Goddess figurines

Wicca or pagan statue of the moon goddess. Handmade ceramic goddess figurine. Dimention - 8 ”height (20cm) Each of the goddesses is handmade, which makes each one unique, so may look a little different from the original item.

The internet loves Nina Paley's gifs of ancient ladies shaking it. What's the real story of the goddess gifs?

Egyotian poem illustrated with Little goddess from Ma'amara, Egypt, 3500-3400BC

The Neolithic site of Çatalhöyük, Turkey, consists of two settlement mounds — the remains of houses continually built over old ones — that have yielded many treasures since archaeologists began excavations in the 1960s.

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Statue is 10" tall, cast in resin and hand painted in a wood finish "Prakriti Shakti" is derived from the Sanskrit language and means "the power of nature." The combination of the seated meditation position with upraised arms and swirling energy suggests a sense of spiritual enlightenment and connection to a higher power. The lotus made of fire represents the transformative power of spiritual growth, while the antlers or tree branches growing from the woman's head symbolize a deep connection…

The Hindu Goddess Shridevi, Unknown, India, Tamil Nadu, 13th century, Sculpture, Copper alloy, These separate copper alloy (bronze) representations of the Hindu god Vishnu flanked by his wives Shridevi (or Lakshmi) and the earth goddess Bhudevi form a Vaishnava matrimonial triad (M.

Statue of the Goddess Isis Isis, Goddess of Kingship and Magic, wearing the two-feathered crown, with snakes wrapped around her arms. It dates to the Ptolemaic Period, 1st century BC. Now in the...

Marble female figure - Final Neolithic period / Cycladic culture - 4500-4000 B.C. - Ancient Greece (the Cyclades) - stone sculpture (marble)

Period: Late Hellenistic. Date: ca. 150–100 B.C.. Culture: Greek. Medium: Bronze. Dimensions: H. 20 3/8 in. (51.7 cm). Classification: Bronzes. Credit Lin...

Geometric motifs and symbols of ancient rock art, cave paintings and rock engravings such as the spiral found at Brú na Bóinne, and the kerbstones of Newgrange, Knowth and Dowth, in relation to the anatomical and neurophysiological characteristics of the human visual cortex. This neurophysiological approach will test the 'universality' hypothesis, and universals, and introduce the concept of 'neuro-aesthetics'. Comparing Irish megalithic motifs and hallucinations.