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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
grammar
Am I the Literary Asshole for Thinking All Writers Are Assholes?
Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior
By
Kristen Arnett
| April 17, 2025
Am I the Literary Asshole for Demanding More Semicolons in My Books?
Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior
By
Kristen Arnett
| March 20, 2025
Anne Curzan on Our Changing Language
In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction
By
Fiction Non Fiction
| October 17, 2024
“A Very Smart and Accessible Friend.” Why the
Chicago Manual of Style
Remains Essential
Seven Writers and Editors Discuss What they Love Most About This Faithful Companion of Grammar Nerds Everywhere
By
Literary Hub
| September 19, 2024
To Americanize or Americanise: Writing a New Zealand Novel in the America-Dominant Publishing World
Rebecca K Reilly on the Editors Who Told Her to Change Her Novel for an American Audience
By
Rebecca K Reilly
| February 7, 2024
Is the phrase
The Tortured Poets Department
grammatically correct?
By
Olivia Rutigliano
| February 6, 2024
Best Reviewed
Books of the Week
Emily Simon on Language Games, Perspective, and Inheriting a Tradition of Complaining
By
Ross Simonini
| May 25, 2023
Baroque, Purple, and Beautiful: In Praise of the Long, Complicated Sentence
By
Ed Simon
| April 10, 2023
In Praise of TK: Why the Handy Shorthand Has a Surprising Emotional Hold on Me
By
Sophie Vershbow
| September 29, 2022
What Happens When You Offer Grammar Advice to Complete Strangers in the Middle of Manhattan
Ellen Jovin on Spreading the Joy and Empowerment of Language
By
Ellen Jovin
| July 26, 2022
The Syntax of Belonging: On the Profound Connection Between Identity and Language
Pardis Mahdavi Considers the Evolution of Words and Hyphenate Identities
By
Pardis Mahdavi
| July 30, 2021
In Praise of the Singular “They”
in Literary Translation
Isaac Stackhouse Wheeler on Maintaining the Aesthetic
Character of a Text
By
Isaac Stackhouse Wheeler
| May 14, 2021
Of course Vladimir Nabokov imagined emoticons over a decade before they were invented.
By
Emily Temple
| April 30, 2021
Which one is correct: O.K., OK, ok, or okay?
By
Jonny Diamond
| March 23, 2021
Type what you want, but we’re going to remove your extra space after a period.
By
Jonny Diamond
| March 11, 2021
The West in Pieces: On the Reimagined Grammar(s) of C. Pam Zhang
Christian Kiefer on a Debut Novel That Rewrites the Hills of California
By
Christian Kiefer
| April 9, 2020
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7 Novels That Explore Motherhood's Complexities
November 4, 2025
by
Donna Freitas
To Break Up with Friends, or to Murder Them: 5 Novels Featuring Fatal Friendship Failings
November 4, 2025
by
Jenna Satterthwaite
The Trauma Behind the "Good Old Days": Christina Henry on the Dark Trap of Nostalgia in Fiction
November 4, 2025
by
Christina Henry
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"