envy


En dépit de la non participation de Steve Ignorant à l'album, Penis Envy est un des points culminants de Crass et la démonstration que le groupe se joue des attentes du public et le teste en permanence. Eve Libertine assure les vocaux à l'exception de "Health Surface" par Joy de Vivre, féminisme revendiqué dans une scène punk de plus en plus machiste..."A un certain moment, on aurait pu devenir le plus gros groupe Oi, juste après la sortie de "Feeding Of The 5000", quand des groupes comme Cockney Rejects reconnaissaient la force de l'album et étaient des fans sans même nous avoir rencontrés. Mais quand "Penis Envy" est sorti, ils ont pensé "Que sont en train devenir ces trous du cul??" On a choisi cette voie quand il semblait que notre devenir était trop facilement prédictible, nous nous sommes efforcés de changer de parfum..." (Penny Rimbaud). Enregistré aux Southern studios, London en décembre 1980. Line-up:  Eve Libertine (vocals), Joy de Vivre (lead vocals on "Health Surface")  Phil Free (guitar), B.A.Nana (guitar), Pete Wright (bass) & Penny Rimbaud (drums)... Great stuff...



CRASS - Penis Envy  (1981)

01_Bata Motel
02_Systematic Death
03_Poison in a Pretty Pill
04_What the Fuck
05_Where Next Columbus
06_Berkertex Bride
07_Smother Love
08_Health Surface
09_Dry Weather
10_Our Wedding

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dimanche 8 décembre 2019

CRASS - Nagasaki Nightmare / Big A Little A


"Nagasaki Nightmare" le plaidoyer contre le nucléaire du groupe, intro en japonais avec instrumentation traditionnelle ouvrant un titre expérimental angoissant, bruitiste, et un duo vocal, un titre réussi. Le plat de résistance est en face B avec "Big A Little A", si on ne tend pas l'oreille, un titre punk crassien déroule; mais je dois dire que le texte sur la manipulation des masses par les systèmes religieux et politiques, et en corollaire l'écrasement de l'individualité constitue une des plus belles odes anarchistes jamais écrites par cette mouvance punk...Anarcho-Punk gem...


Big A, little A, bouncing B
The system might have got you but it won't get me

1 - 2 - 3 - 4

External control are you gonna let them get you?
Do you wanna be a prisoner in the boundaries they set you?
You say you want to be yourself, by christ do you think they'll let you?
They're out to get you get you get you get you get you get you get you

Hello, hello, hello, this is the Lord God, can you hear?
Hellfire and damnation's what I've got for you down there
On earth I have ambassadors, archbishop, vicar, pope
We'll blind you with morality, you'd best abandon any hope
We're telling you you'd better pray 'cause you were born in sin
Right from the start we'll build a cell and then we'll lock you in
We sit in holy judgement condemning those that stray
We offer our forgiveness, but first we'll make you pay

External control are you gonna let them get you?
Do you wanna be a prisoner in the boundaries they set you?
You say you want to be yourself, by christ do you think they'll let you?
They're out to get you get you get you get you get you get you get you

Hello, hello, hello, now here's a massage from your queen
As figurehead of the status quo I set the social scene
I'm most concerned about my people, I want to give them peace
So I'm making sure they stay in line with my army and police
My prisons and my mental homes have ever open doors
For those amongst my subjects who dare to ask for more
Unruliness and disrespect are things I can't allow
So I'll see the peasants grovel if they refuse to bow


External control are you gonna let them get you?
Do you wanna be a prisoner in the boundaries they set you?
You say you want to be yourself, by Christ do you think they'll let you?
They're out to get you get you get you get you get you get you get you

