No 5 1948

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STRUCTURAL Pollock's method consists of flinging and dripping thinned enamel paint onto an unstretched canvas laid on the floor of his studio. This direct, physical engagement with his materials welcomed gravity, velocity, and improvisation into the artistic process, and allowed line and color to stand alone, functioning entirely independently of form. The artwork focuses on the process rather than the meaning. No 5 1948, Most Expensive Painting, Expensive Paintings, Contemporary Expressionism, Artistic Process, Paul Jackson, Unstretched Canvas, Colorado Art, New York School

STRUCTURAL Pollock's method consists of flinging and dripping thinned enamel paint onto an unstretched canvas laid on the floor of his studio. This direct, physical engagement with his materials welcomed gravity, velocity, and improvisation into the artistic process, and allowed line and color to stand alone, functioning entirely independently of form. The artwork focuses on the process rather than the meaning.

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Jackson Pollock. Number 1A, 1948. 1948. Oil and enamel paint on canvas, 68″ × 8′ 8″ (172.7 × 264.2 cm). Purchase. © 2010 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York Clyfford Still, Pollock Paintings, Conservation Art, Abstract Expressionist Art, Art Periods, Willem De Kooning, Action Painting, Expressionist Painting, Expressionist Art

Exhibition. Oct 3, 2010–Apr 25, 2011. More than sixty years have passed since the critic Robert Coates, writing in the New Yorker in 1946, first used the term “Abstract Expressionism” to describe the richly colored canvases of Hans Hofmann. Over the years the name has come to designate the paintings and sculptures of artists as different as Jackson Pollock and Barnett Newman, Willem de Kooning and Mark Rothko, Lee Krasner and David Smith. Beginning in the 1940s, under the aegis of Director…

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The film Ex Machina would have used a copy of the Jackson Pollock painting No 5 (1948); the painting was sold by David Geffen, a Hollywood producer and film studio executive, for over USD 140 million in 2006. Geffen would have sold the painting long before the movie was produced, and no respectable art collector would place such a valuable work of art on a film set or studio. #GreatArtists #AnitaLouiseArt #JacksonPollock #ExMachinaMovie No 5 1948, Jack Pollock, Ex Machina Movie, Anita Louise, David Geffen, Jackson Pollock Number 5, Pollock Paintings, Social Media Art, Inspiring Artists

The film Ex Machina would have used a copy of the Jackson Pollock painting No 5 (1948); the painting was sold by David Geffen, a Hollywood producer and film studio executive, for over USD 140 million in 2006. Geffen would have sold the painting long before the movie was produced, and no respectable art collector would place such a valuable work of art on a film set or studio. #GreatArtists #AnitaLouiseArt #JacksonPollock #ExMachinaMovie

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