Showing posts with label Paul W. Fairman. Show all posts
Showing posts with label Paul W. Fairman. Show all posts

Wednesday, August 06, 2025

Review: The Joy Wheel - Paul W. Fairman


Eddie Kiley is just a normal 16-year-old guy growing up in Chicago in 1926. His dad is a salesman, his mom is a housewife, and he has an older sister he squabbles with. One of his uncles is a cop, and another is a drunk. He spends his time going to school, hanging around with his friends (some of whom are his cousins), and thinking about girls, especially the beautiful but unattainable Mimi Taylor.

Eddie is the narrator/protagonist of THE JOY WHEEL, a 1954 novel by Paul W. Fairman published originally by Lion Books and just reprinted by Black Gat Books. The story follows Eddie for a year or so as he learns about life, falls in with shady company, wrestles with his conscience, uncovers family secrets and tragedies, and generally just grows up. There’s plenty of crime in this book, as Eddie gets a job working around bookies and gangsters and even inadvertently witnesses a murder, but it’s not really a crime novel. Likewise, although Eddie’s relationships with several different young women are very important, it’s neither a romance novel or a softcore novel.


Instead, THE JOY WHEEL is a coming-of-age novel that’s a little on the gritty side, and I think it’s a great one. Paul W. Fairman is best remembered for his work as an author and editor in the science fiction field—and his reputation there is a little mediocre, to be honest—but he was also a journeyman writer who turned out mysteries, Westerns, movie novelizations, and TV tie-in novels. I haven’t read a great deal by him, but I’ve enjoyed what I’ve read and consider his SF to be pretty good.

But THE JOY WHEEL is so good it took me very much by surprise. The characters are great, Eddie’s narrative voice is fun to read, and Fairman really had me turning the pages to find out what was going to happen. I wish he had written more novels like this.

Maybe he did. I have a couple of his mysteries and one Western but haven’t gotten around to reading them yet. Very late in his career, Fairman also wrote two historical romance novels under the name Paula Fairman (although you won’t find any mention of that on-line, for some reason), then died while writing a third one which a friend of mine finished and then continued ghosting as Paula Fairman for twenty or so more books. I have the two that Paul Fairman wrote and hope I get around to reading them, and more by him, one of these days. Meanwhile, I give THE JOY WHEEL a high recommendation. You can get it on Amazon in paperback and e-book editions.

Saturday, August 12, 2023

Saturday Morning Western Pulp: Mammoth Western, December 1948


That's certainly an eye-catching cover by Arnold Kohn on this issue of MAMMOTH WESTERN. The line-up of authors inside is a little eye-catching, too, but not for the reason you might expect. There's not a single author in this issue who's really known as a Western writer. Paul W. Fairman is the closest thing to that. Some of the others are Ziff-Davis house names: S.M. Tenneshaw, Alexander Blade, G.H. Irwin. The rest are science fiction authors: Don Wilcox (who has two stories in this issue, one under his own name and one as Max Overton) and Charles Recour (who was really Henry Bott). Which is not to say that the stories are bad, I really don't know. I don't own this issue and it doesn't appear to be on-line, so I'll probably never find out. But I do like the cover.

Sunday, April 30, 2023

Sunday Morning Bonus Pulp: Fantastic Adventures, January 1952


This is a pulp I own and read recently. That’s my copy in the scan. FANTASTIC ADVENTURES was an odd mix of different kinds of fantasy stories with a science fiction yarn sneaking in occasionally. At this point in its run, it was edited by Howard Browne, a good editor and an excellent author in his own right. The cover of this issue is by an artist I associate more with science fiction, Ed Valigursky. He did a lot of covers for the Ace Double science fiction line, I believe.

One thing the Ziff-Davis pulps did that was different from other pulp publishers was to put the word count of each story on the Table of Contents. Those counts probably weren’t completely accurate, but they still give a good approximation of each story’s length. The lead novel in this issue, “Rest In Agony”, comes in at 32,000 words. That’s long enough to call it a novel, as far as I’m concerned. The author, Ivar Jorgensen, was actually Paul W. Fairman in this case. Fairman was a regular in the Ziff-Davis stable, both as a writer and an editor. He doesn’t have a very high reputation in either role, but I’ve always found his work to be enjoyable for the most part. The narrator of “Rest In Agony” is clean-cut young college student Hal Brent. Hal’s Uncle Ambrose dies, but then, after the funeral, Hal gets a phone call from him, begging for help. It seems that Ambrose was involved with a Satanic cult and wrote a book about their activities, and now the members of the cult will do anything to get their hands on that volume, including menacing the lives of Hal and his beautiful teenage sister.

