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Dharti Ke Lal

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Dharti Ke Lal
Directed byKhwaja Ahmad Abbas
Written byKhwaja Ahmad Abbas (screenplay, dialogue),
Bijon Bhattacharya (screenplay),
Krishan Chander (story),
Story byKrishan Chander
Produced byKhwaja Ahmad Abbas,
IPTA Pictures
StarringBalraj Sahni
Tripti Mitra
Sombhu Mitra
CinematographyJamnadas Kapadia
Music byRavi Shankar
Release date
  • 30 August 1946 (30 August 1946)
Running time
125 mins
CountryIndia
LanguageHindustani
Usha Dutt and Shombhu Mitra in Dharti Ke Lal

Dharti Ke Lal (Hindi pronunciation: ['d̪ʱəɾ.t̪iː 'keː 'lɑːl]; transl. Children of the Earth) is a 1946 Hindustani film, the first directorial venture of the noted film director Khwaja Ahmad Abbas (K. A. Abbas). It was jointly written by Khwaja Ahmad Abbas and Bijon Bhattacharya, based on plays by Bhattacharya and the story Annadata by Krishan Chander. The film had music by Ravi Shankar, with lyrics by Ali Sardar Jafri, Nemichand Jain, Vamiq, and Prem Dhawan.

The film was based on the Bengal famine of 1943, which killed millions of Bengali people, and was one of the first films in Indian cinema's social-realist movement.[1] In 1949, Dharti Ke Lal also became the first Indian film to receive widespread distribution in the Soviet Union (USSR),[2] which led to the country becoming a major overseas market for Indian films.[1][3]

Overview

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Dharti Ke Lal was critically acclaimed for its scathing view of the notorious Bengal famine of 1943, in which millions of Bengalis died.[1] It is considered an important political film as it gives a realistic portrayal of the changing social and economic climate during World War II.

The film uses the plight of a single family caught in this famine, and tells the story of human devastation, and the loss of humanity during the struggle to survive.

During the Bengal famine of 1943, members of the IPTA travelled all over India, performing plays and collecting funds for the survivors of the famine, which destroyed a whole generation of farmer families in Bengal.[4] Thus Abbas was deeply influenced by the work of IPTA, and hence based his script upon two of IPTA's plays, Nabanna (Harvest) and Jabanbandi by Bijon Bhattacharya, and the story Annadata by Krishan Chander. Even the cast of the film was mainly actors from IPTA.

The film marked another chapter in the influential new wave in Indian cinema, which focussed on socially relevant themes as in Neecha Nagar (1946), made by Chetan Anand, also scripted by Abbas, and which continued with Bimal Roy's Do Bigha Zamin (1953).

It was the first and perhaps the only film produced by IPTA (Indian People's Theater Association) and remains one of the important Hindi films of that decade. The film marked the screen debut of Zohra Sehgal and also gave actor Balraj Sahni his first important on screen role.[5]

The New York Times called it "...a gritty realistic drama."[6]

It proved to be tremendously influential not only to future filmmakers who admired its neorealist-like qualities—but also to intellectuals of India's left-wing.[7]

Cast

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Notes

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  1. ^ a b c Rajadhyaksha, Ashish (2016). Indian Cinema: A Very Short Introduction. Oxford University Press. p. 61. ISBN 9780191034770. Archived from the original on 30 August 2023. Retrieved 3 November 2017.
  2. ^ Dharti Ke Lal Archived 8 September 2012 at the Wayback Machine Indian Express.
  3. ^ "With love from India to Russia". Russia Beyond. 22 October 2009. Archived from the original on 16 August 2018. Retrieved 3 November 2017.
  4. ^ "Indian arts". Archived from the original on 20 October 2007. Retrieved 27 September 2007.
  5. ^ Balraj Sahani Archived 19 October 2012 at the Wayback Machine Rediff.com.
  6. ^ "Dharti Ke Lal - Trailer - Cast - Showtimes - NYTimes.com". movies.nytimes.com. Archived from the original on 30 April 2010. Retrieved 14 January 2022.
  7. ^ Dharti ke Lal Overview The New York Times

References

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  • Dictionary of Films (Berkeley: U. of CA Press, 1977), p. 84.
  • Vasudev and Lenglet, eds., Indian Cinema Super-bazaar (New Delhi: Vikas, 1978).
  • Shyamala A. Narayan, The Journal of Commonwealth Literature, 1 1976; vol. 11: pp. 82 – 94.
  • Amir Ullah Khan and Bibek Debroy, Indian Economic Transition through Bollywood Eyes.
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