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Inside the International Race to Invent the Atomic Bomb

Inside the International Race to Invent the Atomic Bomb

Serhii Plokhy Digs Into the Rush to Research and Develop Nuclear Warfare in Germany, the USSR, and Japan

By Serhii Plokhy | October 23, 2025

On the Art (and Artifice) of the Miniature 

On the Art (and Artifice) of the Miniature 

For Amber Sparks the Dollhouse is a Whole World

By Amber Sparks | October 17, 2025

On Hybrid Writing: Finding the Right Container for the Story You Need to Tell

On Hybrid Writing: Finding the Right Container for the Story You Need to Tell

Matthew Clark Davison and Alice LaPlante Embrace the Importance of Genre Fluidity

By Matthew Clark Davison and Alice LaPlante | July 25, 2025

On Beauty and Its Opposite: Writing Toward Aesthetic Force 

On Beauty and Its Opposite: Writing Toward Aesthetic Force 

Matthew Clark Davison and Alice LaPlante on the Importance of the Singular Image

By Matthew Clark Davison and Alice LaPlante | July 18, 2025

Genre is a Container, Not a Cage, a Tool, Not a Limitation

Genre is a Container, Not a Cage, a Tool, Not a Limitation

Matthew Clark Davison and Alice LaPlante on the Importance Writing Outside Your Comfort Zone

By Matthew Clark Davison and Alice LaPlante | July 11, 2025

Have You Considered an Anarchist Approach to Plot?

Have You Considered an Anarchist Approach to Plot?

Matthew Clark Davison and Alice LaPlante on Throwing Bombs, Emotional Movement, and Other Plot Devices

By Matthew Clark Davison and Alice LaPlante | July 3, 2025

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In Praise of the Worker-Owned Company (OR: What to Do About Simon and Schuster)

By Nick Fuller Googins | November 29, 2022

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    • The Trauma Behind the "Good Old Days": Christina Henry on the Dark Trap of Nostalgia in FictionNovember 4, 2025 by Christina Henry
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