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  • Craft and Criticism
    • Literary Criticism
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Charlottesville, Brexit, and Trump: From News Cycle To Novel

Charlottesville, Brexit, and Trump: From News Cycle To Novel

Olivia Laing Makes the Switch to Fiction to Describe Our Awful, Chaotic Times

By Olivia Laing | August 10, 2018

Hiroshima, the Holocaust, and the Meaning of

Hiroshima, the Holocaust, and the Meaning of "Survivor"

“There is No Payment That Could Begin to Make Up for Any of It”

By Elizabeth Rosner | September 15, 2017

Silence is an Occupation all Its Own

Silence is an Occupation all Its Own

Speaking with Michael Chabon and Ayelet Waldman about Israel and Palestine

By Ilana Masad | June 5, 2017

From Mukasonga to Alexievich, We Need Writers Who Bear Witness

From Mukasonga to Alexievich, We Need Writers Who Bear Witness

Scott Esposito on Staying Clear-Eyed in Dark Times

By Veronica Esposito | April 18, 2017

Can Fiction Still Make a Difference?

Can Fiction Still Make a Difference?

Am I Writer-as-Writer, or Writer-as-Advocate?

By Rachel Hennessy | October 7, 2016

War in Translation: Giving Voice to the Women of Syria

War in Translation: Giving Voice to the Women of Syria

Lina Mounzer on the Urgency of Telling the Stories of Conflict

By Lina Mounzer | October 6, 2016

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When News of a Suicide Comes During Memoir Class

By Jamie-Lee Josselyn | September 8, 2016

What is the Writer's Place in a Violent World?

By Maaza Mengiste | May 5, 2016

You Don’t Have to Be a Veteran to Write About War

By Matt Gallagher | February 2, 2016

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