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  • Craft and Criticism
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Why All of Ashley C. Ford’s Comfort Movies Are Sad

Why All of Ashley C. Ford’s Comfort Movies Are Sad

The Author of Somebody's Daughter in Conversation with Mychal Denzel Smith on Open Form

By Open Form | March 10, 2022

5 Audiobooks That Will Help You Get Your Hollywood Award Season Fix

5 Audiobooks That Will Help You Get Your Hollywood Award Season Fix

James Tate Hill Recommends Hayley Mills, Sharon Stone, and More!

By James Tate Hill | February 28, 2022

How Buster Keaton Became a Cinematic Superstar

How Buster Keaton Became a Cinematic Superstar

James Curtis on Buster Keaton's Transition from the Stage to the Screen

By James Curtis | February 18, 2022

Is <em>Wonder Boys</em> the Best-Ever Onscreen Depiction of a Writer?

Is Wonder Boys the Best-Ever Onscreen Depiction of a Writer?

Ryan Chapman Revisits the Brilliance of the 2000 Adaptation of Michael Chabon’s Novel

By Ryan Chapman | February 4, 2022

The Deep Roots of Acting Philosophy Behind Frances McDormand’s Craft

The Deep Roots of Acting Philosophy Behind Frances McDormand’s Craft

Isaac Butler on Accessing Character’s Emotion

By Isaac Butler | February 4, 2022

What Makes <em>The Princess Bride</em> Such a Great Movie?

What Makes The Princess Bride Such a Great Movie?

Chris Jones on Stories That Defy Labels

By Chris Jones | January 11, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

The Best Literary Film and Television of the Year

By Emily Temple | December 17, 2021

The Literary Film and TV You Need to Stream in December

By Emily Temple | December 3, 2021

Behind the Scenes of David Fincher’s Fight Club

By Adam Nayman | November 24, 2021

<em>Drive My Car</em>, a New Adaptation of the Haruki Murakami Story, Far Surpasses Its Source Material

Drive My Car, a New Adaptation of the Haruki Murakami Story, Far Surpasses Its Source Material

Ryan Chapman on Ryusuke Hamaguchi’s Three-Hour Masterpiece

By Ryan Chapman | November 24, 2021

D. A. Powell on the Energy Transfer of Poetry

D. A. Powell on the Energy Transfer of Poetry

In Conversation with Paul Holdengräber on The Quarantine Tapes

By The Quarantine Tapes | November 16, 2021

James Ivory on the Long, Rocky Road to His Collaboration with Vanessa Redgrave

James Ivory on the Long, Rocky Road to His Collaboration with Vanessa Redgrave

The Story of The Bostonians Involves Palestinian Activism, Glenn Close, and a Dismaying Dinner Party

By James Ivory | November 12, 2021

Please Stop Asking How I Wound Up in Fargo

Please Stop Asking How I Wound Up in Fargo

Jung Yun on Answering the Same Questions for 25 Years

By Jung Yun | November 5, 2021

WATCH: Short Film Adaptations of All Six Booker Prize Finalists

WATCH: Short Film Adaptations of All Six Booker Prize Finalists

The 2021 Booker Prize Shortlist Film Series, Created in Partnership with the BBC and Rural Media

By The Virtual Book Channel | November 3, 2021

Watching a Magazine, Reading a Movie: On Wes Anderson’s <em>The French Dispatch</em>

Watching a Magazine, Reading a Movie: On Wes Anderson’s The French Dispatch

In Which Olivia Rutigliano “Reads” the Director’s Oeuvre

By Olivia Rutigliano | October 22, 2021

Roy Peter Clark on How to Write Cinematically

Roy Peter Clark on How to Write Cinematically

“It is the way we see.”

By Roy Peter Clark | October 1, 2021

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Page 4 of 12
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    • To Break Up with Friends, or to Murder Them: 5 Novels Featuring Fatal Friendship FailingsNovember 4, 2025 by Jenna Satterthwaite
    • The Trauma Behind the "Good Old Days": Christina Henry on the Dark Trap of Nostalgia in FictionNovember 4, 2025 by Christina Henry
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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