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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
editing
Dear Fanny, Don’t Worry, I Know You’re Dead
Ezra Fox on Working With Fanny Howe on Her Last Book
By
Ezra Fox
| July 14, 2025
Five incredible books edited by Toni Morrison.
By
Brittany Allen
| April 24, 2025
Graydon Carter on
The Golden Age of Magazines
Terry McDonell Talks to Legendary Editor About His New Book
By
Terry McDonell
| March 25, 2025
Emily Greenhouse on the Whole Self
In Conversation with Merve Emre on The Critic and Her Publics
By
The Critic and Her Publics
| January 28, 2025
Adam Haslett on the Uses of Doubt
“I’ve come to realize how much of my doubt is actually fear.”
By
Adam Haslett
| January 10, 2025
Bylines and Big Edits: How a Career in Journalism Taught Elizabeth Harris the Techniques of Fiction
The Author of "How to Sleep at Night" on Revising, Writerly Advice, and Making People Very Mad
By
Elizabeth Harris
| January 7, 2025
Best Reviewed
Books of the Week
I Loathe Very Online Writers: Am I the Literary Asshole?
By
Kristen Arnett
| December 19, 2024
On the Remarkable Legacy of Lewis Lapham
By
Elias Altman
| October 7, 2024
“A Very Smart and Accessible Friend.” Why the
Chicago Manual of Style
Remains Essential
By
Literary Hub
| September 19, 2024
Ledia Xhoga on the Joy and Pain of Letting Go (of Half Your Novel)
“If you wake up wanting to google sunk cost fallacy, have a serious think about your commitments.”
By
Ledia Xhoga
| August 23, 2024
Closing the Literary Circle: Marc Berley on Editing the Work of Gordon Lish
"No one, I learned, appreciates the care and effort of an editor more than Lish."
By
Marc Berley
| April 29, 2024
To Americanize or Americanise: Writing a New Zealand Novel in the America-Dominant Publishing World
Rebecca K Reilly on the Editors Who Told Her to Change Her Novel for an American Audience
By
Rebecca K Reilly
| February 7, 2024
How Nora Fussner Turned a Reality TV Job Into a Novel
The Author of
The Invisible World
on Her Life as a Logger
By
Nora Fussner
| September 26, 2023
In Praise of Destruction: How Embracing Elimination Can Make Our Writing Better
Stephanie Bishop on Losing a Manuscript, Starting Over, and Learning to Swing a Literary Wrecking Ball at Her Work
By
Stephanie Bishop
| July 18, 2023
Ruth Madievsky on Burying Her Darlings in a Cemetery of Bangers
“My stylish one-liners were a crutch I used to get out of the more difficult decisions a novel requires.”
By
Ruth Madievsky
| July 10, 2023
Why I Decided to Update the Language in Ursula K. Le Guin’s Children’s Books
Literary Executor Theo Downes-Le Guin on What That Means For Readers, Past and Future
By
Theo Downes-Le Guin
| March 13, 2023
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7 Novels That Explore Motherhood's Complexities
November 4, 2025
by
Donna Freitas
To Break Up with Friends, or to Murder Them: 5 Novels Featuring Fatal Friendship Failings
November 4, 2025
by
Jenna Satterthwaite
The Trauma Behind the "Good Old Days": Christina Henry on the Dark Trap of Nostalgia in Fiction
November 4, 2025
by
Christina Henry
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"