Introducing the Prime Sinister, she's a mother to us all
Like the dutch boy's finger in the dyke her arse is in the wall
Holding back the future waiting for the seas to part
If Moses did it with is faith, she'll do it with an army
Who at times of threatened crisis are certain to be there
Guarding national heritage no matter what or where
Palaces for kings and queens, mansions for the rich
Protection for the wealthy, defence of privilege
They've learnt the ropes In Ireland, engaged in civil war
Fighting for the ruling classes in their battle against the poor
So Ireland's just an island? It's an island of the mind
Great Britain? Future? Bollocks, you'd better look behind
Round every other corner stands P.C. 1984
Guardian of the future, he'll implement the law
He's there as a grim reminder that no matter what you do
Big brothers system's always there with his beady eyes on you
From God to local bobby, in home and street and school
They've got your name and number while you've just got their rule
We've got to look for methods to undermine those powers
It's time to change the tables. The future must be ours

Big A, little A, bouncing B
The system might have got you but it won't get me

Be exactly who you want to be, do what you want to do
I am he and she is she but you're the only you
No one else has got your eyes, can see the things you see
It's up to you to change your life and my life's up to me
The problems that you suffer from are problems that you make
The shit we have to climb through is the shit we choose to take
If you don't like the life you live, change it now it's yours
Nothing has effects if you don't recognise the cause
If the programme's not the one you want, get up, turn off the set
It's only you that can decide what life you're gonna get
If you don't like religion you can be the antichrist
If your tired of politics you can be an anarchist
But no one ever changed the church by pulling down a steeple
And you'll never change the system by bombing number ten
Systems just aren't made of bricks they're mostly made of people
You may send them into hiding, but they'll be back again
If you don't like the rules they make, refuse to play their game
If you don't want to be a number, don't give them your name
If you don't want to be caught out, refuse to hear their question
Silence is a virtue, use it for your own protection
They'll try to make you play their game, refuse to show your face
If you don't want to be beaten down, refuse to join their race
Be exactly who you want to be, do what you want to do
I am he and she is she but you're they only you

A_Nagasaki Nightmare
B_Big A Little A

(1980)

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dimanche 16 septembre 2018

CRASS - Station Of The Crass


La campagne de tags du métro londonien donne le nom du premier double LP de Crass. Ce superbe opus reste presque deux ans dans les charts indépendants. "Stations Of The Crass  a pris son envol alors que Feeding Of The 5000 avec sa critique acerbe du mouvement punk s'etait arrêté. Feeding...contenait ce titre Punk Is Dead (C'était pourtant vrai, le punk est mort, un produit à bas coût pour les consommateurs, Bubblegum Rock pour transistors en plastique, une sédition d'écoliers encouragée par des promoteurs...) qui a probablement incité Exploited à fièrement nommer son premier album Punk's Not Dead. Stations... contient White Punks On Hope ainsi que Hurry Up Gary et I Ain't Think, It's Just A Trick (visant le pape du Oi!, le critique de Sound Magazine Garry Bushell), ce débat invitant à une réflexion sur la valeur réelle du punk. Les répliques violentes engendrées par les défenseurs indignés, ont fissuré la scène. D'un côté les "Peace Punks" de l'autre leurs contrepoints chaotiques...Les Special Duties de Colchester ont même sorti un single titré Bullshit Crass, scandant Fight Crass, Not Punk! parodiant le slogan de Crass Fight War, Not Wars!" (Extract from The Day The Country Died)


CRASS - Station Of The Crass (1979)

A1_Mother Earth
A2_White Punks On Hope
A3_You've Got Big Hands
A4_Darling
A5_System
A6_Big Man, Big M.A.N
A7_Hurry Up Garry (The Parsons Farted)

B1_Fun Going On
B2_Crutch Of Society
B3_Heard Too Much About
B4_Chairman Of The Bored
B5_Tired
B6_Walls (Fun In The Oven)
B7_Upright Citizen

C1_The Gasman Cometh
C2_Demoncrats
C3_Contaminational Power
C4_Time Out
C5_I Ain't Thick, It's Just A Trick
C6_Untitled

D_Live At Pied Bull, Islington, London, 7th August 1979
System / Big Man, Big M.A.N. / Banned From The Roxy / Hurry Up Garry / Time Out / They've Got A Bomb / Fight War, Not Wars / Women / You Pay / Heard To Much About / Angels / What A Shame / So What / G's Song / Do They Owe Us A Living / Punk Is Dead

