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“D,” an Alphabetical Prose Experiment by Sheila Heti

“D,” an Alphabetical Prose Experiment by Sheila Heti

From the Book “Alphabetical Diaries”

By Sheila Heti | February 6, 2024

Time and Materials: On the Art of the Experimental Memoir

Time and Materials: On the Art of the Experimental Memoir

John West Considers the Literary Fragment

By John West | April 5, 2023

Anne Carson’s <em>Autobiography of Red</em> is Way Funnier Than You Remember

Anne Carson’s Autobiography of Red is Way Funnier Than You Remember

Emily Temple Revisits a Masterpiece 25 Years Later

By Emily Temple | March 30, 2023

Marisa Crane on the Finer Points of Experimental Fiction

Marisa Crane on the Finer Points of Experimental Fiction

“The experimental form should relate to and enhance the themes and narrative—not distract from it.”

By Mac Crane | January 19, 2023

Deconstructing Old Stories to Tell Them in New Ways

Deconstructing Old Stories to Tell Them in New Ways

Daisy Johnson on the Limits of the Wholly New

By Daisy Johnson | January 25, 2019

The Experimental German Writer For Whom

The Experimental German Writer For Whom "Dumb" is A Badge of Honor

On Translating Rainald Goetz, A Non-Conformist Par Excellence

By Adrian Nathan West | July 3, 2018

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5 Writers Who Blur the Boundary Between Poetry and Essay

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William H. Gass's Advice for Writers: "You Have to be Grimly Determined."

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Dear Rick Moody: How Can I Write Now That I'm Sober?

Dear Rick Moody: How Can I Write Now That I'm Sober?

Rick Moody, Life Coach, on Learning to Trust the Process

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Writing a Novel Limited to the 483 Words Spoken by Ophelia

Writing a Novel Limited to the 483 Words Spoken by Ophelia

Scott Esposito in Conversation with Paul Griffiths about let me tell you

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How to Write Through Dreams

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Anton Chekhov: A Post-Post-Modernist Way Ahead of His Time

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