Showing posts with label Colleen M. Kelly. Show all posts
Showing posts with label Colleen M. Kelly. Show all posts

Friday, August 30, 2024

Poetry Connection: Nature, Art, and Poetry in Santa Barbara

The Poet's Perch, Santa Barbara Botanic Garden



Melinda Palacio, Santa Barbara Poet Laureate


Every year, the Santa Barbara Botanic Garden hosts an open call for “Casitas” to be built in their backcountry, the area of the garden where kids can touch plants and art and have fun. This area is where many summer camps romp and there’s a tire swing and children can learn about nature. Colleen M. Kelly was one of the recipients of the Casitas grant. 

 

For her project, she designed a Poet’s Perch, in homage of cherished Poet Laureate Emerita, Sojourner Kincaid Rolle (1943-2023). The late poet would have celebrated her 81st birthday on Monday, August 26. Along with Rod Rolle and several of Sojourner’s close friends and colleagues, Colleen M. Kelly unveiled her Poet’s Perch. The art installation consists of a tall, 12-foot, upside-down tree, salvaged from the Botanic Garden with a kite that reads Joy (Sojourner’s given name) and Sojourner’s poem, “Hosanna,” originally published in What Breathes us: Santa Barbara Poets Laureate 2005-2015, Gunpowder Press 2016, wrapped around the top. The art installation includes colored staffs, made of painted tree branches with designs and colors that mimic the bright scarves owned by the poet herself. The space invites poets and children of all ages to find inspiration and creativity.  

 

Rod Rolle was on hand with his camera, documenting the process of the installation and its unveiling. Colleen said they both felt Sojourner’s presence while installing the homage to her. The casita honors both the poet and nature. The Poet’s Perch blends into the backcountry, as if it has always belonged there. The installation will be up for two years. 

 

Colleen M. Kelly chose Sojourner’s “Hosanna” because it’s a poem dedicated to artists, and Kelly likes to think Sojourner had her in mind when she wrote it. Colleen and Sojourner have been friends for decades. Sojourner collaborated with Colleen and wrote ekphrastic poems for her show, “Naked Under Clothes.” Colleen enjoys spending time at the Poet’s Perch and answering questions from people visiting the garden’s backcountry. She often will ask people if they live in Santa Barbara; and if they don’t, she introduces them to Sojourner Kincaid Rolle. 

 

When a family interacted with Poet’s Perch, Colleen felt as if she had done her job. A family stopped by and started reading the entire poem, moving around the tree as the poem is wrapped around it. With lines such as, “a dancer lifts one bare foot mocking the slow/deliberate step of a blue heron: /raising a bare leg in the manner of a Sandhill Crane, lifting a jointed limb like the graceful Snowy Egret, as if we humans could take flight”, the poem invites the reader to participate in the poem. 

 

“I was really pleased to see how a family from Southern California interacted with the installation. A father and son took turns reading Sojourner’s poem while mom enacted what she was hearing. Mom must be a dancer.”

 

At last week’s installation and opening, I had the pleasure of reading an ekphrastic poem I wrote for the exhibit. The poem was inspired by the last days I spent talking to Sojourner while she was in hospice last November. She opened her eyes and said two words to me, ‘Oh My.’ Many people have shared how important the words are of people who are in the process of transitioning or making their final journey on this earth. I recall that Poet Laureate Emerita, Perie Longo told me that I should write a poem based on those two precious words I heard from Sojourner. It wasn’t until Colleen M. Kelly asked for a poem for her Casita project that I sat down to write it. 

 

 

For today’s Poetry Connection Poem, I am sharing the poem I wrote for Poet’s Perch, as well as Sojourner’s poem, Hosanna, originally published in: What Breathes Us: Santa Barbara Poets Laureate 2005-2015, Gunpowder Press 2016. Thank you to Gunpowder Press for Permission to reprint Sojourner’s poem. 

 

Hosanna

By Sojourner Kincaid Rolle 

For the Artists of Santa Barbara

In the quietest of spaces,

On a twig in the hedge;

near a cone at the top

of a Torrey Pine tree;

one chirp begins the sound of day—

the downbeat for a symphony.

 

On a hillside,

high above the morning wave,

Pacific water rushing in and easing out;

a first brush-stroke begins the great unfolding—

the plein air narrative of this moment.

 

Somewhere on the land beneath the rocks

where massive middens of abalone and debris

evidence our ancient places on coastal shores,

a dancer lifts one bare foot mocking the slow

deliberate step of a blue heron;

raising a bare leg in the manner of a Sandhill Crane,

lifting a jointed limb like the graceful Snowy Egret.

as if we humans could take flight. 

 

We poets place words in the mouths of crows;

create a language of our own imaginings.

We imagine song as if sparrows were singing.

We imagine dance as if shore birds could touch the sky.

We view the painter’s renderings as evidence

of our meanderings—our longings made visible.

 

Sending up our praises, our hallelujahs, our hosannas.

We embrace the musicians, the dancers, the painters, the poets, the sculptors, the weavers of thread…. 

We who create hold common cause. 

We honor all that is beautiful.

 

 

 

Ode to Joy

 

          For Sojourner Kincaid Rolle and the Poet’s Perch, art installation by Colleen M. Kelly

By Melinda Palacio, Santa Barbara Poet Laureate

 

Oh my, she said on her deathbed. 

Two words, an epiphany, as if to declare her world 

Of accomplishments flashed before her eyes.

 

Oh my, as if her hardships before Santa Barbara called to her,

Beckoned her to remember a grandmother who shared an 

Appreciation for trees and the word. 

