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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
self-promotion
Why I Chose to Be the Cover Model for My Own Novel
Alvina Chamberland: “I want to take up as much space as possible, both body and soul.”
By
Alvina Chamberland
| March 25, 2024
What Anne Sexton Taught Me About... Self-Promotion
Joy Lanzendorfer on Balancing Social Anxiety and the Need for Writerly Networking
By
Joy Lanzendorfer
| June 18, 2019
Herman Melville: How to Promote Your Future Classic About Whales
Did People Even Talk About Books Before Twitter? As Told to Thomas Swick
By
Herman Melville
| November 14, 2018
Charles Bukowski Wrote So Fast His Publisher Couldn’t Keep Up
On Trying to Get a Poet to Make Copies of His Poems
By
Abel Debritto
| November 17, 2017
How I Learned To Stop Checking My
Book's Sales
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By
Betsy Robinson
| July 8, 2016
Nom de Vie: Literary Social Media in the Age of Ferrante
On Anonymity and the Self-Promotional Author
By
Alexander Chee
| September 17, 2015
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