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Aristotle Can Teach Us Everything We Need to Know About Screenwriting

Aristotle Can Teach Us Everything We Need to Know About Screenwriting

Brian Price Guests on The History of Literature Podcast with Jacke Wilson

By History of Literature | July 5, 2022

The Literary Film and TV You Need to Stream in July

The Literary Film and TV You Need to Stream in July

From Jane Austen to Jumanji

By Emily Temple | July 1, 2022

In Praise of the Simple Beauties of <em>Marcel the Shell with Shoes On</em>

In Praise of the Simple Beauties of Marcel the Shell with Shoes On

Olivia Rutigliano on the New Movie About the Internet's Favorite Anthropomorphic Mollusk

By Olivia Rutigliano | July 1, 2022

The Literature of <em>Star Wars</em>: Van Lathan Jr. on How American Life Shapes and is Shaped by a Galaxy Far, Far Away

The Literature of Star Wars: Van Lathan Jr. on How American Life Shapes and is Shaped by a Galaxy Far, Far Away

In Conversation with Whitney Terrell on Fiction/Non/Fiction

By Fiction Non Fiction | June 30, 2022

How a North Korean Kidnapping Inspired My Novel

How a North Korean Kidnapping Inspired My Novel

Ravi Mangla on the Intersections Between Godzilla, Propaganda and South Korean Cinema

By Ravi Mangla | June 27, 2022

Why Films Around the World Are Turning to Time Travel to Explore Mothers and Daughters

Why Films Around the World Are Turning to Time Travel to Explore Mothers and Daughters

Meg Walters on Petite Maman, Russian Doll, and Hi, Mom

By Meg Walters | June 22, 2022

Best Reviewed
Books of the Week

Sera Gamble on Rejection, Writing, and the Surreality of Having 50 Million People Hear Her College Poetry

By Jessie Gaynor | June 21, 2022

Does George Saunders’s Escape From Spiderhead Stand Up on Film?

By Jonathan Russell Clark | June 17, 2022

Turns Out, 1980s Midwesterners Didn’t Want Their Sitcoms Set in Boston Bars

By James Burrows | June 17, 2022

On the Importance of Stories That Take Teenage Girls Seriously

On the Importance of Stories That Take Teenage Girls Seriously

Kaitlyn Tiffany Recommends Elif Batuman, Cadet Kelly, and More

By Kaitlyn Tiffany | June 16, 2022

How to Fit Balzac’s Magnificent Universe Onto the Big Screen?

How to Fit Balzac’s Magnificent Universe Onto the Big Screen?

Drew Johnson on Lost Illusions (1843) and Lost Illusions (2021)

By Drew Johnson | June 13, 2022

Mira Jacob on <em>Mississippi Masala</em> and Discovering Herself on Screen

Mira Jacob on Mississippi Masala and Discovering Herself on Screen

This Week on the Open Form Podcast

By Open Form | June 9, 2022

Ryan O’Connell on the Importance of Facing Rejection in the Sack and Finding His Voice in Hollywood

Ryan O’Connell on the Importance of Facing Rejection in the Sack and Finding His Voice in Hollywood

Greg Marshall Talks to the Star of Netflix's Special, aka the “Gay, Disabled Nancy Meyers”

By Greg Marshall | June 9, 2022

When Rob Reiner’s Alter Ego (Harry) Met Nora Ephron’s Alter Ego (Sally)

When Rob Reiner’s Alter Ego (Harry) Met Nora Ephron’s Alter Ego (Sally)

Kristin Marguerite Doidge Reveals the Real-Life Anecdotes Behind the Classic Rom-Com

By Kristin Marguerite Doidge | June 8, 2022

Albert Serra’s <em>Pacifiction</em> is Deeply Unsettling—and Deeply Literary

Albert Serra’s Pacifiction is Deeply Unsettling—and Deeply Literary

From Cannes, Ryan Coleman Finds the Renegade Spanish Filmmaker Crafting Something Entirely New

By Ryan Coleman | June 8, 2022

Claire Denis’s <em>Stars at Noon</em> is a Cunning Improvement on the Source Material

Claire Denis’s Stars at Noon is a Cunning Improvement on the Source Material

From Cannes, Ryan Coleman Considers the French Filmmaker's Adaptation of Denis Johnson’s Novel

By Ryan Coleman | June 8, 2022

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