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Why Aimie K. Runyan Spent Her First Literary Paycheck on a Coffee Mug

Why Aimie K. Runyan Spent Her First Literary Paycheck on a Coffee Mug

The Author of “Mademoiselle Eiffel” Reflects on the Self-Gift From Her Book Advance that Keeps Her Going

By Aimie K. Runyan | September 11, 2024

Author Profiles Are No Replacement for Book Criticism But I Love Them Anyway

Author Profiles Are No Replacement for Book Criticism But I Love Them Anyway

Maris Kreizman, in Praise of the Deep Dive

By Maris Kreizman | August 29, 2024

If You Skip a Friend’s Book Launch Are You the Literary Asshole?

If You Skip a Friend’s Book Launch Are You the Literary Asshole?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | August 22, 2024

A new literary start-up wants reading to be sexier.

A new literary start-up wants reading to be sexier.

By Brittany Allen | August 20, 2024

Sofia Samatar on Collage, Literary Community, and the Stunning Loneliness of Publishing

Sofia Samatar on Collage, Literary Community, and the Stunning Loneliness of Publishing

Liska Jacobs in Conversation with the Author of “Opacities”

By Liska Jacobs | August 19, 2024

Despite the Chaos of the Presidential Election, There Will Be More Than Enough Books This Fall

Despite the Chaos of the Presidential Election, There Will Be More Than Enough Books This Fall

Maris Kreizman on this Fall’s Incredible Crop of Fiction

By Maris Kreizman | August 15, 2024

Best Reviewed
Books of the Week

Zen, with Legos: How Playing with Blocks Helped Colleen McKeegan Make Sense of Bad Reviews

By Colleen McKeegan | August 15, 2024

How the Prospect of Publishing Can Paralyze the Writing Process

By Sofia Samatar | August 14, 2024

How Jacqueline Susann and Jackie Collins Changed the Face of Publishing

By Gill Paul | August 13, 2024

How Catalyst and Iskanchi Press Are Bringing African Writers’ Work to a Wider Audience

How Catalyst and Iskanchi Press Are Bringing African Writers’ Work to a Wider Audience

Jessica Powers and Kenechi Uzor on What Diversity Means, Defining African Literature, and Taking Risks as Publishers

By Jessica Powers | August 5, 2024

The <em>New York Times’</em> “Best Books of the Century” List Was an Unforgivable Erasure of African Literature

The New York Times’ “Best Books of the Century” List Was an Unforgivable Erasure of African Literature

Ainehi Edoro-Glines on the Inherent Racism of Reproducing the Euro-American View of Literature

By Ainehi Edoro-Glines | July 26, 2024

The Man Who Created the Trade Paperback

The Man Who Created the Trade Paperback

Michael Castleman on the Life and Times of Jason Epstein, Cofounder of “The New York Review of Books”

By Michael Castleman | July 18, 2024

Envy, Obsession, and Instagram: On My Mental Breakdown at an Esteemed Writing Conference

Envy, Obsession, and Instagram: On My Mental Breakdown at an Esteemed Writing Conference

Brittany Ackerman Chronicles a Very Short, Very Bad Fellowship

By Brittany Ackerman | July 12, 2024

My Local Indie Won’t Stock My Buzzy Debut and I’m Pissed: Am I the Literary Asshole?

My Local Indie Won’t Stock My Buzzy Debut and I’m Pissed: Am I the Literary Asshole?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | July 11, 2024

Write More “Indianly,” or Else: Asha Thanki on the Trap of “Authentic” Writing

Write More “Indianly,” or Else: Asha Thanki on the Trap of “Authentic” Writing

Considering the Publishing Industry's Problematic Ideas About Non-American Writers

By Asha Thanki | July 10, 2024

If You’re Going to Platform Extremists You Should At Least Check Their Facts

If You’re Going to Platform Extremists You Should At Least Check Their Facts

Maris Kreizman on Publishing’s Nonfiction Problem

By Maris Kreizman | July 9, 2024

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