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Ruptured Records

Natural History Museum

by Julia Sabra

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card
    Download available in 24-bit/48kHz.

      $8 USD  or more

     

  • Record/Vinyl + Digital Album

    140gsm vinyl pressed at Microforum (Canada). Jacket printed on 20pt board with aqueous gloss coating, 3.5mm spine and poly-lined inner sleeve.
    Artwork and design by Josette Zooz Khalil.

    Limited to 200 copies.

    Includes unlimited streaming of Natural History Museum via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/48kHz.
    ships out within 7 days
    edition of 200  33 remaining
    Purchasable with gift card

      $25 USD or more 

     

  • Cassette + Digital Album

    2nd pressing. Edition of 50 cassettes, sold exclusively on Ruptured's Bandcamp page. 15 minutes of audio per side. Artwork and design by Josette Zooz Khalil.

    Super Ferro music grade tape, with frosted ice semi-transparent shell, square hub window, clear leader, and colored sticker.
    Each cassette is packaged in a thick O-Card on 14-point board w/ CMYK full color print, and delivered in a sealed plastic bag for added protection.

    Includes unlimited streaming of Natural History Museum via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/48kHz.
    ships out within 7 days
    edition of 50  5 remaining
    Purchasable with gift card

      $13 USD or more 

     

  • Limited Edition Cassette [Exclusive to Bandcamp]
    Cassette + Digital Album

    Limited edition of 50 cassettes, sold exclusively on Ruptured's Bandcamp page. 15 minutes of audio per side. Artwork and design by Josette Zooz Khalil.

    Super Ferro music grade tape, with frosted ice semi-transparent shell, square hub window, clear leader, and colored sticker.
    Each cassette is packaged in a thick O-Card on 14-point board w/ CMYK full color print, and delivered in a sealed plastic bag for added protection.

    A truly unique product and collector's item. Assembled in Canada. Digital download included.

    Includes unlimited streaming of Natural History Museum via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 24-bit/48kHz.

