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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
French literature
Art Imitates Life: Who Was the Real Woman Behind André Breton’s
Nadja
?
Mark Polizzotti Explores the Cultural Landscape of 1920s Paris Through the Eyes of the Surrealists and Their Muses
By
Mark Polizzoti
| June 16, 2025
All or Nothing: Deborah Levy on Marguerite Duras’s
The Lover
“Duras never covertly apologizes for the moral or psychological way that she exists in the world.”
By
Deborah Levy
| October 7, 2024
Was Françoise Sagan the original brat?
By
Brittany Allen
| September 6, 2024
How Annie Ernaux Inspired Me to Tell My Own Abortion Story
Colombe Schneck on Writing Against Shame and Solitude
By
Colombe Schneck
| May 14, 2024
“Something More Bare and More Raw Than a Man.” Constance Debré on Learning to Love Women
When You Abandon Your Marriage, Your Career, and Your Bourgeois Parisian Life
By
Constance Debré
| April 5, 2024
What Albert Camus’s
The Stranger
Says About Our Contemporary Anxieties
Kate Christensen on Finding Inspiration in the Existentialist Classic
By
Kate Christensen
| November 30, 2023
Best Reviewed
Books of the Week
Marie Ndiaye on a Novel's Many Twists and Turns
By
Jane Ciabattari
| October 24, 2023
Was Marcel Proust A Comedian? On the Unexpected Humor of
In Search of Lost Time
By
Michael Wood
| August 25, 2023
The End of Desire: Christiane Blot-Labarrère on Marguerite Duras’s
No More
By
Christiane Blot-Labarrère
| March 22, 2023
Why Turgenev Remains One of the Most Important Russian Writers (And Why You Should Read the Constance Garnett Translation)
Josh Billings on the Pocket Universes of a True Literary Master
By
Josh Billings
| December 19, 2022
Trauma Spoken and Unspoken: How Francophone Women Writers Tackle Sexual Violence
Dr. Dominique Carlini-Versini on French Literature In The #MeToo Era
By
Dr. Dominique Carlini-Versini
| September 2, 2022
Rachel Careau on How Translating Roger Lewinter Helped Her Translate Colette
"I could tell Lewinter, they are not so very different after all."
By
Rachel Careau
| July 8, 2022
Vive the
erotic far left!
Why Violette Leduc’s
The Taxi
needs a new translation.
By
Jonny Diamond
| April 7, 2021
Immobilized and in Love with Albertine Sarrazin, Patron Saint of Delinquent Writers
“I cannot move. Sarrazin comes to my aid.”
By
Cora Womble-Miesner
| March 18, 2021
Two of my favorite writers died this day. Here’s why you should read them.
By
Jonny Diamond
| March 3, 2021
How Claire Malroux's Translations of Emily Dickinson Shaped Her Own Poetry
Marilyn Hacker on Memory, Materiality, and Family
By
Marilyn Hacker
| November 9, 2020
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7 Novels That Explore Motherhood's Complexities
November 4, 2025
by
Donna Freitas
To Break Up with Friends, or to Murder Them: 5 Novels Featuring Fatal Friendship Failings
November 4, 2025
by
Jenna Satterthwaite
The Trauma Behind the "Good Old Days": Christina Henry on the Dark Trap of Nostalgia in Fiction
November 4, 2025
by
Christina Henry
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"