Literary Hub
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Literary Criticism
Reading Anne Sexton’s Rejected Horror Stories
“Imperfect and thorny, but just strange enough to kindle fear.”
By
Nick Ripatrazone
| October 31, 2025
Corporeal Punishment: On Body Horror, That Most Human of Stories
Tyler Malone Explores the Uncanny Valley Between the Body and the Self
By
Tyler Malone
| October 31, 2025
October’s Best Reviewed Fiction
Featuring Thomas Pynchon, Gish Jen, Philip Pullman, and More
By
Book Marks
| October 31, 2025
October’s Best Reviewed Nonfiction
Featuring Gertrude Stein, Susan Orlean, Peter Matthiessen, and More
By
Book Marks
| October 31, 2025
Yes, You Are the Literary Asshole If You Use AI to Edit Your Fiction
Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior
By
Kristen Arnett
| October 30, 2025
Porn, But Also Literature: On John Cleland’s
Fanny Hill
A Conversation Between Chelsea G. Summers and Jessica Stoya
By
Chelsea G. Summers and Jessica Stoya
| October 30, 2025
Best Reviewed
Books of the Week
5 Book Reviews You Need to Read This Week
By
Book Marks
| October 30, 2025
The Most Anticipated Audiobooks of November
By
Audiofile Magazine
| October 30, 2025
Paradise Lost! R.E.M.!
The Village Voice
! 21 books out in paperback this November.
By
Gabrielle Bellot
| October 30, 2025
Max Delsohn on the Importance of Portraying Trans Men
In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction
By
Fiction Non Fiction
| October 30, 2025
Why I Give My Books Away For Free
Shane Hinton Won’t Let Money Stand in the Way of a Potential Reader
By
Shane Hinton
| October 29, 2025
Susan Straight on Chronicling the Impact of COVID-19 in Fiction
Jane Ciabattari Talks to the Author of
Sacrament
By
Jane Ciabattari
| October 28, 2025
Meet the Best Debut Novelists of the Year
The Seven Finalists for the Center for Fiction First Novel Prize Dish on Their Reading and Writing Lives
By
Literary Hub
| October 24, 2025
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring Gish Jen, Virginia Giuffre, Claire-Louise Bennett, and More
By
Book Marks
| October 24, 2025
When Telling Your Own Story Gets in the Way of Processing Trauma
Gabriel Urza on Making the Move From Criminal Justice to Creative Writing
By
Gabriel Urza
| October 24, 2025
Remembering Writer and
New Yorker
Mainstay Alison Rose
Cynthia Zarin on Her Late Friend: “She was like an exclamation point in Garamond type...”
By
Cynthia Zarin
| October 24, 2025
1
2
3
4
5
Next ›
Last »
Page 1 of 344
This Halloween, what's scarier than the French?
October 31, 2025
by
Olivia Rutigliano
A Brief History of Bounty Hunting in American Art and Life
October 31, 2025
by
Cindy Fazzi
Behind the Masks of Ed Gein
October 31, 2025
by
Frank Ladd
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"