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  • Craft and Criticism
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A Cross-Genre Trek: How Translation Improved My Debut Novel

A Cross-Genre Trek: How Translation Improved My Debut Novel

Laura Venita Green Explores How Learning Italian Has Made Her English Writing Better

By Laura Venita Green | October 8, 2025

Alex Niemi on the Process of Translation and the Rhythm of Language

Alex Niemi on the Process of Translation and the Rhythm of Language

Sarah Viren Talks to the Translator of Laura Vazquez‘s “The Endless Week”

By Sarah Viren | October 3, 2025

Kate DiCamillo on Telling Stories Within a Story and Capturing Wonder

Kate DiCamillo on Telling Stories Within a Story and Capturing Wonder

Illustrator Sophie Blackall Talks to the Author of “Lost Evangeline”

By Sophie Blackall | October 1, 2025

Lalla Romano Was Writing Autofiction Before It Existed

Lalla Romano Was Writing Autofiction Before It Existed

On the Late Italian Writer’s Masterpiece, “In Farthest Seas”

By Brian Robert Moore | September 5, 2025

The Many Lessons from James Baldwin's <em>Another Country</em>

The Many Lessons from James Baldwin's Another Country

Carole Burns Rediscovers a Masterclass in Craft

By Carole Burns | September 18, 2023

How Should You Name Your Characters?

How Should You Name Your Characters?

Alison Stine on Conveying Setting, Style and Identity through One Important Word

By Alison Stine | October 26, 2021

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  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Grendel at 50: How John Gardner’s Finest Novel Undermines His Ideas About Moral Fiction

By Andrew DeYoung | August 17, 2021

Alix Ohlin on How to Map the Shape of Your Short Story

By Alix Ohlin | July 26, 2021

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    • The Trauma Behind the "Good Old Days": Christina Henry on the Dark Trap of Nostalgia in FictionNovember 4, 2025 by Christina Henry
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