Sculptural decor

Joel Escalona is a Mexican designer specialized in contemporary furniture design, sculpture and interior design projects.

The collection is an amalgamation of five sophisticated light sculptures embracing rugged and organic design to exude a free take on archaic shapes and forms. Made out of reused stone and minerals, the table lamps make use of geometric shapes to visually disseminate light. The choice of colors used for these earthy lamps works harmoniously to mimic the color scheme of the great outdoors.

Through a soft and seductive shell, set against a raw and coarse texture, the Etérea Sculptural Vessel is unfolding as a contrasting universe between dramatic allurement and a sensitive inner essence. Display on your tables, mantel, or pedestal as a piece of decorative home art. Karen Quirion is a Quebec-based artist whose journey spans from fashion design in Milan to sculptural mastery in ceramics. Fusing inspiration from nature's organic beauty and brutalist architecture, her works are a…

The Corolle Collection by French artist Baptiste Lanne features handcrafted wooden lamps that bring nature into your home. Methodically chiseled walnut acts as a screen for the globe bulb delicately nestled on a walnut base. The texture recalls the wood material's natural and varying forms. Sustainable home decor that adds warmth to any interior palette. Suits any interior design aesthetic, from minimal to maximal, mid-century, Japandi, and more. Unique contemporary light fixture and…

After having spent a long period in New York, Rogan Gregory who began his career as a design consultant for luxury fashion brands was ready for a change of scenery and moved to Los Angeles taking a former garbage truck depot as his new atelier. While pursuing his career in fashion, Rogan had also spent the past […]

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Geometric sculpture carved from Silver maple 24x6x6 dyed black with lacquer finish.

There was no definitive starting point for Anna Karlin’s new collection, no big moment, but rather a gradual becoming over a stretch of time. “The way that I work is essentially all one long conversation,” Karlin says. Some pieces are the result of an experiment from years back, set on the backburner until it finally makes sense in relation to something else. “I think about pieces in dialogue rather than in isolation, and a language develops.” It’s a call and response: a curve begs for a…