This is an odd story, at times leisurely paced and poetic, almost dream-like, reminding me a little of A. Merritt. Then at other times it’s lurid and over the top like a Weird Menace yarn. There’s some very good writing in it in places, and in other places the prose is rather clumsy. I’ll say this for it, though: it kept me turning the pages. This story is available in an e-book edition as a stand-alone novel under Fairman’s real name, if you’re interested in checking it out yourself and don’t have a copy of this pulp. I enjoyed it while still being aware that it’s hardly a great story. Kind of like most of Fairman’s work that I’ve read.

Geoff St. Reynard was really Robert W. Krepps, best remembered today, aside from his science fiction, as the author of numerous movie novelizations and several well-regarded novels about Africa. His story in this issue, under the St. Reynard pseudonym, is a novelette called “Wrestlers Are Revolting!” Since it was written and published in the Fifties, this story comes from a time when most science fiction writers and readers still considered a centralized, heavy-handed, oppressive government to be a bad thing, so the villains are the political rulers of the Federated Americas. They’ve banned all professional sports except wrestling, since that’s the one where it’s easiest to control the outcome of the matches, and the government-sponsored wrestler known as The Chimera is unbeatable, not only defeating every challenger with his signature move, the Siberian Death Lock, but also killing them in the ring, which is permitted in this era. As always happens in cases of political oppression, an underground has developed, dedicated to overthrowing the Federated Americas, and the movement’s leaders are all wrestlers, including the story’s protagonist Johnny Bell, who wants to be a writer but is forced into wrestling by the government.

Clearly, this is a pretty goofy concept for a story. But it’s so well-written that Krepps makes it easy for the reader to suspend disbelief and just roll with it. It’s very funny in places, too, especially if you’re a wrestling fan. The names, the gimmicks, the way the matches are staged, all that stuff is very familiar to anybody who ever watched much professional wrestling. The Chimera is a classic heel, and Johnny Bell, who competes under the name Bellerophon the Great, is pure babyface. In an accidental prediction, there’s even a wrestler-turned-referee named Paul Bearer! The wrestling part is amusing, the political background is prophetic (especially since the story is set in the early 2020s), and Krepps’ talent elevates what should have been silliness into a very entertaining yarn.

Paul W. Fairman returns under his own name with a short story called “The Secret of Gallows Hill”, which features some nice illustrations by Virgil Finlay. This is a ghost story—or is it?—with its roots stretching back to the Revolutionary War. Fairman springs a pretty nice twist ending in this one, making it one of the better things I’ve read by him.

I don’t know anything about Francis G. Rayer except that he was a fairly prolific but almost completely forgotten British science fiction author. His story in this issue, “When Greed Steps In”, is about a couple of miners competing for a rare, valuable metal on a newly discovered planet. It’s a pretty mild story and also has a twist ending which gives it a little more punch than it might have had otherwise. But it’s hardly memorable.

The issue wraps up with the novelette “Satellite of Destruction” by Ziff-Davis regular Berkely Livingston writing under the pseudonym Burt B. Liston. This is an alien invasion yarn, but rather than the attackers coming to Earth in rocket ships, they arrive in a mobile asteroid that they put into the planet’s orbit as a second moon. This is a fairly intriguing idea, but Livingston doesn’t do much with it, delivering instead a World War II commando yarn with SF trappings. I made it to the end of this story, but just barely. It just didn’t resonate with me.

FANTASTIC ADVENTURES doesn’t have a great reputation as a science fiction/fantasy pulp, and this issue is a good example of why not. One really good (but not great) story by Krepps, two pretty good stories by Fairman, and the other two are readable but not much more. Still, I’ve found something to like in every issue of FANTASTIC ADVENTURES I’ve read, so I’m sure I’ll be picking up another one sometime in the future.

