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Everywhere at the end of time
by The Caretaker
supported by 44 fans who also own “born”
Nothing belongs to me anymore, as for I am lost in the fabric of space and time.
go to albumsupported by 43 fans who also own “born”
“Do you still dream in water?” she asks. He nods—“only when it rains inside.” Their words drift, slow like signal loss,, soft clicks between heartbeats. A drone hums overhead, its shadow stroking their faces. “Are we free now?” she whispers. He laughs, small, broken. “We’re just less afraid.” They share one headphone, listening to the city’s pulse— loops of breath, echoes of what could’ve been “Hold me,” she says. “I am,” he answers, “in the static.”
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Throwing Shapes
by Throwing Shapes
The Irish experimental trio capture lightning in a bottle with piano, percussion, and the wire-strung harp.
go to albumThe latest from the ambient classical composer is full of kaleidoscopic soundscapes that are joyfully danceable and optimistic.
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THESIS 20 - (Corey Fuller & Richard Skelton) Isolarii
by Corey Fuller, Richard Skelton
Inspires by Judith Schalansky’s “Atlas of Remote Islands,” “Isolari” builds worlds with gentle keys and ominous drones.
go to albumsupported by 37 fans who also own “born”
I'm truly impressed by the creation of sound textures and spaces on "For You and I". Loraine James works in a very fluid musical space, an area where beats and sounds shift and flow at a mercurial pace, using fast change and rapid movement as effectively as samples and loops. It's a strong release, and a significant move forward within the electronic genres. James should be applauded for her work on this album, along with her impressive skills and talents...
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