CLASSIC ART + DESIGN

5 Pins
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4y
Carl Larsson -Syende Flicka
The elegant composition of Carl Larsson’s ’Syende Flicka (Sewing Girl)’ captures a quiet moment of needlework in the ’Workshop’ at Lilla Hyttnäs in Sundborn. The room in question originally served as a studio before the new larger (Sweden's largest in its time) studio was inaugurated on New Year's Eve 1899. When the new studio was ready, Karin Larsson moved in with her looms in the old space which was named "the Workshop".
Baroque silver+ tapestry weave
During Sweden's transformation into being the great power of Europe in the 17th century, early 18th century, the silver production played an important role when showing off in great splendour. Strong influences came from the german Baroque silver. These kinds of pieces could reflect the power and importance of its owner. Parallel with richly decorated surfaces; the Swedish taste was in favour of a more simple silhouette – high-quality objects with undecorated surfaces and strong, direct lines.
Anders Zorn-'The Waltz'
Gracing this setting is 'The Waltz', a masterpiece by the legendary Anders Zorn accompanied by a Gustavian commode attributed to J. Hultsten. On top a pair of elegant Swedish Rococo silver candlesticks from 1765 by Carl Fahlberg together with a floral composition in a Swedish Karolinian parcel-gilt silver beaker, later marks of Petter Bergman from 1745. The sculpture 'Faun and Nymph III', also by Zorn, is featured next to a tripod bronze censer, Qing dynasty.
Albert Edelfelt-"Paris à vos pieds”
Paris à vos pieds” – Paris at your feet, as Albert Edelfelt named one of his last paintings depicting Finland’s international opera diva Aino Ackté with her daughter Glory in a sunny summer view of Paris. The oil painting is based on an aquarelle sketch painted by the Grand Hôtel de Bellevue in Meudon, southwest of the river Seine. Ackté-Renvall resided there in spring 1904.
Bruno Liljefors-'Fox Chased by Hounds'.
On display here is one of Sweden's most well-known artists, Bruno Liljefors, with the painting 'Fox Chased by Hounds'. The painting hangs above one out of two late Gustavian console tables by Pehr Ljung together with a pair of Empire (presumably Russian, Moscow) candlesticks from around 1820. A glimpse of a chair by the great Ephraim Ståhl with a late Gustavian stool by Johan Lindgren. The carpet is a semi-antique Kashan Motachem with a garden motif – which is very unusual for Motachem carpets.