    Sold Out

1.
The couch where you read every morning at six The sound of the doors closing, violent and crisp My bedroom window’s now blocked by a tree Maybe it’s better Here is the corridor we hid in from guns in the streets It was all so exciting, I was only fourteen We carefully planned our escape But we never did leave Neon bright kitchen light You asked about lunch every night til I typed you a list, which you hung on our fridge And we all sat for dinner How could it be better? The vomit green carpet that covered the floors The glass of the dining room door you once broke In a fit of anger How I always cheated in card games we played on your bed And you knew but you let me win, or so you said I knew all the footsteps, the key turns by heart I knew who played piano, even in the dark I knew it all by heart White walls and light wood Ate up what I called home Now it all seems so small Somewhere in my dreams when I fall asleep I’ll find it all as it was as we were
2.
Skyscape 03:39 video
Frozen skin But I can feel my limbs again The morning glow Same as it’s always been Four loose threads hanging from the shroud I hold I wash it in the river we once bathed in as children Same as it’s always been Mountain trails and sunshine rays and gentle flames of white Wrapped around you as you lay asleep as you’ve always been Frozen skin Your little hand so crystalline I hold my breath and fold your arms across your chest I kiss your face your marble eyes Your hair falls to the side I watch you float Into the light as waters slowly rise Mountain trails and sunshine rays and gentle flames of white Fill each corner of the sky Same as it’s always been
3.
I can barely remember any words from books I have read But I carry with me their liquid memories recollections of stories told by dead men I know I want a quiet life A simple home, someone to love Is there such a thing When your body’s made to scream and your heart has never known any peace I want it all Do you ever just know that everything will be alright Or, is it me And my cavernous beliefs Is my faith still there after all those years? They say grief is oppressive But happiness too, can be cruel I know you’ll disagree Say I’m my own worst enemy And I’ll take the blame I want it all
4.
Goodbye 03:22
I’ve said goodbye so many times before To places and friends To making amends I used to jump From mountains overlooking cedar forests terrified and fearless Once, with a friend We followed a strange man into a natural history museum When her father died That’s all I could remember the day we spent with fossils Two 8-year old girls With total faith in the world When they find my body When they say my name I hope you know I’m sorry That’s all I can say We both pretend That nothing ever happened I know love conquers all But I feel so small One little scratch Is enough to bring it all up to the surface How I never let myself be true and how you never knew
5.
6.
Same as ever Shut the door on your way out one-word answers to questions I’m too afraid to ask Take all the time you need I’ll be waiting here Watch me tear it all apart As I fall from grace again Old passport photographs Make me sick to my knees Here’s one more silver hair The sole growth-indicator The beginning of the end There’s a light somewhere But I’m giving up the search The wires are all tangled up And I’ve long abandoned the church Take all the time you need I’ll be waiting here Watch me tear it all apart As I fall from grace again
7.
Hands 02:00
Never thought I would be held by arms like yours the arms of a butcher with hands that shape time hands, like clockwork, turning flour to bread turning seeds into flowers Hands that sew up holes, made by explosions erasing the traces from a couch, a nose, an eyebrow Hands as warm as a radiator You turned a girl’s crush into a love so true With the heart of a boy, wide as a mountain A heart strong for me, only moved by the lucky few A heart that sees people as they should be A heart that knows beyond language, beyond words Who needs fairytales when I have you
8.
Voilà combien de jours, voilà combien de nuits Voilà combien de temps que tu es reparti Tu m'as dit cette fois, c'est le dernier voyage Pour nos cœurs déchirés, c'est le dernier naufrage Au printemps, tu verras, je serai de retour Le printemps, c'est joli pour se parler d'amour Nous irons voir ensemble les jardins refleuris (down) Et déambulerons dans les rues de Paris Dis, quand reviendras-tu Dis, au moins le sais-tu Que tout le temps qui passe Ne se rattrape guère Que tout le temps perdu Ne se rattrape plus Le printemps s'est enfui depuis longtemps déjà Craquent les feuilles mortes, brûlent les feux de bois A voir Paris si beau dans cette fin d'automne Soudain je m'alanguis, je rêve, je frissonne Je tangue, je chavire, et comme la rengaine Je vais, je viens, je vire, je me tourne, je me traîne Ton image me hante, je te parle tout bas Et j'ai le mal d'amour, et j'ai le mal de toi Dis, quand reviendras-tu Dis, au moins le sais-tu Que tout le temps qui passe Ne se rattrape guère Que tout le temps perdu Ne se rattrape plus J'ai beau t'aimer encore, j'ai beau t'aimer toujours J'ai beau n'aimer que toi, j'ai beau t'aimer d'amour Si tu ne comprend pas qu'il te faut revenir Je ferai de nous deux, mes plus beaux souvenirs Je reprendrai ma route, le monde m'émerveille J'irai me réchauffer à un autre soleil Je ne suis pas de celles qui meurent de chagrin Je n'ai pas la vertue des femmes de marin Dis, quand reviendras-tu Dis, au moins le sais-tu Que tout le temps qui passe Ne se rattrape guère Que tout le temps perdu Ne se rattrape plus
9.
Minor Detail 04:05
Just a palm of hand Parts in plastic bags Just the keys of your car Tube still in your arm Teeth I recognize How do you hold it all? How do you hold it all? Just a palm of hand Parts in plastic bags

about

"These are songs of memory, regret, and the uncertain future; of learning to love, facing political violence, and holding on to hope amid devastation. They offer an unflinching document of a city and a life in flux—poetic, tender, and resonant with the beauty of things on the edge of disappearance." – Norman Records

"I loved Julia Sabra’s Natural History Museum—it was released at the end of the year and is quietly devastating. Her lyricism and sensitivity in timbre and harmony is akin for me to the great Linda Perhacs. The songs are intimate and infinite feeling at the same time—I love the raw and soft poetic settings of love and death. [Her] ruminations on the horrors of the war on Gaza, from the perspective of a Lebanese musician based in Beirut, are haunting. In particular, the ghostly organ and synth on the last track on the record, “Minor Detail”, evoke to me the frightening solemnity of death, and a feeling that the ground from underneath has been lifted and displaced." – Julia Holter, The Fader Artist Picks 2024