 

With eyes closed you may run to your grandmother

who taught you your first verse in the holy book,

the matriarch who encouraged you to recite. You, 

small child with a loud voice and louder beating heart. 

 

We, us, and all the black poets and gospel singers you claimed,

Are here to claim you. 

 

Oh my, oh my.

As you sit in limbo, you open your eyes for a second and see faces

You have touched in your home in Santa Barbara and beyond to Marion,

Your North Carolina birthplace.

 

As the people’s poet, the city’s Poet Laureate, the town leader, uplifter 

Of connected communities like Olympic rings, bearing peace and unity,

A trained peacemaker, your sunflower face forever turned to light,

Now returns to nature. 

 

Your seeds scatter in letters. Your gracious voice with its Southern lilt

Rings truth. North Carolina dreaming dipped in California Chocolate 

Spells a four-lettered word only you could pronounce P-0-E-M,

Poem. Let your words sail on heavenly wings for this is your hosanna.

 

The beginnings of praise and creativity for you who gave so much. 

May this space, known as the Poet’s Perch, inspire joy in flower and song.

We delight in how you soar higher than a king palm to catch a shooting star.

And like your beloved tortoise, you have won your race.

 

Oh my, you said as you slowly soared above us. 

Oh, my Sojourner. My oh my. 

Oh, Sojourner Kincaid Rolle. 

Oh joy.



*This column was originally published in the Santa Barbara Independent

Friday, July 07, 2023

Boost Your Creativity with Collaboration

Melinda Palacio

Artist Colleen M Kelly


*This Column originally appeared in the Santa Barbara Independent


Last month, I wrote about my twenty-year journey at the Santa Barbara Writers Conference. What I didn’t talk about was the team-teaching I do with mystery writer Lida Sideris. A few years before the pandemic, Lida and I started offering a workshop titled, ‘Writing through the Fear.’ This year, we did a workshop on how to be your own best publicist. In our workshop, we talked about how to promote your writing and books without hiring an expensive publicist. Our styles are very different, but we work well together and have great energy as a team. 

 

When a friend and local artist, Colleen M. Kelly asked me to write a poem for her solo exhibition, “The Dichotomy of Laundry,” I was reluctant because I’ve been so busy and the request meant having to write a poem within two weeks, but I am happy I agreed.

 

This wasn’t the first time I had written a poem in response to Colleen’s work. Her artistry is often playful while addressing serious and important issues, especially in regards to feminism and the environment. 

 

For me, ekphrastic poetry is fun because it gets me out of my head. “The Dichotomy of Laundry” is Colleen’s initial response to the Supreme Court’s reversal of Roe v. Wade. However, there’s so much more to the exhibition that covers a myriad of women’s issues from coming of age to violence against women to abortion to missing women. While the exhibit recalls childhood, hung laundry and women’s work, It’s about the times a woman has fought for her life or needed to tap out some form of S.O.S. In a way, the exhibit is her own cry for help during a time when the women’s rights that her generation helped achieve are being walked back before her eyes. 

 

With a lit stick of incense, Colleen burned morse code on Japanese Gampi paper. The second part of the exhibit features red dresses on wire hangers, some of the dresses are riddled with the letters S.O.S. The presence of wire hangers reminds us of the horror of the history of illegal abortions. 

 

Kelly’s mantra is “Art is healing.” She thought it was a good idea to do something that was calming. The volume of “laundry” she produced is a testament to the calming nature of producing the work. 

 

When I agreed to write a poem for Colleen, I had no idea that her work would have such a profound effect on me. I contemplated her images from a previous installation in Los Angeles as well as those on her Instagram account @drapedinwonder. I sat down to write and was so moved and inspired that I wrote a series of five poems, enough for a small chapbook, instead of the one poem she had asked for. 

 

In regards to collaborating, Kelly says she does not like to micromanage other artists: “When I collaborate with people, I want them to do what they do best.” She brought in a dancer and improv artist for her exhibition in Los Angeles. At her opening in Santa Barbara on Friday, July 7 at Silo in the Funk Zone, I will read my ekphrastic poems for the exhibit. 

 

My collaboration with Colleen elicited the kind of creative outpouring I hadn’t experienced since writing my first chapbook, Folsom Lockdown, poems that I wrote after visiting my father in Folsom prison. In a similar experience, I sat down to write a single poem and could not stop. 

 

 

View Colleen M. Kelly’s solo exhibition, The Dichotomy of Laundry at Silo in the Funk Zone 118 Gray Avenue, Santa Barbara, Friday, July 7, 5 pm to 7pm. 

 

 

 

 

Woman

The first poem in “The Dichotomy of Laundry” Series. 

Melinda Palacio

 

 

Her gear appeared soft without instructions.

On her bed, a belt to hold the pads of cloth

in the nameless space she hadn’t thought about.

 

If it weren’t for the trail of blood,

she could continue the game:

Cowboys and Indians, her older brother’s favorite.

 

She would even play with dippy plastic baby

dolls that neighbor Esther forced on her.

 

Why would she want to play at babies

when she had a baby brother to care for?

 

The gear on her pink pillow confirmed 

What she suspected: at ten years old,

She was done with little girl stuff.

She was a woman.

 

Does it have to hurt so much?

Does there have to be so much blood?

 

She tugged on the clothesline between

Her apartment and the next building.

If Vilma, Esther’s older sister was home,

She would have all the answers.

 

Vilma at 12 knew everything.

S.O.S.

 

She wrote the letters on a blank piece of paper,

Hung it on the clothesline, but 

Vilma was gone. 

 

S.O.S.