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Finding the Truth In the Imaginary: On “Accurately” Writing About Time Travel

Finding the Truth In the Imaginary: On “Accurately” Writing About Time Travel

Aja Gabel Offers Some Tips For Crafting Scientifically and Emotionally Sound Speculative Fiction

By Aja Gabel | November 4, 2025

Beyond One-Note Nastiness: On Getting Inside the Head of a Despicable Character

Beyond One-Note Nastiness: On Getting Inside the Head of a Despicable Character

Shannon Bowring Shares Her Experience With Writing From an Antagonist’s Point of View

By Shannon Bowring | October 8, 2025

What Time Provides: Mining the Creative Unconscious For Inspiration

What Time Provides: Mining the Creative Unconscious For Inspiration

Victoria Redel on Taking Decades to Return To a Once-Abandoned Story

By Victoria Redel | October 6, 2025

“It’s Okay But It’s Also Really Not.” When Dystopian Fiction is No Longer a Thought Experiment

“It’s Okay But It’s Also Really Not.” When Dystopian Fiction is No Longer a Thought Experiment

Yume Kitasei Explores the Different Forms Dystopias Can Take, On and Off the Page

By Yume Kitasei | October 6, 2025

Re(se)a(r)ching For Connection: Navigating the Fact and Fiction of Alien Abduction Stories

Re(se)a(r)ching For Connection: Navigating the Fact and Fiction of Alien Abduction Stories

Ilana Masad: “It’s in trying to reach beyond our limited selves that we are, I believe, most human.”

By Ilana Masad | October 2, 2025

Mother Tongues: Reflections on Memory, Language, and Love in Germany

Mother Tongues: Reflections on Memory, Language, and Love in Germany

Tamar Shapiro: “I owe this book to my mother. It is not about her, and yet she is on every page.”

By Tamar Shapiro | October 1, 2025

Best Reviewed
Books of the Week

Writing Yourself Into Existence: On Loving Worlds Where We Don’t Belong

By Abdi Nazemian | September 24, 2025

Finding Inspiration (and Joy) While Drafting Among the Fjords

By David Greig | September 15, 2025

Writer, Resistance Fighter, and Kafka’s First Translator: Milena Jesenská, Forgotten No More

By Christine Estima | September 12, 2025

“Literature is a Force For Peace and Solidarity.” On Writing a Novel of the War in Ukraine

“Literature is a Force For Peace and Solidarity.” On Writing a Novel of the War in Ukraine

Sam Wachman Unpacks the Challenges of Sharing Truths in Fiction

By Sam Wachman | August 13, 2025

How Tochi Eze Found Her Writing Voice in Igbo Folklore

How Tochi Eze Found Her Writing Voice in Igbo Folklore

“Myth is not just fabrication or metaphor, it is method and craft.”

By Tochi Eze | August 5, 2025

Why a Nineteenth-Century Scandal of Class and Identity Still Speaks to Us

Why a Nineteenth-Century Scandal of Class and Identity Still Speaks to Us

Nell Stevens on the Tichborne Claimant Fraud and Creating the Possibility of a Different World Through Fiction

By Nell Stevens | August 4, 2025

Even Better the Second (or Third, or Fourth...) Time: In Praise of Re-Reading

Even Better the Second (or Third, or Fourth...) Time: In Praise of Re-Reading

Kathy Wang: “There are certain books where...the pleasure there isn’t really the ending but rather the journey.”

By Kathy Wang | July 14, 2025

How Does a Critic Write a Novel About Critics?

How Does a Critic Write a Novel About Critics?

Charlotte Runcie on the Symbiotic Relationship Between Artists and Those Who Review Them

By Charlotte Runcie | July 10, 2025

The Church of the Screen: A Daughter’s Reflections on an Early Cinematic Education

The Church of the Screen: A Daughter’s Reflections on an Early Cinematic Education

Joanna Howard Explores the Impact of Her Mother’s Passion For Film on Her Own Storytelling

By Joanna Howard | July 10, 2025

Croatia as a Character? Lidija Hilje on Trying—and Failing—to Write a Universal Story

Croatia as a Character? Lidija Hilje on Trying—and Failing—to Write a Universal Story

“Even though I did my best to tune out Croatia, this proved to be an impossible task.”

By Lidija Hilje | July 8, 2025

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