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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
representation
Writing Yourself Into Existence: On Loving Worlds Where We Don’t Belong
Abdi Nazemian: "My empathy is big enough to let me love something (or someone) even if they have not pledged allegiance to me..."
By
Abdi Nazemian
| September 24, 2025
Against Homophobic Traditionalism: The Revelations of Writing Queer Historical Fiction
Phil Melanson Argues on Leonardo da Vinci, Bad Reviews, and Bucking History'’s Heteronormativity
By
Phil Melanson
| June 16, 2025
How Britain’s 1980s Anti-Gay Laws Impacted a Generation of Young LGBTQ Readers
Claire Lynch on the Legacy of Section 28 and the Parallels With Current Book Bans Across the Pond
By
Claire Lynch
| June 3, 2025
In Defense of the Messy Queers: Why “Good” Representation Isn”t Enough
For Edward Underhill, “The fullness of life comes from the struggle.”
By
Edward Underhill
| January 14, 2025
“She Is Not Me.” What Reading to Your Children Teaches You About Yourself
Olivia A. Cole on Representation, Parenthood and the Power of Children’s Literature
By
Olivia A. Cole
| November 14, 2024
How the Prospect of Publishing Can Paralyze the Writing Process
Sofia Samatar on Balancing Self-Compartmentalization With the Joy of Creation
By
Sofia Samatar
| August 14, 2024
Best Reviewed
Books of the Week
All Living Creatures: Do Animals Deserve Political Rights and Representation?
By
Brandon Keim
| July 23, 2024
Write More “Indianly,” or Else: Asha Thanki on the Trap of “Authentic” Writing
By
Asha Thanki
| July 10, 2024
Why I Write Gay: Eric Schlich Channels His Bisexuality Through Queer Protagonists
By
Eric Schlich
| January 18, 2024
Black Lives Matter in the Classroom: A Roundtable on Teaching CRT and Disputed Literature Today
Lynnette Mawhinney Speaks with Cicely Lewis, Christopher Stewart, Shamika J. Simpson, Ahmed Ismail Yusuf, and Holly Y. McGee
By
Literary Hub
| December 7, 2023
Walden, Freestyled: Reimagining and Reclaiming What It Means to Be Black in Nature
Edward Moreta Jr. on White Western Nature Writing, JID's 29 (Freestyle), and Longing for Black Representation in Wild Settings
By
Edward Moreta Jr.
| December 4, 2023
Romance and Representation: On the Rise of the Asian American Romantic Comedy
Jeff Yang in Conversation With Actor Simu Liu and Filmmaker Alice Wu
By
Jeff Yang
| October 26, 2023
None of the Above: On Writing a Biracial Protagonist
Claire Stanford Considers the Answers to Questions of Racial Representation and Identification
By
Claire Stanford
| August 21, 2023
A Desi Mr. Darcy: Sayantani DasGupta on Diverse Retellings of Regency Tales
“Maybe the sort of multicultural representation we see in recent Regency romances can be a kind of medicine.”
By
Sayantani DasGupta
| June 16, 2023
From Servant to Sidekick: The “Black Friend,” Then and Now
Aisha Harris Reflects on Racial Representation in Popular Culture
By
Aisha Harris
| June 15, 2023
Ada Zhang on the Complexity of Capturing Immigrants' Lives in Fiction
Belinda Huijuan Tang Speaks to the Author of
The Sorrows of Others
By
Belinda Huijuan Tang
| May 9, 2023
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7 Novels That Explore Motherhood's Complexities
November 4, 2025
by
Donna Freitas
To Break Up with Friends, or to Murder Them: 5 Novels Featuring Fatal Friendship Failings
November 4, 2025
by
Jenna Satterthwaite
The Trauma Behind the "Good Old Days": Christina Henry on the Dark Trap of Nostalgia in Fiction
November 4, 2025
by
Christina Henry
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"