Literary Hub » What to Watch

The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking <em>Bones and All</em> from Page to Screen

The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking Bones and All from Page to Screen

In Conversation at the Inaugural Refocus Film Festival

By Literary Hub | November 9, 2022

Hugh Bonneville on His Illustrious <em>Downton Abbey</em> Castmate, Maggie Smith

Hugh Bonneville on His Illustrious Downton Abbey Castmate, Maggie Smith

“We all knew Highclere Castle was the lead character. And we all knew that Maggie Smith ran a pretty close second.”

By Hugh Bonneville | November 9, 2022

What’s <em>The Crown</em> Without a Living Queen Elizabeth II?

What’s The Crown Without a Living Queen Elizabeth II?

Matthew Redmond on the Blurred Lines Between Living and Historical Memory

By Matthew Redmond | November 7, 2022

Frederick Wiseman's <em>Un Couple</em> is a Peek into the Mind of Sophia Tolstoy

Frederick Wiseman's Un Couple is a Peek into the Mind of Sophia Tolstoy

Olivia Rutigliano on the Hour-Long Imagined Monologue About One of Literature's Most Famous Marriages

By Olivia Rutigliano | November 4, 2022

Read the short stories behind Guillermo del Toro's <em>Cabinet of Curiosities</em>.

Read the short stories behind Guillermo del Toro's Cabinet of Curiosities.

By Eliza Smith | October 31, 2022

Must Sex Always Mean Death When it Comes to Horror Movies?

Must Sex Always Mean Death When it Comes to Horror Movies?

Tyler Malone on Carnal (Lack of) Knowledge in Scary Cinema

By Tyler Malone | October 31, 2022

Best Reviewed
Books of the Week

The Housing Crisis is So Gothically Horrifying It’s Turning Up in Scary Movies

By Mia Florin-Sefton | October 31, 2022

Paul Newman on the “Lusty Time” He Had Filming The Long, Hot Summer with Joanne Woodward

By Paul Newman | October 28, 2022

The Literary Film and TV You Need to Stream in November

By Emily Temple | October 28, 2022

Ross Gay in Praise of Kurosawa’s <em>Dreams</em> and Making Beautiful (and Un-Beautiful) Things

Ross Gay in Praise of Kurosawa’s Dreams and Making Beautiful (and Un-Beautiful) Things

In Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | October 27, 2022

You Should Probably Watch <em>Godzilla vs. Hedorah</em>, One of the Campiest Entries in the Franchise

You Should Probably Watch Godzilla vs. Hedorah, One of the Campiest Entries in the Franchise

Come for the Psychedelic Dance Sequences, Stay for the Environmental Allegory

By Toho Co. and Graham Skipper | October 26, 2022

<em>Decision to Leave</em> is a Stirring Hitchcockian Neo-Noir

Decision to Leave is a Stirring Hitchcockian Neo-Noir

Olivia Rutigliano on Park Chan-wook’s New Mystery

By Olivia Rutigliano | October 21, 2022

The Me in the Screen: Steffan Triplett on Doppelgängers and Doubles, in Horror and Queer Life

The Me in the Screen: Steffan Triplett on Doppelgängers and Doubles, in Horror and Queer Life

“A queer person is used to keeping secrets, telling lies, sectioning off parts of themselves.”

By Steffan Triplett | October 21, 2022

Revisiting Kier-La Janisse’s <em>House of Psychotic Women</em>, Ten Years Later

Revisiting Kier-La Janisse’s House of Psychotic Women, Ten Years Later

“Every woman who enjoys horror films has at some point felt the need to explain herself.”

By Elizabeth Horkley | October 21, 2022

Sadly, <em>The Peripheral</em> Is Not the Great Cyberpunk Series We’ve Been Waiting for

Sadly, The Peripheral Is Not the Great Cyberpunk Series We’ve Been Waiting for

Dylan Roth Reviews the Bland New Adaptation of William Gibson’s Novel

By Dylan Roth | October 20, 2022

How <em>Magnolia</em> Engages with the Aftermath of Being in a Dysfunctional Family

How Magnolia Engages with the Aftermath of Being in a Dysfunctional Family

Chantal V. Johnson in Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | October 20, 2022

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