"Julia’s work is so extraordinary in her duos and trios, but here in contrast to those dense and polished realms, you get something that sounds like a postcard from somewhere deeper. It has that magical quality, where you feel you’ve always known the song, even the first time you hear it." – Peter Kirn, CDM Best Listening of 2024

"The voice-and-guitar album of the year—delicate, ethereal, and profoundly inspired. Beirut-based multi-instrumentalist Julia Sabra, known for her work with Snakeskin and countless other projects, delivers a record that stands alongside the finest names in the world of songwriting. Intimate like a stolen glance at the sea, yet as profound as its deepest abysses." – Cataldo Belavicqua, Son of Marketing Artist Picks 2024

"The results are breathtaking, recalling other folk mystics like Karen Dalton and Judee Sill as well as more contemporary names like Mazzy Star and Cowboy Junkies. Sabra keeps the lyrics sparse and evocative, and the impressionistic approach suits the music’s minimalism (…) There’s something almost prayer-like about Natural History Museum, a kind of holiness and solemnity that pushes it into a realm beyond our own. The only choice is to attend to it with the closest of listens—all the better to catch its secrets." – Joseph Edward Keyes, Bandcamp Essential Releases

"Intensely raw demo recordings of songs she’s written between 2020 and 2024, many of them deeply personal. You can hear that emotional vulnerability in these recordings, voice accompanied by acoustic guitar and occasionally piano. Only the last track deviates from the acoustic instruments, with synth lines snaking around Sabra’s voice." – Peter Hollo, Utility Fog broadcast, FBi Radio

***

"This album is a collection of songs written between 2020 and 2024 in Beirut. I wanted to capture them the way they were written by keeping the rawness and fragility intact, like the late-night voice memos I send to my bandmates as soon as I have a first draft of a song. Fadi and I decided to record them live on tape, with no overdubs, barely any effect - with all the imperfections. Most of the tracks were done in one take only. Some were recorded in the studio, and some in the church I grew up going to every summer in Dhour Shweir.

This is a collection of songs that slipped through the cracks, and some of the most personal ones I ever wrote. Songs about the port explosion, its aftermath, picking up the pieces and trying to move on, coming to terms with the past, regret and nostalgia for a childhood that lives only in memory, the uncertain future, learning to love, getting married, watching a genocide unfold on my phone screen, having it fill my every waking moment, imagining a better send off for all the dead, processing the violence and terror, and finding solace in community.

These songs would’ve probably stayed in my “songs in limbo” folder on my laptop had it not been for Pascal and Fadi, who pushed me to release them. And for this I’m eternally grateful."

Julia Sabra, September 2024

credits

released November 1, 2024

All songs written and performed by Julia Sabra except track 8 by Barbara and tracks 3, 4 and 5, initially composed with Postcards.

Backing vocals on "I Want It All" by Pascal Semerdjian.

All songs recorded at Tunefork Studios in Beirut, except 2, 4 and 5 at the National Evangelical Church in Dhour Shweir, and 9 at home in Beirut.

Mixed by Fadi Tabbal.
Mastered by Lopazz at mixmastering.de.

Artwork and design by Josette ‘ZOoz’ Khalil.

Thank you to my pillars, Pascal and Fadi, to Marwan, my family (Lydia, Maria, George), Nessim, Cam and Zooz.


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about

Julia Sabra Beirut, Lebanon

Julia Sabra is a Lebanese musician and songwriter. She released her debut solo album “Natural History Museum,” on Beirut’s Ruptured Records on November 1, 2024.

Sabra co-founded dream pop outfit Postcards in 2013, and is also one half of Snakeskin, the acclaimed drone/pop dup alongside Fadi Tabbal.

She's the co-owner and manager of the legendary Tunefork Studios in Beirut.
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