Film Music Friday: Whodunits.

Edward G. Robinson in
The Red House (1947)

The latest episode of Kansas Public Radio's Film Music Friday focuses on whodunits. Included is music from The Big Sleep (composer: Max Steiner), Chinatown (composer: Jerry Goldsmith), High and Low (composer: Masaru Sato), Knives Out (composer: Nathan Johnson), Murder on the Orient Express (composer: Richard Rodney Bennett), and The Red House (composer: Miklós Rózsa).

The return of Rinehart's The Bat.

On October 27, the Somerville Theatre (MA) will show the silent film The Bat (1926), directed by Roland West; it is based on the play by Mary Roberts Rinehart and Avery Hopwood, which adapted Rinehart's The Circular Staircase (1908). A live score by Jeff Rapsis will accompany the film. 

On November 1, AFI Silver Theatre (MD) will show the film with live musical accompaniment by Ben Model. Undercrank Productions has released a digital restoration of the film on DVD with a score by Model.

Rinehart made millions from The Bat. Review of the film from the 19 Jun 1926 Edmonton [Canada] Journal: "persistently challenging audiences to identify the arch criminal behind the stirring trail of mystery" ... a "peppery melodrama." The 16 Aug 1908 Baltimore Sun wrote regarding The Circular Staircase, "The story is well and vigorously written, the plot, barring a few inconsistencies, first-class, the dénouement unforeseen and the characters vivid and interesting."

New film music releases: Goldfinger, The Talented Mr. Ripley

As Scott Bettencourt reports in Film Score Friday, there are two releases of potential interest:

• 60th anniversary edition of the score to the James Bond film Goldfinger (1964, composed by John Barry, La-La Land) 

• Score to The Talented Mr. Ripley (1999, composed by Gabriel Yared, Music Box)

Film Music Friday: Chase films, Jerry Goldsmith.

"Top o' the world":
James Cagney in
White Heat (1949)

The latest episodes of Kansas Public Radio's Film Music Friday feature music from chase films (e.g., The Bourne Identity, The Fugitive, North by Northwest, The 39 Steps, White Heat) and that by famed composer Jerry Goldsmith (e.g., Chinatown).

Film Music Friday: Bernard Herrmann.

Catching up on Film Music Friday episodes from Kansas Public Radio, there's an episode on composer Bernard Herrmann, including excerpts from his scores for Psycho and North by Northwest.

Fan of the theremin? There's an episode on it, including an excerpt from Spellbound.

Prof. Leon Theremin with his eponymous
device, 1928. NYPL

More Albert Glasser scores (film noir).

Following the release of Albert Glasser's score for Ed McBain's Cop Hater are Glasser's scores for the films Please Murder Me (with Raymond Burr and Angela Lansbury, 1956) and Treasure of Monte Cristo (with Glenn Langan, Adele Jergens, and Steve Brodie, 1949).

Also of interest: Glasser's score for The Big Caper (with Rory Calhoun and James Gregory, 1957)

 

Film score to Ed McBain's Cop Hater.

As Scott Bettencourt notes in Film Score Friday, Kronos Records has scheduled for release in July the soundtrack to Cop Hater (1958), the film based on the first 87th Precinct novel by Ed McBain (1956) featuring Robert Loggia, Gerald S. O'Loughlin, and Vincent Gardenia. The composer is Albert Glasser. Order the CD or listen to a few samples here.

Film score to Murder by Decree (1979).

As Scott Bettencourt notes in Film Score Friday, the score for the Sherlock Holmes film Murder by Decree (dir. Bob Clark, 1979) has been released by Howling Wolf Records. Holmes, played by Christopher Plummer, and Dr. Watson, played by James Mason, go on the trail of Jack the Ripper. The composers are Carl Zittrer and Paul Zaza.

Arsène Lupin: Music and text.

Music Box Records has issued a 20th anniversary edition of the soundtrack to Arsène Lupin (2004) composed by Debbie Wiseman. The film features adventures of the gentleman thief who was created by Maurice Leblanc (1864–1941) and debuted in 1905. Penguin has issued various Arsène Lupin collections in English and Spanish, Gallimard has versions in French for young readers, and Coup d'Oeil in Québec has a French edition for older readers.

• Listen to some samples from the soundtrack.

 

 

Newly released: Soundtrack to Hammett.

Just released by Silva Screen Records is John Barry's soundtrack to Hammett (dir. Wim Wenders, 1982), a film based on the book by Joe Gores; one screenwriter on the film was Ross Thomas. It stars the recently departed Frederic Forrest as Dashiell Hammett, who draws on his Pinkerton experience to assist a mentor with a new case. To hear some samples from the soundtrack, go here.