Saturday, September 03, 2022

Saturday Morning Western Pulp: Mammoth Western, October 1950


Robert Gibson Jones is probably best known for his covers on the Ziff-Davis pulp FANTASTIC ADVENTURES, but he did quite a few covers for Z-D's MAMMOTH WESTERN, as well, including this one which I like quite a bit. I'll always be fond of gun-totin' redheads, and this one is in an intriguing situation. "Robert Eggert Lee", author of the lead story "This Grave for Hire" (a nice title) was actually Ziff-Davis stalwart Paul W. Fairman. Also on hand in this issue are John Reese. writing as John Jo Carpenter, John Prescott, and Peter Germano writing as Barry Cord. Those are the Western writers of note in this issue, although there's also a story (and I'm sure a good one) by William P. McGivern, and yarns by the likes of Frances M. Deegan, Karl Kasky, and Larry Becker.   

Saturday, June 04, 2022

Saturday Morning Western Pulp: Mammoth Western, March 1950


Another dramatic cover by Arnold Kohn graces this issue of MAMMOTH WESTERN. The most well-known author inside is probably H.A. DeRosso, although there's also a Richard Brister story. The lead novel, "The Heiress of Copper Butte", was published under the name Guy Archette, normally a pseudonym for Ziff-Davis regular Chester S. Geier, but this one was actually written by Paul W. Fairman, then expanded and reprinted under his name in paperback at least twice, first by Handi-Books (an edition I own but haven't read) and then Lancer. Also in this issue are stories by Dupree Poe, Francis M. Deegan, Bill Kirk, W.P. Brothers, and Clint Young. I've never considered MAMMOTH WESTERN one of the top Western pulps, but there are still some good stories in its pages.




Sunday, February 13, 2022

Sunday Morning Bonus Pulp: Amazing Stories, December 1950


This cover by James B. Settles is intriguing enough to make me want to read the story that goes with it, so I guess it did its job. I don't have time to read it right now, mind you, but if you want to, you can, because this issue of AMAZING STORIES is available on-line here. E.K. Jarvis was a Ziff-Davis house-name known to be used by Robert Bloch, Paul W. Fairman, Robert Silverberg, and Henry Slesar. 1950 is too early for Silverberg and Slesar. Fairman seems to me to be the best bet. Or the author might have been somebody else entirely. The second story in the issue is also by a Z-D house-name, P.F. Costello. William McGivern is known to have used that one, and since the story is called "Kiss and Kill", certainly a crime fiction sounding title, McGivern might well be the author. I've found that his SF and fantasy stories often have criminous elements. After that, we get some stories by authors using their real names: Clifford D. Simak, Raymond F. Jones, and John Jakes. A pretty good line-up, to be sure. 

Sunday, March 22, 2020

Sunday Morning Bonus Pulp: Ten Detective Aces, January 1938


TEN DETECTIVE ACES had some excellent covers, in my opinion. This eye-catching effort is by Rafael DeSoto. Inside, the lead novella is by Tom Roan, better known for his Westerns but also the author of numerous detective and adventure yarns. Other prolific pulpsters on hand include Joe Archibald, Arthur J. Burks, J. Lane Linklater, Orlando Rigoni, and Paul W. Fairman.

Saturday, February 16, 2019

Saturday Morning Western Pulp: Star Western, April 1954


This issue of STAR WESTERN from April 1954 is one of the latest appearances I've seen of that trio who appear on so many Western pulp covers: the stalwart cowboy, the redheaded gal, and the old geezer. Often the girl is toting a gun and sporting a fierce expression on her face. Not so much this time, but the way the figures are arranged, she could have a gun in her hand and we just can't see it. Anyway, this is far past the glory days for STAR WESTERN, but there are still some pretty good authors in its pages: Joseph Chadwick, Will Cook, William Vance, Paul W. Fairman, T.C. McClary, Richard Ferber, and Robert L. Trimnell. A pulp still worth reading, I suspect.

Saturday, February 17, 2018

Saturday Morning Western Pulp: Mammoth Western, March 1948


I can't tell if this hombre's hat got shot off or just fell off, so I can't say for sure if it's an Injury to a Hat cover. But I can tell you that the cover is by Robert Gibson Jones, this issue was edited by Ray Palmer, and the authors who have stories inside include Dwight V. Swain, "Alexander Blade", Chester S. Geier, Robert Moore Williams, Paul W. Fairman, William P. McGivern, H.B. Livingston (who was really Berkeley Livingston), and Lester Barclay (who was also Berkeley Livingston). In other words, the usual suspects for a Ziff-Davis pulp. But it's a pretty entertaining group of usual suspects.