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vendredi 11 mai 2018

POISON GIRLS / CRASS - Persons Unknown / Bloody Revolutions


Split single paru en 1980 sur Crass records, l'intégralité de l'argent issue des ventes va à la création de "The Anarchist Centre" à Londres. Ce lieu alternatif destiné à l'échange et aux concerts n'existera qu'un an...
Poison Girls: Vi Subversa (vocals, guitar), Richard Famous (guitar), Bernhardt Rebours (Bass, Synthesizers) & Lance D Boyle (drums).
Crass: Steve Ignorant (vocals), Eve Libertine (vocals), Phil Free (lead guitar), N.A. Palmer (rythm guitar), Pete Wright (bass), Penny Rimbaud (drums), Joy de Vivre (voice) & G (voice).
Un des grands disques de l'anarchopunk, totalement incontournable.

Poison Girls

Joy de Vivre from Crass
A_Poison Girls - Persons Unknown
B_Crass - Bloody Revolutions

(1980)

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lundi 7 août 2017

CRASS - Reality Asylum / Shaved Women


Après la parution de leur premier album "The Feeding Of The 5000" en février 1979, le groupe a naturellement mal digéré la censure de "Asylum" qui était censé ouvrir l'album...En juin, le single autoproduit "Reality Asylum / Shaved Women" est dans les bacs, le monologue anti-chrétien "Reality Asylum"conduit le groupe devant la justice, un titre proche des premières pièces industrielles de Current 93 alors que "Shaved Women" est un titre no wave sur fond de trains de déportation...Un malaise réussi...


A_Reality Asylum
B_Shaved Women

(1979)

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vendredi 12 mai 2017

CRASS - The Feeding Of The 5000



Dial House
Crass s'est formé en 1977 à Epping Forest, Essex, émanation de "Dial House" une maison du seizième siècle qui depuis 67 abrite une communauté anarchiste, manifestations artistiques et culturelles, free jazz, avant-garde...Jerry Ratter alias Penny Rimbaud membre fondateur de Dial House est initié au punk rock par Steve Ignorant, un résident de la maison. Penny et Steve fondent le duo Stormtrooper qu'ils rebaptisent Crass, le duo est rejoint par d'autres membres de la maison. Crass se produit au festival d'Huntley Street au nord de Londres, puis au "Roxy" dont ils se font jetés, trop défoncés. Ils partagent les concerts avec un groupe qui comme Crass marquera le punk rock: UK Subs. Crass se démarque des autres groupes punks, démarche anarcho pacifiste, dadaïste, projection d'images et de vidéos lors des concerts, vêtus de noir ils arborent leur propre logo.

En 78, Crass sort "The Feeding  Of The 5000" chez Small Wonder, le disque est amputé du titre "Reality Asylum" suite au refus des ouvriers de l'usine de pressage, le titre est remplacé par un silence intitulé "The Sound of Free Speech". Pour échapper à la censure Crass fonde son propre label "Crass Records" qui hébergent des combos adeptes du DIY proches musicalement et idéologiquement (Poison Girls, Honey Bane, Zounds, Flux Of Pink Indians, Mob, Conflict, Rudimentary Peni...) le courant anarcho punk était né.
Voici l'édition complète parue sur Crass records, le line-up: Steve Ignorant (vocals), Eve Libertine (vocals), Joy de Vivre (vocals), Phil Free (guitar), "N.A." Palmer (guitar), Peter Wright (bass, vocals), Penny Rimbaud (drums, radio).


CRASS - The Feeding Of The 5000

A1_Asylum 
A2_Do They Owe Us a Living? 
A3_End Result 
A4_They've Got a Bomb 
A5_Punk Is Dead 
A6_Reject of Society 
A7_General Bacardi
A8_Banned From the Roxy 
A9_G's Song
B1_Fight War, Not Wars
B2_Women 
B3_Securicor 
B4_Sucks
B5_You Pay 
B6_Angels
B7_What a Shame
B8_So What 
B9_Well...Do They ?

(1978)

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