Henry Mancini and Alfred Hitchcock's Frenzy.

As Scott Bettencourt discusses in Film Score Monthly, Quartet Records has issued on CD the score to Alfred Hitchcock's Frenzy (1972), which includes the version by Ron Goodwin and the version by Henry Mancini that was rejected by Hitchcock. Visit Quartet Records to listen to some clips from both scores.

Kickstarter campaign to re-record Bernard Herrmann.

As Scott Bettencourt notes in Film Score Monthly, Intrada has launched a Kickstarter campaign to support a re-recording by the Royal Scottish National Orchestra of Bernard Herrmann's scores to Nicholas Ray's On Dangerous Ground and Alfred Hitchcock's The Man Who Knew Too Much. 

New film score releases.

In film score news: Silva Screen Records reports that the John Barry-composed score of the spy film The Tamarind Seed will be out in April—something of a triumph, as apparently the master tapes were not complete. The 1974 film, directed by Blake Edwards, stars Julie Andrews and Omar Sharif, and is based on the novel by Evelyn Anthony.

Also out, according to Film Score Daily: the Maurice Jarre-composed score to the spoof Top Secret!.

Ellery Queen, Rex Stout, and WQXR.

Ad for WQXR, 1963

New York Public Radio archivist Andy Lanset spotlights mentions of WQXR (a well-known classical music station in New York) in books, including those by Ellery Queen and Rex Stout (the latter mentioning the station in four works). Go here for a history of WQXR, including its ownership for nearly 30 years by the New York Times.

John D. MacDonald's "The Deep End" (1964).

A woman taking a swim ends up dead, and a PI (Clu Gulager) questions the conclusion of accidental drowning or suicide. The source for this 1964 episode of Kraft Suspense Theatre, although the credits merely state "based on a book by John P. [sic] MacDonald," is likely The Drowner by John D. MacDonald (Cosmopolitan Jan. 1963; novel 1963). Aldo Ray, Ellen Burstyn, Tina Louise, and Whit Bissell costar. The music for the episode is by John Williams.

New CD: Film Noir at Paramount.

Intrada has recently released Double Indemnity: Film Noir at Paramount, which includes selections from Miklos Rozsa's score for Billy Wilder's Double Indemnity; Hugo Friedhofer's score for Wilder's Ace in the Hole; Franz Waxman's music for Anatole Litvak's Sorry, Wrong Number; Victor Young's music for Byron Haskins's I Walk Alone; Gail Kubik's score for William Wyler's The Desperate Hours; Leith Stevens's music from Michael Curtiz's The Scarlet Hour; and Heinz Roemheld's music from Rudolph Mate's Union Station. (thanks to Film Score Monthly)

 

Mystery in Swing (1940).

In this film with a somewhat stiff all-black cast and a lot of music, a philandering trumpet player is killed in Harlem, and a reporter finds a plethora of suspects. Thomas Cripps, a former professor of music at Morgan State University, is not fond of the film.

New releases: Poe, Woolrich film scores.

Clues 26.4 (2008), w/Barbara Stanwyck
and John Lund from No Man of Her Own

Scott Bettancourt of Film Score Monthly highlights the following new releases:

• Hugo Friedhofer's score for No Man of Her Own (film with Barbara Stanwyck based on I Married a Dead Man by William Irish, aka Cornell Woolrich)

• John Debney's score for Stonehearst Asylum (film with Ben Kingsley and Kate Beckinsale based on Edgar Allan Poe's short story "The System of Doctor Tarr and Professor Feather")

University of the Air: Bernard Herrmann.

Bernard Herrmann, left, with
chorale director Roger Wagner,
center, and director Ralph Levy
1954 TV production of
A Christmas Carol

Following a program on John Williams, the radio program University of the Air focuses on film composer Bernard Herrmann. Host Norman Gilliland discusses his work with author-film professor Raymond Benson, playing excerpts from Citizen Kane, The Day the Earth Stood Still, North by Northwest, Psycho, Taxi Driver, and Vertigo.

Frank Drebin lives: New Naked Gun soundtracks.

Good news for Frank Drebin fans: Film Score Monthly announced that La La Records has released a limited edition of Ira Newborn's scores for The Naked Gun: From the Files of Police Squad, The Naked Gun 2 1/2: The Smell of Fear, and The Naked Gun 33 1/3: The Final Insult.