Sunday, April 30, 2017

Sunday Morning Bonus Pulp: F.B.I. Detective Stories, June 1949


Another great Norman Saunders cover graces this issue of F.B.I. DETECTIVE STORIES, a very late G-Man pulp. Inside are stories by some well-known authors: John D. MacDonald, Bruce Cassiday, Paul W. Fairman, Roe Richmond, Hank Searls, and Tedd Thomey. Richmond was best known for Westerns, of course. I don't think I've read anything by him in any other genre. Hank Searls was a bestseller for a while with mainstream novels like THE CROWDED SKY and THE PILGRIM PROJECT. Tedd Thomey wrote some celebrity biographies as well as a few hardboiled crime novels for Gold Medal, Signet, and Ace. I think it's safe to say Paul Fairman is best known for editing and writing science fiction, but probably his most successful novels in terms of sales were the historical romances he wrote late in life as Paula Fairman. (He died after doing a couple of these, but the pseudonym lived on in a bunch of books ghostwritten by a friend of mine.) Cassidy wrote for the mystery digests and did some paperbacks. Then there's John D. MacDonald, and I think we all know what he went on to do after the pulp market dried up. That's a pretty impressive line-up all the way around.

Friday, February 07, 2014

Forgotten Books: Quest of the Golden Ape - Ivar Jorgensen and Adam Chase


There's some question as to who actually wrote this novel, which was originally published as a serial in the January, February, and March 1957 issues of the science fiction digest magazine AMAZING. Most sources credit it to Randall Garrett (writing as "Ivar Jorgensen") and Milton Lesser (writing as "Adam Chase"). It's well established that Lesser, better known for his hardboiled mysteries under the name Stephen Marlowe, was Adam Chase. Robert Silverberg, who knew everyone involved, says that Jorgensen, in this case, was really Paul W. Fairman, the editor of AMAZING. Jorgensen started out as one of Fairman's pseudonyms before it became a house name.

Regardless of who wrote it—and I lean toward Fairman and Lesser, myself, with Fairman writing the first installment and Lesser the second and third—QUEST OF THE GOLDEN APE is a fine example of the sort of science fiction "they don't write anymore", to the dismay of old codgers such as myself who grew up reading this stuff. It's mostly adventure, with only a little bit of science thrown in to make it colorful.


The story opens with a mysterious, deserted old mansion somewhere in an unnamed eastern state, and a hundred-year-old duty carried out by a lawyer whose great-grandfather was hired by a mysterious old man. (Lots of mystery right off the bat, you see.) On this particular day, the lawyer has to go to the old mansion and open a sealed crypt beneath it. What he finds there is a giant, god-like, apparently young man in a state of suspended animation. Of course the lawyer awakens him, as he's supposed to, turns over to him a mysterious package that contains a bracelet of an unknown alloy, and before you can say, "John Carter", our amnesiac hero is transported to an alien world where he finds himself in the middle of intrigue, danger, and romance.

You're either rolling your eyes by now at this brief description of the plot, or else you're remembering what it was like to be twelve years old and encountering a yarn like this for the first time. I would have been utterly enthralled, probably sitting in the rocking chair in my parents' living room and rocking back and forth so hard that my mother would gripe at me and tell me I was fixing to turn the chair over—which was known to happen from time to time.


There's a lot of Edgar Rice Burroughs influence in this novel, as our hero, who dubs himself Bram Forest for reasons that make sense in the context of the story, finds himself in the middle of warring factions on the planet Tarth, which orbits the sun exactly opposite from Earth, which explains why we've never discovered it. (Isn't this the same gimmick that's used in the Gor books by John Norman? I only read the first one of those about fifty years ago and didn't care for it.) There are a couple of decent plot twists that set this apart from the John Carter series, though. There's also some Doc Savage influence with a hero raised from infancy to be a hero, an echo of Superman with a baby sent from one planet to another, and a lot of sword-and-planet swashbuckling of the sort that we've encountered many times from many authors, carried out at a competent level.

The quality of the writing definitely improves from the first installment to the second, but nobody reads this kind of yarn for fancy prose. The appeal of QUEST OF THE GOLDEN APE lies in its headlong pace, its colorful action, and its larger-than-life characters. The hero is mighty-thewed, the heroine is beautiful and often finds herself without clothes, the villains (including an evil queen) are truly despicable, and a rousing good time is had by all. At least, I had a rousing good time, and that's why I read books, after all.

QUEST OF THE GOLDEN APE has been reprinted once, and e-texts of it can be found in numerous places on-line. If you're capable of hearkening back to the era in which it originally appeared, you might enjoy it a great deal. I certainly did.